Tweet about 'Daily Show' boomerangs on US Embassy



WASHINGTON (AP) Yikes! It seems "The Daily Show" and diplomacy don't mix.

That's the lesson the U.S. Embassy in Cairo is learning the hard way after being rebuked by both the Egyptian government and the State Department for causing an international incident. The embassy tweeted a link to a Jon Stewart monologue that mocked Egypt's president offending the Egyptians and then deleted its entire Twitter account before restoring it without the post in question, irritating Washington.

Egyptian President Mohammed Morsi's office called the tweet "inappropriate" and unbecoming of a diplomatic mission while the State Department said the unusual affair was the result of "glitches" in the embassy's social media policies that are now being corrected.

The imbroglio over the tweet comes at a time of rising tensions between Cairo and Washington, which has expressed deep concerns that Morsi's government is backsliding on human rights protections.

And, it underscores the pitfalls of allowing individual American embassies to control the messages they disseminate through social media.

The trouble began Tuesday when the embassy posted a link to Stewart's monologue on his Comedy Central show the night before. Stewart took savage aim at Morsi for the arrest and interrogation of Egyptian comic Bassam Youssef, who has frequently criticized the president on a popular TV program that has been likened to Stewart's own.

In the clip, Stewart accused Morsi of being petty, undemocratic and ignoring more pressing problems like Egypt's economic crisis and violent crime to go after satirists who are critical of his government. He pointed out that he has made a living by poking fun at political leaders and that such activity is harmless and should be protected.

Morsi's office responded to the embassy's post on its own Twitter feed, saying: "It's inappropriate for a diplomatic mission to engage in such negative political propaganda."

The embassy responded on Wednesday by deleting its entire Twitter account, drawing the wrath of State Department headquarters in Washington, which was already peeved by the initial post. The account was then restored minus the Stewart tweet.

"Embassies and consulates and their senior leadership manage the content that is on their feeds and they are expected to use good policy judgment in doing that," State Department spokeswoman Victoria Nuland said.

On Monday, Nuland had made comments similar to Stewart's, although more nuanced and couched in diplomatic terms, about Youssef's arrest.

She declined to say if the State Department agreed with the Egyptian government's criticism of the tweet. But she suggested the embassy had erred by posting a link to a video that is already widely available on the Internet.

"I can't speak to the decision to re-tweet Jon Stewart to start with," she said. "But Jon Stewart is a comedy show in the U.S., as you know. It is publicly available content."

She said the "glitches" she referred to were "the fact that they obviously put up something that they later took down, that they took down the whole site, which should not probably have been the way that went, and that in the past there have been differences between the Twitter team and senior post management."

The U.S. Embassy in Cairo last year engaged in a public spat with Morsi's Muslim Brotherhood over the breach of the embassy's walls by protesters upset over an anti-Islam film produced in the U.S. and posted on the Web.

Steve Albani, spokesman for Comedy Central, declined to comment on the flap.

Nuland stressed that the U.S. position on the arrest of Youssef, whom she described as Egypt's "Jon Stewart counterpart," remained unchanged since Monday when she referred to it as part of a "''disturbing trend" of growing restrictions on freedom of expression in Egypt.

"There does not seem to be an evenhanded application of justice here," she said, adding that the Egyptian government has been slow to investigate police brutality or attacks on anti-Morsi protesters and journalists.

On Tuesday, the Muslim Brotherhood's Freedom and Justice Party denounced Nuland's comments as "blatant interference" in Egypt's internal affairs.

Hours later, Secretary of State John Kerry jumped into the fray saying that Washington has "real concerns about the direction Egypt appears to be moving in," adding that the country is at a "tipping point."

Jimmy Fallon to succeed Jay Leno as "Tonight Show" host



By Chris Michaud

NEW YORK (Reuters) - Jimmy Fallon will take over from veteran Jay Leno next year as host of the NBC flagship talk program "The Tonight Show," NBC said on Wednesday, bringing a younger feel to the competitive late-night landscape on U.S. television.

