Actress Amanda Bynes denies bong-throwing charges



By Chris Francescani

NEW YORK (Reuters) - American actress Amanda Bynes appeared in court on Friday and denied charges of possessing marijuana and tossing a bong out of the window of her 36th-floor Manhattan apartment.

The former Nickelodeon child star, who appeared in court dressed in gray sweatpants, a long-sleeved black shirt and a disheveled platinum blonde wig, was released on her own recognizance after spending a night in jail after her arrest on Thursday.

She was charged with unlawful possession of marijuana, reckless endangerment and attempted tampering with physical evidence, according to court documents. All the alleged offenses are classified as misdemeanors rather than felonies.

Her attorney at the hearing denied the charges and accused police of entering the actress' apartment illegally.

"Clearly a search was made for the bong and nothing was recovered," attorney Andrew Friedman told the court. "My client completely denies ever having thrown anything out the window. She was followed illegally into her apartment for no reason."

The actress, 27, who has had several brushes with the law in the past year and is on probation for driving on a suspended license in California, was ordered to return to court on July 9.

Bynes said, "Thank you, sir," to the judge before leaving court and entering a taxi cab, flanked by paparazzi.

New York police were called to Bynes' 47th Street midtown high-rise building after an employee there reported that someone was smoking marijuana in the building's lobby.

Police said they were then directed to Bynes' apartment, where the actress invited them in.

Officers said they detected a strong smell of marijuana in the apartment and observed the bong - a tube-shaped water pipe commonly used for smoking marijuana - in the apartment.

Bynes then grabbed the bong and threw it out the window and the actress was taken into custody, police said.

Bynes, who had her own TV comedy sketch show on Nickelodeon at the age of 13, has gained a strong Internet following for her recent bizarre behavior and statements on her Twitter social media account.

The actress has not appeared in a film since 2010's "Easy A" and has appeared in court over a slew of driving violations in the past year, including drunk driving, and hit and run.

(Additional reporting by Eric Kelsey in Los Angeles; Editing by David Brunnstrom)

Unhappy with how your fave series is faring? Amazon gives you a say



SAN FRANCISCO (Reuters) - Amazon is once again shaking up traditional publishing models. This time, it's giving fans a chance to add their own personal touches to their favorite fiction - and get paid in the process.

This week, Amazon.com Inc announced "Kindle Worlds," which offers aspiring writers an opportunity to pen their own takes on franchises in books, TV, movies, even games and comics. The world's largest Internet retailer plans to license content, then accept submissions online that may then be sold through its Kindle ebook store.

Things will kick off with Amazon licensing three teen TV series - "Gossip Girl", "Pretty Little Liars" and "The Vampire Diaries" - from Warner Bros Television Group's Alloy Entertainment, Amazon said on its website. More content deals will be announced in coming weeks.

Amazon has in the past decade emerged as the most disruptive force in publishing. It popularized digital books with its Kindle store and e-reader, contributing to the demise of traditional bookstores such as Borders.

In its effort to legitimize fan fiction, the company is establishing a model under which it acts as publisher and pays fan-writers between 20 and 35 percent of sales, depending on length.

"There's probably not an author/fangirl alive who hasn't fantasized about being able to write about her favorite show," budding novelist Trish Milburn enthused on Amazon's website. "The fact that you can earn royalties doing so makes it even better."

(Reporting by Edwin Chan; Editing by Phil Berlowitz)

Prosecutor in Berlusconi sex trial receives mail with bullets



MILAN (Reuters) - The prosecutor in former prime minister Silvio Berlusconi's sex trial has received a series of anonymous letters of threats, including one with two bullets, Milan's chief prosecutor said on Thursday.

The letters against Ilda Boccassini have become more frequent since she requested a six-year jail sentence and a lifetime ban on holding public office for Berlusconi, Edmondo Bruti Liberati said.

"In the last few weeks there has been a crescendo of anonymous letters containing serious threats against Boccassini, including one yesterday containing two bullets," Bruti Liberati said in a statement.

On May 13, Boccassini requested the jail sentence and public office ban for Berlusconi, who is charged with paying for sex with a Moroccan night-club dancer when she was a minor and abusing his office to have her released from police custody.

In a six-hour-long closing argument, Boccassini said the so-called "bunga bunga" parties at villa of the 76-year old billionaire media tycoon involved a "system of organized prostitution." Berlusconi has denied the charges.

