LOS ANGELES (AP) Resurrected demons and resurrected dinosaurs are helping to put some life back into the weekend box office.
The demonic horror remake "Evil Dead" debuted at No. 1 with $26 million, according to studio estimates Sunday.
In a tight fight for second-place were two holdovers, the animated comedy "The Croods" and the action flick "G.I. Joe: Retaliation," both with an estimated $21.1 million. Final numbers Monday will sort out which movie comes out ahead.
Steven Spielberg's 3-D debut of his dinosaur blockbuster "Jurassic Park" came in fourth with $18.2 million. That's on top of the $357.1 million domestic haul for "Jurassic Park" in its initial run in 1993.
Released by Sony's TriStar Pictures, "Evil Dead" added $4.5 million in 21 overseas markets, giving it a worldwide start of $30.5 million. Shot on a modest budget of $17 million, the movie is well on its way to turning a profit.
The remake was produced by the 1983 original's filmmakers, director Sam Raimi and producer Rob Tapert, and its star, Bruce Campbell. The new "Evil Dead" lays the gore on thickly for the story of a group of friends terrorized and possessed by demons during a trip to a cabin in the woods.
"It's one crazy ride, that movie. I have to think Sam Raimi is so proud in remaking this film that it turned out so well," said Rory Bruer, head of distribution for Sony. "It's such a visceral ride, where you're holding on to your seat or holding on to the person next to you."
Paramount's "G.I. Joe" sequel, which had been No. 1 the previous weekend, pushed its domestic total to $86.7 million. The movie also added $40.2 million overseas for an international haul of $145.2 million and a worldwide take of $232 million.
"The Croods," a DreamWorks Animation release distributed by 20th Century Fox, raised its domestic total to $125.8 million after three weekends. Overseas, the movie did an additional $34.1 million to lift its international total to $206.8 million and its worldwide receipts to $333 million.
Universal Pictures' "Jurassic Park" reissue opened in a similar range of other recent blockbuster 3-D releases such as "Titanic" ($17.3 million) and "Star Wars: Episode I The Phantom Menace" ($22.4 million).
None of the new movies or holdovers came close to the domestic business being done a year ago by "The Hunger Games," which led over the same weekend in 2012 with $33.1 million in its third weekend. But collectively, Hollywood had a winning lineup of movies that gave revenues a lift from last year.
Domestic receipts totaled $134 million, up 8.5 percent from the first weekend of April a year ago, according to box-office tracker Hollywood.com. That uptick comes after three-straight weekends of declining revenue and a quiet first quarter in which domestic business has totaled $2.47 billion, down 11.4 percent from the same point in 2012.
Hollywood set a record with $10.8 billion domestically last year, and 2013's releases so far have been unable to match up. Studios are counting on a strong start to the summer season as "Iron Man 3" arrives the first weekend in May and such sequels as "Star Trek: Into Darkness," ''The Hangover Part III" and "Fast & Furious 6" quickly follow.
"When you have a record box-office year like we did in 2012, every weekend in 2013 is becoming a challenge to best or even equal what we did the year before," said Hollywood.com analyst Paul Dergarabedian. "The summer movie season can't come a moment too soon. We definitely need it."
In limited release this weekend, director and star Robert Redford's "The Company You Keep" started well with $146,058 in five theaters for a healthy $29,212 average. That compares to an $8,595 average in 3,025 cinemas for "Evil Dead."
"The Company You Keep" also features Susan Sarandon and Shia LaBeouf in the story of a 1970s fugitive on the run for three decades for a robbery that left a security guard dead.
"Slumdog Millionaire" director Danny Boyle's "Trance" opened with $136,103 in four theaters for a $34,026 average. The twisting thriller features James McAvoy as an amnesiac art thief whose accomplices enlist a hypnotist (Rosario Dawson) to crack his memory.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Where available, latest international numbers are also included. Final domestic figures will be released Monday.
1. "Evil Dead," $26 million ($4.5 million international).
2 (tie). "The Croods," $21.1 million ($34.1 million international).
2 (tie). "G.I. Joe: Retaliation," $21.1 million ($40.2 million international).
4. "Jurassic Park" in 3-D," $18.2 million ($3 million international).
5. "Olympus Has Fallen," $10.04 million.
6. "Tyler Perry's Temptation," $10 million.
7. "Oz the Great and Powerful," $8.2 million ($13.6 million international).
8. "The Host," $5.2 million ($3.5 million international).
9. "The Call," $3.5 million.
10. "Admission," $2.1 million.
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Estimated weekend ticket sales at international theaters (excluding the U.S. and Canada) for films distributed overseas by Hollywood studios, according to Rentrak:
1. "G.I. Joe: Retaliation," $40.2 million.
2. "The Croods," $34.1 million.
3. "Oz the Great and Powerful," $13.6 million.
4. "Jack the Giant Slayer," $10.9 million.
5. "Identity Thief," $6.4 million.
6. "Evil Dead," $4.5 million.
7. "Dragon Ball Z: Kami to Kami," $4.4 million.
8. "Running Man," $3.7 million.
9. "The Host," $3.5 million.
10. "Wreck-It Ralph," $3.4 million.
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Online:
http://www.hollywood.com
http://www.rentrak.com
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Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by News Corp.; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.