Leno, 62, will wrap up what will be 22 years as host of "The Tonight Show" in the spring of 2014 - some seven months before his contract was officially due to end.

Fallon, 38, the current host of "Late Night with Jimmy Fallon" will "transition into new hosting duties on 'The Tonight Show'" after Leno ends his run, NBC said in a statement.

The network also said it was moving "The Tonight Show" from its Burbank studio, outside Los Angeles, to New York, where it began in 1954.

No specific date was announced, but the change will take place in conjunction with NBC's broadcasts of the Winter Olympics in Sochi, Russia, next February.

Wednesday's announcement ended months of speculation and followed a skit on Fallon's show by him and Leno on Monday night in which they played down reports of rivalry and made fun of the rumor mill.

Leno, who was replaced by Conan O'Brien in 2009, only to return a few months later in a public relations debacle for the network, congratulated Fallon.

"I hope you're as lucky as me and hold on to the job until you're the old guy," he said in a statement.

Fallon, who started out on the long-running "Saturday Night Live" comedy show in 1998, said, "I'm really excited to host a show that starts today instead of tomorrow," referring to his current program's post-midnight start time.

"We are purposefully making this change when Jay is number-one, just as Jay replaced Johnny Carson when he was number-one," said Steve Burke, NBCUniversal's CEO.

RATINGS LEADER

"The Tonight Show" has maintained a hold on U.S. popular culture for decades, offering a forum for celebrities to promote their latest ventures and a springboard to fame for many standup comedians.

The program currently leads its three late-night rivals in overall audience, attracting about 3.5 million viewers, compared with about 3 million for CBS rival David Letterman.

But the average age of viewers for Leno and Letterman, 65, is in the mid-50s - higher than the 18-49 demographic preferred by advertisers.

ABC upped the stakes in January by moving Jimmy Kimmel, 45, to the late-night slot in a bid to grab a younger audience. Kimmel's ratings have challenged both Letterman and Leno in the 18-34 age group, while his overall audience is about 2.6 million, according to the most recent Nielsen data.

Kimmel proffered a winking posting via Twitter on Wednesday, saying, "congratulations to my dear, sweet @jimmyfallon - a formidable rival and an incredible lover."

NBC said "Saturday Night Live" and "30 Rock" producer Lorne Michaels would serve as executive producer of the relocated show. It will be broadcast from NBC headquarters in New York's Rockefeller Center.

New York Mayor Michael Bloomberg and the state's governor, Andrew Cuomo, welcomed the show's return to New York.

"We couldn't be happier that one of New York's own is bringing the show back to where it started - and where it belongs," Bloomberg said in a statement referring to Fallon's Brooklyn roots.

Carson, who hosted the program from 1962 to 1992, moved the show to Southern California in 1972.

NBC said that programming plans for the 12:35 a.m. time slot now filled by Fallon's show would be announced soon.

NBC is a unit of Comcast Corp, ABC is a unit of Walt Disney Co and CBS is part of CBS Corp.

(Reporting by Chris Michaud; Editing by Jill Serjeant and Peter Cooney)

U.S. film critic Roger Ebert says cancer has returned



(Reuters) - Pulitzer Prize-winning U.S. film critic Roger Ebert says he is battling cancer again and that he will scale back his writing by taking a "leave of presence" from his more than four-decade career.

Ebert, 70, known for his rhetorical power and prolific output, said he will undergo radiation treatment that will force him to take time away from his job.

"I must slow down now, which is why I'm taking what I like to call 'a leave of presence,'" Ebert said in a blog entry posted late on Tuesday, adding that he would scale back his workload.

Ebert, who had lost his ability to speak and eat after surgeries for thyroid and salivary gland cancer in 2002 and 2003, said the cancer was discovered by doctors after he fractured his hip in December.