The verdict is expected on June 24.

(Reporting By Manuela D'Alessandro, Writing by Silvia Aloisi, Editing by Angus MacSwan)

Japanese octogenarian becomes oldest to reach Everest summit



By Gopal Sharma

KATHMANDU (Reuters) - An 80-year-old Japanese mountain climber who has had four heart surgeries reached the top of Mount Everest on Thursday becoming the oldest person to conquer the world's highest mountain.

Yuichiro Miura, who took the standard southeast ridge route pioneered by Sir Edmund Hillary and Tenzing Norgay 60 years ago, reached the top of the 8,848 meter (29,028 feet) mountain at about 9:00 a.m. (0315 GMT). He was accompanied by three other Japanese, including his son, and six Nepali sherpas.

"This is the greatest feeling in the world," he told family members and supporters gathered in Tokyo, speaking from the summit by satellite phone.

"I never thought I'd get to the summit of Everest at the age of 80. It was the best feeling to get here, but now I'm completely exhausted."

Miura, who first climbed Everest in 2003 and repeated the feat five years later, takes the oldest climber record from Nepal's Min Bahadur Sherchan, who reached the summit at the age of 76 in 2008.

"The record is not so important to me," Miura told Reuters in April, before setting off for Everest. "It is important to get to the top."

Miura spent the night at 8,500 meters (27,887 ft) at the Balcony in the so-called death zone before launching his final ascent, rather than the 8,000 meter South Col which is used as a resting place by most climbers before the summit climb, said Gyanendra Shrestha, a Nepal Tourism Ministry official.

His ascent had been watched closely in Japan, with daily broadcasts of phone calls and photographs from the climb - including one night when he and his fellow climbers drank green Japanese tea and ate hand-rolled sushi in their tent high on the mountain.

A noted adventurer, Miura skied down Everest from the South Col in 1970, a feat that became the subject of a documentary. He has since skied down the highest mountains on each of the seven continents, following the tradition of his late father Keizo, who skied down Europe's Mont Blanc at the age of 99.

He trained for the Everest climb by hiking in Tokyo with weighted packs and working out on a treadmill in a special low-oxygen room in his home.

Nearly 4,000 climbers have reached the Everest summit since the pioneering May 1953 climb, while 240 have lost their lives on its slopes.

Miura is not the first record-setter on Everest this climbing season.

Raha Moharrak became the first Saudi Arabian woman to conquer the peak, while Sudarshan Gautam, a 30-year-old Nepali-born Canadian who lost both arms in an accident, became the first double amputee to summit.

Miura's record may only be his to savor briefly. Nepal's Min Bahadur Sherchan, now 81, plans to start climbing the peak this weekend.

(Reporting by Gopal Sharma and Elaine Lies, editing by Elaine Lies and Michael Perry)

Brown hounded for calling Manila 'gates of hell'



MANILA, Philippines (AP) Dan Brown's description of Manila as "the gates of hell" in the American novelist's latest book has not gone down well with officials in the Philippine capital.

The book "Inferno," which is being sold in the Philippines, describes a visitor to the city who is taken aback by poverty, crime and prostitution.

The chairman of metropolitan Manila, Francis Tolentino, wrote an open letter to Brown on Thursday, saying that while "Inferno" is fiction, "we are greatly disappointed by your inaccurate portrayal of our beloved metropolis."

Tolentino objected to the "gates of hell" description, and to Manila being defined by what he calls terrible descriptions of poverty and pollution.

He said that the novel fails to acknowledge Filipinos' good character and compassion.

"Truly, our place is an entry to heaven," Tolentino said. "We hope that this letter enlightens you and may it guide you the next time you cite Manila in any of your works."

Brown's publisher, Doubleday, declined comment when contacted by The Associated Press.

"Inferno" is already a best-seller a little over a week since its debut. The story drawn partly from Dante's epic again features Harvard symbologist Robert Langdon, the protagonist for Brown's blockbuster "The Da Vinci Code" and its follow-up "The Lost Symbol."

In the book, Langdon's companion depicts Manila as a city of "six-hour traffic jams, suffocating pollution, horrifying sex trade."

"I've run through the gates of hell," she said.

