Ridley Scott partners with Machinima to produce 12 science-fiction shorts



By Greg Gilman

LOS ANGELES (TheWrap.com) - Ridley Scott and his commercial company, Ridley Scott and Associates, have partnered with online network Machinima to produce 12 original sci-fi short films, Machinima announced on Monday.

RSA's directing talent will helm "original high octane science fiction content" to be distributed through Machinima, which boasts the No. 1 entertainment channel on YouTube.

Machinima CEO Allen DeBevoise hopes the partnership with Scott will result in new franchises for the genre.

"By combining this unique incubation model together with our powerful partnership of established creative talent and scaled distribution to millions on Machinima," DeBevoise said, "we believe new Sci-Fi franchises will be born."

Machinima's original content and scripted series are aimed at the 18- to 34-year-old male demographic, which recently delighted in the company's adaptation of "Mortal Kombat" - a videogame franchise that inspired two Hollywood productions in the '90s.

The first season of the web series, called "Mortal Kombat: Legacy," has racked up more than 60 million views and inspired Warner Bros. to begin developing a new feature film. The second season kicks off this spring.

Scott, the director of science-fiction classics "Alien" and "Blade Runner," is eager to take advantage of the medium that propelled "Mortal Kombat" back into relevance and hopes his own original content will connect with the same audience.

"With new media transforming the way audiences connect with films and filmmakers, Machinima is a great partner for us as we embark on this new model of delivering original content to fans," Scott said in a statement. "It's a tremendous opportunity for pushing the creative boundaries for both our filmmakers and the audience."

Conde Nast launches slate of original programming



NEW YORK (AP) Conde Nast is launching a slate of original Web series, continuing the publisher's push to expand its stable of magazines into multimedia programming.

Conde Nast will debut on Tuesday online channels on YouTube and other video destinations for Glamour and GQ. The digital programming is just the start of plans for Conde Nast to spin off video series from many, if not all, of its magazines even, potentially, The New Yorker.

In 2011, Conde Nast launched Conde Nast Entertainment to develop and produce movies, TV shows and Internet offerings based on its magazine brands. Dawn Ostroff, formerly president of entertainment for the CW network and an executive for Lifetime Television, came aboard to spur the multimedia expansion.

"This is by far one of the most exciting parts of what we're working on at CNE because it really is the future," says Ostroff. "It extends the reach of our brands, it really allows us to tap into a new audience, and we have the opportunity to be one of the first innovators in this space."

The four Glamour series include four- or five-minute-long shows like "Elevator Makeover," in which hosts Jessica Harlow and Theodore Leaf quickly remake a girl's appearance in a long elevator ride. Among the four GQ shows are a workout guide called "Fighting Weight" and "The Ten," in which celebrities share the 10 items they can't live without.

"This is just our first step, but clearly as we go forward, video is going to be a huge part of what we do here," says Glamour editor-in-chief Cindi Leive. She also stars in one of the videos, one that tracks her during a day of covering Fashion Week. "In the future, this will be a huge part of what my staff the brand staff does."

Earlier this year, one of Ostroff's initiatives met some backlash after contracts with Conde Nast writers were reworked to grant the company "first-look" rights to any adaptations of published articles. Compensation rates for writers were also locked in. Some agents and writers protested that the terms were unfair.

But with steady decline throughout the industry in print magazine circulation, Ostroff and Conde Nast are intent on capitalizing from the sometimes lucrative entertainment possibilities in its magazines. The best-picture winner "Argo," for example, was partly based on an article published by Conde Nast's tech magazine Wired.

The company says that 850 of its writers have since signed the new deals. Conde Nast Entertainment has several film projects in development.

The magazine videos, inspired by the magazines and produced by Conde Nast Entertainment, will launch on their own sites, in digital magazine editions and as channels on YouTube. Though they share a similar approach to many of the premium channels launched in the last year on YouTube, they weren't made with funding from the Google Inc.-owned video site.