"The 'painful fracture' that made it difficult for me to walk has recently been revealed to be a cancer," Ebert said, giving no further details about the type of cancer or diagnosis.

"I am not going away," Ebert said. "My intent is to continue to write selected reviews ... What's more, I'll be able at last to do what I've always fantasized about doing: reviewing only the movies I want to review."

The Chicago resident said he also would take time to write about his illness.

Ebert, whose reviews are syndicated to more than 200 newspapers, has been reviewing films for the Chicago Sun-Times since 1967. He won the Pulitzer Prize for criticism in 1975.

He gained national prominence with the late Gene Siskel on the television show "At the Movies with Gene Siskel and Roger Ebert," coining the phrase "Two Thumbs Up," until Siskel's death in 1999. He later teamed with critic Richard Roeper but quit for health reasons.

Forbes dubbed Ebert the most powerful pundit in America in 2007.

(Reporting by Eric Kelsey; Editing by Jill Serjeant and Paul Simao)

John Travolta's lawyer slams "outrageous false" sex-assault payout story



By Tim Kenneally

LOS ANGELES (TheWrap.com) - John Travolta's attorney is lashing out at Gawker over a report suggesting that the "Grease" star shelled out more than $84,000 to settle sexual assault claims, calling the story "outrageous" and "false."

Gawker published the storyTuesday, along with a document that the site claimed is an "internal report" of insurance claims indicating that the actor's insurer paid out a total of $84,500 to two parties after they issued attorney demand letters alleging sexual assault.

In a statement Wednesday, Singer said the amounts listed in the Gawker story are "consistent with legal fees being paid in connection with the defense of lawsuits that were filed.

"Gawker's outrageous false story claims that a purported insurance document supposedly shows that $84,500 was paid out in sexual assault settlements, but that alleged document does not show that a single penny was paid for settlements," Singer said. "The document (which has not been shown to be authentic) shows costs and expenses incurred, consistent with legal fees being paid in connection with the defense of lawsuits that were filed. Gawker's reckless publication of this absurd story has once again shown that the website is more concerned about page clicks than accuracy."

According to the Gawker story, Travolta's insurer paid out $3,850 to a former employee of Travolta's, identified as Mark Higgins, and $80,750 to an unidentified party. (Travolta was sued in 2012 by two plaintiffs identified as John Doe #1 and #2, who claimed that Travolta sexually assaulted them during massage sessions. Both suits were ultimately dropped.)

The site went on to insinuate that the dollar amounts smelled an awful lot like settlements over the sexual assault claims.

"All of which is to say that despite Marty Singer's public insistence that no settlement offer was made in the John Doe case, Travolta's insurance company tells a different story," article author Camille Dodero wrote.

Gawker, which did not offer specific comment to TheWrap on Singer's statement, has updated its post with a strike-through of the above sentence.

Travolta has been besieged by accusations of sexual misconduct, with multiple lawsuits filed against him.

Singer has denied the accusations leveled against Travolta.

Bon Jovi guitarist Sambora leaves tour due to "personal issues"



NEW YORK (Reuters) - Bon Jovi guitarist Richie Sambora, who has done stints in rehab for problems with alcohol, has dropped out of the current leg of the band's tour for "personal issues," the band said on its website on Wednesday.

"Due to personal issues, Richie Sambora will not be performing on this upcoming leg. All shows will go on as scheduled," the posting said, offering no other details or when Sambora might resume performing.

Sambora, 53, spent time in rehab in 2007 and 2011, and the band did its 2011 North American and European tour without him.

Bon Jovi is scheduled to perform this week in Edmonton, Alberta, and Winnipeg, Manitoba, and St. Paul, Minn. on Sunday.

The "Because We Can" tour's April dates include Los Angeles, Denver, Las Vegas and other cities before international appearances kick off on May 7 in Capetown, South Africa.