It's not the first time that authorities have been angered by an unflattering description of the sprawling city of some 12 million people, where urban shanties and the homeless exist side by side with glitzy shopping malls and walled residential compounds.

In 1999, then-President Joseph Estrada banned Hollywood actress Claire Danes, who shot the movie "Brokedown Palace" in Manila, from entering the country after she said in an interview that the city was smelly, weird and full of rats.

Estrada was elected mayor of Manila in last week's elections on a promise to reverse the city's decay.

Apple enjoyed Irish tax holiday from the start



By Poornima Gupta and Padraic Halpin

SAN FRANCISCO/DUBLIN (Reuters) - Apple has operated almost tax-free in Ireland since 1980, welcomed by a government keen to bring jobs to what was then one of Europe's poorest countries, former company executives and Irish officials have said.

Chief Executive Tim Cook faced criticism from a Senate subcommittee in Washington on Tuesday over the iPad and iPhone maker's tax practices, which had been shrouded from full view behind secretive tax-exempt Irish-based corporate entities.

Apple, one of Ireland's top multinational employers, denied avoiding billions of dollars in U.S. taxes and said its arrangements helped fund research jobs in the United States.

The committee revealed that Apple's Irish companies, some of which are not tax resident in any jurisdiction, allowed the group to pay no tax on much of its overseas earnings in recent years.

Senator Carl Levin, chairman of the subcommittee, said Apple had sought "the Holy Grail of tax avoidance".

A former company executive and Irish officials told Reuters the almost tax-free status dates all the way back to Apple's arrival in County Cork 32 years ago.

Apple must have seemed attractive to Ireland and to Cork. Amid a generally moribund Irish economy, Cork had been hard hit by the closure of its shipyards and a Ford car plant, and in 1986 nearly one in four were out of work in the city.

In the early days, Apple's staff sat down to meals together. Now the company employs 4,000 in Ireland.

"There were tax concessions for us to go there," said Del Yocam, who was Vice President of manufacturing at Apple in the early 1980s. "It was a big concession."

In fact, the deal was about as good as a company can get.

"We had a tax holiday for the first 10 years in Ireland. We paid no taxes to the Irish government," one former finance executive, who asked not to be named, said.

Apple wasn't an exception, although it was among the last to enjoy such favorable treatment. From 1956 to 1980, Ireland attracted foreign companies by offering a zero rate of tax, according to the Irish government's website. Eligible companies arriving in 1980 were given holidays until 1990.

"Any multinational attracted into Ireland that was focusing on the export market paid zero percent corporation tax," said Barry O'Leary, CEO of IDA Ireland, which is charged with attracting investment into Ireland.

Apple said it pays all the tax due in every country where it operates. It declined to comment on the tax treatment it received in the 1980s.

As part of Ireland's accession to the European Economic Community, precursor to the European Union, in 1973, it was forced to stop offering tax holidays to exporters.

From 1981, companies arriving in Ireland had to pay tax, albeit at a low 10 percent rate, providing they qualified for manufacturing status.

ECONOMIC COUP

Apple's investment was a major coup for Ireland. At the time, the country was struggling with high and rising unemployment, double-digit inflation and a brain drain of the young and educated through emigration.

"We were the first technology company to establish a manufacturing operation in Ireland," recalled John Sculley, Apple's CEO from 1983 to 1993. He said government subsidies had also played a role in deciding to set up a base in Ireland.

Ireland also offered low wage rates - a big attraction when it came to hiring hundreds of people for the relatively low-skilled work of assembling electronic equipment.

Apple told the subcommittee it could not answer questions about why it chose Ireland as a base since it had lost the paperwork from the period.

The operation in Cork built the company's Apple II computer and would later build disc drives, Mac' computers and others. These would be sold in Europe, the Middle East, Africa and Asia.

But having a tax holiday in Ireland would not, in itself, have allowed Apple to operate tax free in these markets.

Equipment assembly is not the kind of activity that economists or tax authorities usually credit with generating a large share of a technology company's profits.

More value has been associated with generating the intellectual property behind the technology - which Apple did in the United States - and with the selling of goods, which was to be done on the ground in France, Britain and India.

But none of these countries offered the tax advantages Ireland did. The key to minimizing Apple's tax bill was maximizing the amount of profit that could be ascribed to Apple's Irish operations.