Other magazines have sought multi-platform expansion, including Hearst's Car and Driver, one of the YouTube-funded channels. Esquire, also a Hearst magazine, is to launch as a cable network produced by NBCUniversal.

Ostroff declined to say how much Conde Nast was spending on the channels but called it "a significant investment." She said Conde Nast Entertainment is in "a growth stage" as it gets started, and is relying on outside production companies to help produce the shows. While the programming thus far is in the lifestyle and reality television mold, Ostroff says Conde Nast is exploring several scripted show ideas.

More channels based on Conde Nast magazines (others include Vanity Fair, Vogue and Bon Appetit) will roll out every quarter, says Ostroff. Additional shows will also be added from GQ and Glamour throughout the year.

"All of the brands lend themselves to this type of content," Ostroff says. That includes Conde Nast's most esteemed and most word-heavy property, the 88-year-old The New Yorker. But Ostroff says, "we're not there yet."

___

Online:

http://video.glamour.com

http://video.gq.com

___

Follow AP Entertainment Writer Jake Coyle on Twitter at: http://twitter.com/jake_coyle

Mo. golfer survives mid-round Illinois sinkhole



WATERLOO, Ill. (AP) When it comes to dealing with this divot, score one for golfer Mark Mihal.

The St. Louis Post-Dispatch (http://bit.ly/13QvcoX ) reports that the mortgage broker from Creve Coeur, Mo., is recovering after a sinkhole opened up beneath him Friday on the fairway at the 14th hole of a southwestern Illinois golf course.

The pit that swallowed him was 18 feet deep and 10 feet wide.

The 43-year-old Mihal was hoisted to safety with a rope. The encounter at Annbriar Golf Course near Waterloo just southeast of St. Louis left him with a dislocated shoulder.

Although Mihal says he still considers the course one of his favorites, he's having second thoughts about returning there, saying "it'd be kind of strange playing that hole again, for sure."

___

Information from: St. Louis Post-Dispatch, http://www.stltoday.com

Angry Birds cartoons head for TV screens



HELSINKI (Reuters) - The makers of Angry Birds are launching a cartoon series this weekend, expanding further beyond its highly addictive games in a bid to expand entertainment and merchandising.

Rovio, the company behind the popular mobile app game Angry Birds, said the cartoons will feature adventures of birds that appear in its games.

Angry Birds Toons can be downloaded through on-demand services, and will also air on television channels such as FOX8 in Australia, ANTV in Indonesia, Cartoon Network in India, and MTV3 Juniori and MTV3 in Finland, it said.

Rovio has expanded into merchandising and licensing in the past few years and its colorful, round bird characters are sold as stuffed animals and appear on everything from T-shirts to soda cans.

It announced in December that it hired Hollywood executive David Maisel as executive producer of a 3D animated film planned for release in 2016.

(Reporting by Ritsuko Ando, editing by Paul Casciato)

Media watching for results of papal conclave



NEW YORK (AP) White smoke or black smoke? Maybe it's easier just to wait for a text message that a new pope has been elected.

A Catholic organization has set up a website, www.popealarm.com, that lets people register to receive a text or email notification when a pope has been selected.

While the process of selecting a new pope is as old as the ages, there are enough changes to the media to make the last papal conclave in 2005 seem like ancient history.

The text service was set up by the Fellowship of Catholic University Students, or FOCUS, and had proven so popular with more than 40,000 respondents that the popealarm website said Tuesday it could no longer guarantee new registrants would get a text message. People could still sign up for emails.

"When the smoke goes up, you'll know what's going down" is the website's motto.

FOCUS paid nearly $10,000 to set up the free service, figuring it was good publicity. Now the group's leaders are sifting through co-sponsorship offers from other organizations impressed with the amount of online traffic it has generated and hoping for their own exposure, said Jeremy Rivera, spokesman for the Christian campus ministry.