The band is set to play in Sweden, Germany, Britain, Spain, Poland and Italy among others before returning to the United States in July.

(Reporting by Chris Michaud; Editing by Patricia Reaney and Paul Simao)

TV or reality? Lines blur after death of show star



Shain Gandee died doing precisely what made him the star of MTV's "BUCKWILD" reality show: tearing through mudholes in his truck, taking chances most others wouldn't, living free and reckless.

MTV has not said whether cameras were rolling the night Gandee, his uncle and a friend left a bar at 3 a.m. to go "muddin'." But the line between television and real life blurred in one fatal moment when Gandee's vehicle got stuck in a deep mudpit. He and two passengers were found dead of carbon monoxide poisoning.

Was Gandee living for the cameras that night, or for himself? Did his on-camera life, and the rewards it brought him, make him more reckless when the camera lights were off?

And how does the audience fit into this picture, the 3 million weekly viewers who made "BUCKWILD" a hit, plus the many millions more who have made shows from "Jersey Shore" to "Dancing With the Stars" to "Here Comes Honey Boo Boo" a living, breathing part of our culture? How has reality TV shaped perceptions of real life and of our own lives?

Everywhere you look these days, the lines blur.

Evan Ross Katz is a fan of "BUCKWILD," which followed a group of self-described rednecks' "wild and crazy behavior" in rural West Virginia. Katz watches about a dozen reality shows for his work as a freelance pop culture commentator, and he says Gandee felt more real than other stars.

"I want to believe that was him in real life," Katz says. "Sometimes you just get this impression. I really do believe you can tell when people are being genuine or not on these shows."

"I found him to be strangely genuine, by far the most genuine of the group. Some of them wanted to pour it down your throat, like, 'We're the wildest kids in West Virginia.' I don't think he showed any sort of agenda to prove he lived this different life. I just think he organically did."

Katz, 23, is roughly the same age as the modern reality TV genre, which MTV is credited with launching in 1992 with "The Real World." Like many other viewers, he knows that reality television is carefully shaped by producers looking for storylines and conflicts. He watches ironically, sometimes condescendingly "look at their stupid life, they're stupid" and takes it all in with a grain of salt.

Yet still he is drawn to the personalities and the dramas, especially the combative women on "The Real Housewives" series.

"I never expected to become invested in them the way I do," Katz says.

"Housewives" fights may affect the way he deals with drama in his own life: "When someone takes a small situation over the top, it's the worst. You feel like you're on one of these shows. But if two of my friends get into a huge fight in front of me, I let it go for a little while before I jump in."

"Is that a byproduct of reality television? Probably," Katz said.

Then there is another byproduct of reality-TV culture: the compulsion, enabled by social media, to broadcast everything about yourself.

Who needs a TV show when you can Instagram that hamburger, YouTube that roller coaster, tweet about the twit who just cut in line? Then comes the feeling of validation from every "like" and click and retweet a fulfillment of the basic human need for attention.

Some have a deeper thirst for fame. Their every post is one more chance to go viral, to reach the promised land of recognition: television.

"People misbehaving is nothing new," says Tyler Barnett, owner of a public relations company in Beverly Hills and a former cast member on several reality shows.

"What's new is the ability to misbehave to a global audience almost instantly," he says. "This is very encouraging to people to keep doing outrageous things. People can share so easily, it ups the ante on what's considered outrageous."

Barnett has tasted reality fame as a cast member on "Party Monsters Cabo." He found it addicting.

"After being on camera for a month straight, almost 24 hours a day, when I got home I felt very depressed. And I'm not a depressed person," Barnett says. "I had so much attention, and that felt good. When I was pulled out of that situation, it felt very low."

"It's almost like a drug," Barnett continues. "You figure if someone is on a drug, they're higher than life. When you come down, all of a sudden life doesn't seem that exciting."

Daily life can also seem mundane for viewers entertained by escapades like the spectacle of Gandee and friends leaping from a roof into a dump truck full of water.