THE ARCHITECT

This task fell to Mike Rashkin, Apple's first tax director, two executives from the period said. One called him "the father of it all".

Rashkin arrived at Apple in 1980, from computer pioneer Digital Equipment Corp (DEC) in Massachusetts, where he had learnt about tax-efficient corporate structuring in tech companies.

Apple had already decided to establish its base in Ireland when Rashkin moved to Silicon Valley, but he used his experience at DEC to set up a tax structure that took advantage of Apple's base in the country, the executives said. Rashkin declined to comment.

The Senate subcommittee's report reveals how the arrangement was structured. In 1980, Apple entered into a deal with its Irish operation, whereby the latter would share the cost of funding Apple's research and development. In return, the Irish unit would be able to enjoy rights to Apple's intellectual property for goods sold outside the Americas.

Apple secured the blessing of the U.S. tax authority, the Internal Revenue Service, for the deal, one executive said. The IRS gave Apple an advance pricing agreement, or APA, an agreement which establishes how the IRS will treat a transaction between affiliates for tax purposes, before it is entered into.

Many countries' tax authorities offer APAs, and companies say they are necessary to facilitate international trade and investment. Tax campaigners say tax authorities have been too ready to accept the pricing proposed by companies which apply for APAs.

The New York Times reported last year that Apple's low taxes were at least in part due to the confidential technology transfer arrangement.

The terms of the deal and subsequent cost-sharing deals were favorable for Apple's Irish unit. In effect, the Irish unit paid much less to its U.S. parent for the use of Apple intellectual property than it made from selling that property on to affiliates.

"Apple's cost sharing agreement (CSA) with its offshore affiliates in Ireland is primarily a conduit for shifting billions of dollars in income from the United States to a low tax jurisdiction," the subcommittee's report said.

Meanwhile, Apple also constructed a system whereby the affiliates which were actually selling the finished equipment would earn minimal profits.

The techniques Apple used over the years included selling goods to affiliates at prices which generated little profit at the retail level, or by paying sales affiliates commissions which are just about enough to cover their operating costs.

Rashkin's work and Ireland's accommodating approach had the desired result for Apple.

"We're very, very pleased," Apple's then-President A.C. Mike' Markulla said in 1981. "The Irish have really lived up to their promises."

Indeed, the accounts for Apple's main Irish unit, then known as Apple Computer Inc. Ltd, for 1989, the earliest year for which detailed accounts were filed, show exactly how effective the arrangement was.

The subsidiary paid $500,000 in income tax on profits of $317 million, a rate of 0.2 percent.

END OF THE HOLIDAY

In 1990, Apple's tax holiday came to an end, and in that year, the Irish operation's tax rate hit 4 percent, accounts from the period show.

At the same time, Apple's Irish manufacturing activities came under question as the company looked to cut costs by outsourcing. In 1992, the company announced plans to cut hundreds of jobs after deciding to shift some work to Singapore, which at this time was attracting increasing investment by offering tax holidays.

"They nearly left Ireland altogether," O'Leary said.

By this stage, the European Community had banned tax holidays of the kind given to Apple, so the company and Dublin negotiated an arrangement which had a similar outcome but fell within European rules.

The precise details of the arrangement were not disclosed, but Phillip Bullock, Apple's head of tax operations, indicated that it was linked to minimizing taxable profit.

"Since the early 1990s, the Government of Ireland has calculated Apple's taxable income in such a way as to produce an effective rate in the low single digits," he told the subcommittee.

The deal didn't stop Apple from shifting manufacturing work to Asia, but in the years that followed new jobs were created in Cork, in sales and administrative support for the European operation, the accounts of the Irish units show. Some manufacturing remains in Ireland, the subcommittee said.

An Irish government spokesman declined to even confirm it held discussions with Apple regarding tax, citing rules on taxpayer confidentiality.

From 1996 Ireland phased in a 12.5 percent tax on all corporate trading income, although foreign companies often pay effective rates lower than this by shifting money into tax havens such as Bermuda.

Apple's Cook told the Senate panel on Tuesday that Apple does not hold money on a Caribbean island or divert profits from sales to U.S. customers to other jurisdictions to avoid U.S. taxes.

(Writing by Tom Bergin; Additional reporting by Conor Humphries in Dublin, Jonathan Weber and Peter Henderson in San Francisco, and Tom Bergin in London; Editing by Giles Elgood)

The new consoles from Microsoft, Nintendo and Sony



NEW YORK (AP) Microsoft is the last of the three big video game console makers to unveil its latest gaming system. The unveiling comes nearly eight years after the Xbox 360 went on sale. It follows last fall's debut of Nintendo's Wii U and a preview in February of the upcoming PlayStation 4 from Sony.

Each machine has a set of features designed to draw gamers away from rival consoles. There's one thing all three have in common, though: They are about more than gaming and include entertainment services such as television, movies and music.

Here's a closer look at the three systems. More details are expected at the E3 video game conference in Los Angeles next month.

Wii U (Nintendo)

The Japanese gaming company launched the Wii U, the follow-up to its popular Wii, in November, making it the only new console out for last year's holiday season. The console features a tablet-like controller with a touch screen, called the GamePad, which can be used to control games on the TV set or to play games separately, as you would on a regular tablet computer. It also allows someone with a GamePad to have a different experience with a game than someone playing it at the same time with a regular Wii controller.

The GamePad also serves as a fancy remote controller to navigate a TV-watching feature called TVii. The service groups your favorite shows and sports teams together, whether it's on live TV or an Internet video service such as Hulu Plus. And it offers water-cooler moments you can chat about on social media.

Unlike the Wii, the Wii U features high-definition graphics. In doing so, Nintendo's system catches up to the years-old Xbox 360 from Microsoft and the PlayStation 3 from Sony.

Sales of the Wii U have been disappointing, with 3.5 million sold as of March 31, the end of Nintendo's fiscal year. Nintendo Co. had originally expected to sell 5.5 million units and later lowered the forecast to 4 million, but it still fell short.

Price: Starts at $300 but some retailers have offered it at lower prices.

PlayStation 4 (Sony)

Sony shared some details about the PlayStation 4 in February, but it didn't show what the console would look like. The company said the PS4 would essentially be a "supercharged PC," much like the Xbox. That's a big departure from the old and idiosyncratic PlayStation design and should make it easier for developers to create games.

But the adoption of PC chips also means that the new console won't be able to play games created for any of the three previous PlayStations. Players will have to stream older games over the Internet.

Other new features revolve around social networking and remote access. With one button, you can broadcast video of your game play so friends elsewhere can watch. You can also run a game on the PS4 to stream over the Internet to Sony's mobile gaming device, the PlayStation Vita, which debuted last year.

The PlayStation online network will have access to Sony's video and music services, as well as Netflix, Hulu and Amazon as long as you have subscriptions to those services. You'll also be able to access Facebook.

The PS4 will have a Blu-ray disc drive for movies, just like the PS3. The console will go on sale this holiday season, though Sony Corp. has not disclosed an exact date.

Price: Not yet announced.

Xbox One (Microsoft)

Microsoft's new console seeks to deliver the Holy Grail of home entertainment an all-in-one device that lets you watch television, play movies, listen to music and browse the Internet as well as play video games.

The Xbox One lets you use voice commands to switch between watching TV and playing "Call of Duty," or ask "What's on HBO?" to view a TV channel guide. Simply connect your cable or satellite set-top box to the game machine with an HDMI cable.

A new version of Microsoft's camera-based Kinect controller offers better motion and voice detection than the one currently available. Unlike the Xbox 360, the Xbox One will require Kinect, which will come with the package.

Microsoft also reached a multiyear deal with the National Football League to develop new interactive viewing experiences, such as the ability to watch games, chat with other fans, view statistics, access highlights in real time and gather fantasy information about players and teams all on a single screen.

Although Nintendo's Wii was the most popular of the three at first, the Xbox 360 has outsold its rivals in recent years largely because of its robust online service, Xbox Live, which allows people to play games with others online for as much as $60 a year with annual plans. Activision Blizzard Inc.'s "Call of Duty," has been a driving force behind Xbox Live, and Microsoft said players will be able to download new content for upcoming titles in the series on the Xbox One before any other system.

The new console will also add the ability to play Blu-ray discs, matching what Sony has in its older PlayStation 3. What it won't play are games for the Xbox 360.

Microsoft said the system will launch this year, but it did not give a date during Tuesday's unveiling.

Price: Not yet announced.