"You're sitting there at home, watching on TV, thinking, 'Wow, this is so much more exciting than my own life. Let me go out and try this. Maybe I can get on a reality show,'" says Lou Manza, a psychology professor at Lebanon Valley College in Pennsylvania.

Of course, the vast majority of viewers would never fill a dump truck with water, let alone leap into it from a rooftop. And it's too simplistic to blame reality TV for the failings of modern society.

"It's important not to dismiss what happened (to Gandee) by pointing fingers at a genre of television that's a giant tent with many different kinds of shows and productions and varying degrees of ethical behavior," says Andy Denhart, who has followed reality television for 12 years as editor of RealityBlurred.com.

"What's important is to continue a conversation about what entertains us, and what are the consequences of our entertainment," he says. "What are the consequences of fame, and what are we learning watching other people's lives?"

___

AP National Writer Jesse Washington is reachable at http://twitter.com/jessewashington or jwashington(at)ap.org.

Former voice of TV's Elmo sued in NY for 5th time



NEW YORK (AP) A puppeteer who was the voice of Elmo on "Sesame Street" is being sued for the fifth time, accused of sexually abusing a teenage boy.

In a federal lawsuit filed in New York on Tuesday, 25-year-old Kevin Kiadii says he was 16 when he met Kevin Clash during an online chat.

Kiadii attorney Jeff Herman says Clash sent a limousine to pick up the teen in Brooklyn and take him to his Manhattan apartment for sex.

Herman represents four other people who filed similar lawsuits. He acknowledges his clients were compliant but says the 52-year-old puppeteer took advantage of them by playing father to them.

Clash resigned from "Sesame Street" in November. He has denied any wrongdoing. His lawyer hasn't responded to a call for comment on the latest lawsuit, which seeks unspecified damages.

Muppets matriarch Jane Nebel Henson dies at age 78



LOS ANGELES (Reuters) - Jane Nebel Henson, the former wife of Muppets creator Jim Henson who was influential in the creation of the popular U.S. TV puppet program, died on Tuesday following a long bout with cancer, The Jim Henson Company said. She was 78 years old.

Henson, who died at her home in Connecticut, was an "integral creative and business partner" in the Muppets, the company, owned by the Hensons' five children, said in a statement.

Jane Henson, born in Queens, New York, in 1934, was an early puppeteer, as well as puppet designer for the Muppets, best known for characters Kermit the Frog and Miss Piggy, who starred in numerous television programs and films.

She first met Jim Henson in puppetry class at the University of Maryland in the mid-1950s and the two went on to create together the five-minute television program "Sam and Friends," a precursor to the Muppets.

The show served as a lead-in to "The Huntley-Brinkley Report" news show and "The Tonight Show Starring Steve Allen" on a Washington, D.C., NBC affiliate.

Although Henson stopped working as a puppeteer to raise her children in the early 1960s, she was still responsible for recruiting top talent and performing on occasion on the children's show "Sesame Street."

Henson legally separated from her husband in 1986 prior to his death. She later founded The Jim Henson Legacy to promote his work. She is survived by her five children.

Jim Henson died in 1990 of organ failure following a bacterial infection at age 53.

(Reporting by Eric Kelsey, Editing by Jill Serjeant and Todd Eastham)

Kate Hudson talks career paths with teen girls



WASHINGTON (AP) Actress-producer Kate Hudson says the pressure of stepping out of the shadow of her movie star mom Goldie Hawn was discouraging and daunting.

She advised girls to believe in their own talent and take risks as they choose a career path.

"Take a chance on your own talent and your ambition because if you don't do that, there's no one else who will," she said.

Hudson spoke at the ANNpower Leadership Forum, a week-long program that unites teens from across the country with women leaders in business, entertainment and nonprofit groups.