Singer and Piaf songwriter Georges Moustaki dies at 79



PARIS (Reuters) - French singer and songwriter Georges Moustaki, beloved in France for his songs celebrating liberty and collaborations with Edith Piaf, died on Thursday after a long illness. He was 79.

The Greek-born singer grew up in Alexandria, Egypt, and arrived in Paris in 1951, where he began to play guitar at nightclubs and met some of the period's best-known singers.

He was introduced to Edith Piaf in the late 1950s and started to write songs for the Parisian star, the most famous of which was "Milord" about a lower-class girl who falls in love with an upper-class British traveler.

Developing a reputation as a singer in his own right in the mid-1960s, the hirsute and heavily bearded Moustaki achieved fame with songs including the immigrant ballad "Le Meteque" and "Ma Liberte", a hymn to the 1960s free-living spirit.

Moustaki, a life-long advocate of left-wing causes, ended his singing career in 2009, later telling newspaper La Croix that he was suffering from an irreversible bronchial illness that made it impossible to carry on.

French Culture Minister Aurelie Filippetti hailed an "artist with convictions who conveyed humanist values... and a great poet", and Twitter was flooded with tributes to a singer who many said had defined their childhoods.

(Reporting By Marine Pennetier and Elizabeth Pineau; Writing Nicholas Vinocur, editing by Paul Casciato)

Talk of lies, pride as Trump case goes to jury



CHICAGO (AP) The lawyer for an 87-year-old woman who accuses Donald Trump of cheating her in a skyscraper condo deal told jurors in Chicago on Wednesday that he was personally repulsed because he felt the "Apprentice" star conned his client and lied about it on the witness stand.

Plaintiff attorney Shelly Kulwin's comments came during a sarcasm-filled closing argument at the federal civil trial that pits Jacqueline Goldberg against the billionaire real estate mogul-turned TV showman.

His voice rising, Kulwin portrayed the case as a battle between Trump, who he described as a wheeler-dealer, and a woman with wholesome values learned growing up during the Depression.

Trump, of New York, wasn't in court for the closings. But Kulwin projected a photograph of the beaming developer on a large courtroom screen.

"The thought of my grandma being in the same room with that guy. Yuck!" Kulwin said. The judge told jurors to disregard the comment.

Later, the attorney said Trump was motivated to cheat his client by a love for money.

"It's like his family, those dollars," Kulwin said.

Jurors withdrew to begin deliberations later Wednesday but went home after 90 minutes without reaching a verdict. They were to resume Thursday morning.

City pride intervened during closings when Kulwin appeared to make an unfavorable reference to executives in New York.

"Judge, he's mocking New York," Trump attorney Stephen Novack said, standing to object.

"I can't mock New York?" Kulwin shot back. "I thought it was every Chicagoan's right to do that."

Addressing jurors next, Novack accused Kulwin of resorting to personal attacks on Trump out of desperation and a lack of evidence.

Goldberg alleges Trump persuaded her to buy two condos at around $1 million apiece in Chicago's glitzy Trump International Hotel & Tower by promising she would share in building profits. But, Goldberg says, Trump reneged after she committed to the investment.

"It's called a bait and switch," Kulwin told jurors. "Here's the bait. Here's the switch."

But Trump's attorney described Goldberg as a detail-oriented investor who knew the contract that she signed stipulated Trump could cancel the profit-sharing offer as he saw fit.

"She knows the drill," Novack said. "Nobody put a gun to her head (to sign)."

He later added: "Mrs. Goldberg went into this deal with her eyes wide open."

Since the contract gave Trump rights to change the profit-sharing offer, Novack said the onus was on Goldberg's attorneys to prove Trump secretly plotted to defraud her before she even signed up to buy.

"What do they call it? A bait and switch," he said. "Switch is not enough. ... There is no evidence whatsoever of a secret plan."

In two days of sometimes combative testimony last week, Trump denied cheating Goldberg. And he told reporters outside court that he was the victim, not her. He declared, "She's trying to rip me off."

On Wednesday, though, Kulwin said Trump took the stand "to lie, evade and spout infomercials."

He also mocked Trump for telling jurors he never took notes of business meetings and therefore couldn't say when certain decisions were made and by whom.

"People who don't want to be found out don't write things down. They're not stupid," Kulwin said. "And Donald Trump may be a lot of things, but he's not stupid."

Kulwin told jurors Goldberg was seeking a total of $6 million in damages.

"Send a message not just to Mr. Trump ... but to others like him," he said pounding his hand on a podium. "You can say to them, 'These people who do these things have crossed the line.'"

In his final remarks, Trump's attorney told jurors their obligation was to the evidence, not to their sense of sympathy or to any urge to send a message.

"This isn't the chance for you to decide that Wall Street is bad ... and (now) we're going to show these fat cats," Novack said. "Look at the facts."

___

Follow Michael Tarm at http://www.twitter.com/mtarm

A Minute With: Zachary Quinto on 'Star Trek,' Spock and coming out



By Zorianna Kit

LOS ANGELES (Reuters) - Actor Zachary Quinto has transitioned swiftly from a television villain into an unlikely action film star in J.J Abrams' rebooted "Star Trek" franchise, playing the series' most recognizable half-Vulcan, Spock.

The 35-year-old actor, who gained fame as super-villain Sylar in sci-fi television series "Heroes," will reprise his role as the pointy-eared first officer of the starship Enterprise in "Star Trek Into Darkness," which will be released in theaters on Friday.

The actor spoke to Reuters about the challenges of playing Spock and why he chose to go public about being gay.

Q: "Star Trek Into Darkness" has more action, set pieces and destinations than the 2009 reboot. Is that right?

A: You're right. It's a larger scale version of the "Star Trek" story. The first one was about re-conceiving people's perceptions of "Star Trek," and trying to infuse it with new energy. The self-contained and more intimate nature of that film made sense. Now, people are more familiar with us as these characters so this movie builds on that and expands on it.

Q: What is Spock struggling with in this film?

A: I think he's learning how to be accountable and responsible to the people he loves and cares about. He is learning to embody and live the qualities of what it means to be a friend and what it means to be responsible to other people emotionally, because that's not the place from which he leads. He needs to learn how to integrate that part of himself and honor the feelings he has for the people he loves.

Q: What do you learn from Spock on a personal level?

A: I have an inherent understanding to his nature, which is one of duality - the head versus the heart. That is certainly something I can relate to. As someone who has been considered pretty intellectual and wordy, I also have a deep well of emotional life. I understand what it means to be in constant relationship to both of those aspects of myself.

Q: Which of Spock's qualities do you aspire for yourself?

A: The equanimity with which he deals with every situation in front of him, and the thoughtfulness and care he gives to measure his reactions. Sometimes I can be a little extreme in my reaction to something. I respect his reservedness and pensive consideration, which is an aspect of me but outweighed by my instinctual or impulsive reactions to things sometimes.

Q: In this film you're jumping into volcanoes and off of barges. You're fighting, running, chasing. Did you ever think of yourself as an action star?

A: I can't say I ever planned on that. But I will say I really thrived in that environment. I enjoyed those specific challenges and the relentlessness of it. I don't necessarily know I want every movie to be that way, but I wouldn't mind revisiting that again at some point down the line.

Q: How close are you with the cast?

A: We are very, very good friends in real life. When the first movie happened, it was a life changing experience for all of us. We were going through it at the same time and relied on each other for support and for the excitement of that time. That energy is starting to kick back up again. We look forward to spending time together on these extended periods where we're traveling around the world.

Q: You used your "Star Trek" clout to form a production company, Before the Door Pictures, whose first film, 2011's "Margin Call," was nominated for a best screenplay Oscar. Did that change things for you?

A: I think "Margin Call" did similar things for my production company that "Star Trek" did for me as an actor. The way that film was received really did authenticate my company and allowed us more access and more connections than we might have had otherwise.

Q: In between the two "Star Trek" films, you made some headlines when you said you were gay. Was coming out a big deal?

A: It was obviously a very big deal. It wasn't about formality or stopping rumors because I don't really pay attention to rumors in the first place. It was a very specific move that I made because there was a rash of teen suicides at the time (the victims were gay).

Q: How did that relate to you?

A: I felt it incumbent upon me to do something about that if it was in my power, which is was. So for me that was a very specific and emotional time. I felt very grateful for the response that it generated and the work on behalf of the LGBT community it has allowed me to do subsequently.

Q: Some actors feel that by coming out it could impact the roles they get to play. Did you feel it hindered your career?

A: Not one bit.

(Editing by Piya Sinha-Roy, Patricia Reaney and Vicki Allen)