The "Almost Famous" star and Ann Taylor spokeswoman is a member of the advisory council that mentors the teen girls and recommends grants for community projects they create in their neighborhoods, from a healthy eating program to a clothing collection drive.

Joining the actress were Ann Inc. CEO Kay Krill and Washington non-profit Vital Voices Global Partnership CEO Alyse Nelson, who all answered questions from the young ladies about work-life balance, workplace camaraderie and fashion.

The annual forum is a part of ANNpower Vital Voices Initiative by the nonprofit and Ann Inc., owner of Ann Taylor and Loft.

Google to sell second-gen Nexus 7 tablet from July: sources



By Clare Jim

TAIPEI (Reuters) - Google Inc will launch a new version of its Nexus 7 tablet powered by Qualcomm Inc's Snapdragon processor around July, two sources told Reuters, as the software giant pushes deeper into the cut-price mobile hardware market.

Google is aiming to ship as many as eight million of the Asustek-made tablets in the second half of the year, throwing down the gauntlet to other low-end tablets such as Amazon.com Inc's Kindle Fire and Apple Inc's iPad mini, the sources with knowledge of the new product said.

This is the first time details about the timing and sales targets for Google's new tablet have been unveiled, although the company has not publicly released any information.

Google, which gets almost all of its revenue from online advertising, wants the aggressively priced Nexus tablets to be a hit as more Nexus users would mean more exposure for Google's ads.

The latest version will have a higher screen resolution, a thinner bezel design and adopt Qualcomm's chip in place of Nvidia Corp's Tegra 3, which was used in the first Nexus 7s released last year, the sources said, declining to be identified because they are not authorized to speak to the media.

In a blow to Nvidia, Google weighed both U.S. chipmakers' processors but finally decided on Qualcomm's for power reasons, one of the sources added.

Qualcomm and Nvidia are competing aggressively in the tablet market as they seek to expand from their traditional strongholds of cellphones and PCs respectively.

A Google spokesman declined to comment on its new tablet. Qualcomm and Nvidia also declined to respond to questions.

Google and other traditionally non-hardware companies like Amazon and Microsoft Corp have begun making inroads into mobile devices as consumers increasingly access the Web on the go.

Google introduced its first tablet last June, hoping to replicate its smartphone success in a hotly contested market now dominated by Kindle Fire and iPad.

The Nexus 7 joined the ranks of smaller, 7-inch tablets popularized by Amazon and Samsung Electronics, among others.

Pricing is yet to be determined and Google's plans are fluid, the sources said. Market leader Apple is expected to launch new iPads this year as well, possibly forcing its competitors to change their assumptions.

Google may choose to sell the new gadget for $199, the same as the first generation rolled out last June, while the old model may be discounted, one of the sources said. Alternatively, the new tablet could be priced more competitively at $149 and the previous model discontinued, the source added.

The cheapest iPad mini goes for more than $300.

CORE STRENGTHS

Though pricing has not been finalized, discounting could play to Google's and Amazon's strengths by getting cheaper hardware into more consumers' hands to drive revenue from their core Internet-based businesses.

"This is the 'zero margin strategy'," said Fubon Securities analyst Arthur Liao. "Ninety-seven percent of Google's revenue comes from advertisement, so it needs to sell more mobile devices in order to reach more consumers."

The Internet search giant, which has never disclosed tablet sales, plans to ship six to eight million of the new Nexus 7s in the second half of this year, the sources said. That compares to an estimated 4.6 million Nexus 7s sold in the same period last year, according to Enders Analysis mobile industry analyst Benedict Evans.

The large volume could help to accelerate development of tablet-specific applications for its Android operating software.

Asustek, a netbook PC pioneer, will continue to co-brand with Google on the new Nexus 7. The Taiwanese company has said it aims to ship over 12 million tablets this year, almost double last year's shipments.

Asustek could not be reached for comment.

(Additional reporting by Edwin Chan and Alexei Oreskovic in San Francisco; Editing by Stephen Coates)