Another new website, www.adoptacardinal.org, assigns interested people one of the voting cardinals at random to pray for him as he deliberates on a new pope. Nearly 500,000 people had signed up by Tuesday morning.

American television network stars are in place in Vatican City for the start of the conclave Tuesday. All will wait for the traditional signal that a new pope has been selected: white smoke from the burned ballots of cardinals wafting from a Sistine Chapel chimney.

Two of the three U.S. evening news programs broadcast from Rome on Monday in anticipation of the conclave: ABC's "World News" with Diane Sawyer and the "CBS Evening News" with Scott Pelley. Brian Williams of NBC's top-rated "Nightly News" did not make the trip.

In 2005, none of the top network anchors went to Rome for the conclave. Some network planners are reluctant to move broadcasts to Rome for the conclave because it's an open-ended event; no one knows how long it will last. It's different for the installation of a new pope, a defined event that can be scheduled around.

Lester Holt is the leading newscaster on hand for NBC News, the network said Monday.

Besides Pelley, CBS has sent its morning-show team of Charlie Rose and Norah O'Donnell to Rome. The other network morning shows will have anchors on scene for special reports Holt for NBC's "Today" show and Josh Elliott for "Good Morning America" on ABC.

Shepard Smith, who is Fox News Channel's top news anchor, is that network's top person on the scene. CNN has sent Anderson Cooper and Chris Cuomo, who will trade off coverage during the day and evening. Chris Jansing is the anchor leading MSNBC's coverage.

Among the specialized websites offering coverage of the event, the National Catholic Reporter is among the most watched by people following the story.

While Nate Silver of The New York Times' FiveThirtyEight blog predicted odds for last fall's presidential election, he's making no such call this time. The blog did publish a list from Oddschecker.com that was a compilation of various betting odds on who will be the next pope.

The top choice, with an average chance of 23 percent, was Angelo Scola of Italy. Oddsmakers gave him a narrow advantage over Peter Turkson of Ghana.

Asked what media outlet he'll follow most closely, James Martin, a Jesuit priest and commentator, said that "the person matters much more than the site."

He has a handful of experts whose reportage on the conclave he closely follows: John Allen of the National Catholic Reporter; Thomas Reese, author of "Inside the Vatican: The Politics and Organization of the Catholic Church;" Robert Mickens, a writer for the Catholic news weekly The Tablet; John Thavis, whose book "Vatican Diaries" came out last month; and Sandro Magister, a television producer and blogger.

Allen warned readers in the National Catholic Reporter about the chance for initial confusion since smoke coming out of the Sistine Chapel often seems gray at first. That was a big complaint among TV anchors at the last conclave.

"Generally, it takes a few minutes to sort out what's actually happened," Allen wrote.

NBC News will let people judge for themselves online. It is setting up a "smoke cam" of live streaming video of the Sistine Chapel chimney.

___

EDITOR'S NOTE David Bauder can be reached at dbauder(at)ap.org or on Twitter (at)dbauder.

Champagne out, ebooks in as Britain updates inflation basket



LONDON (Reuters) - Champagne is losing its fizz for British consumers who would rather be curled up with a book downloaded onto their eReaders, according to government statisticians.

The Office for National Statistics, which bases its monthly calculation of inflation on 700 goods and services priced in 150 areas of the country, said sales of books for digital devices represented a "significant and growing market".

Statisticians update the basket of items every year so the contents accurately capture changing trends in spending.

The annual rejig also shows what British consumers are eating and drinking - and what they are not.

With Britons perhaps not having much to celebrate as the country flirts with its third recession since 2008, champagne has been taken out, and it has been replaced by sales of white rum, which the statistics office said was increasingly popular with young drinkers.

Blueberries, continental sliced meats and packaged stir-fry vegetables have all made their debut in the basket.

On the Do-it-yourself front, self-assembly kitchen wall units are being added to the basket, while basin taps make their exit.

As well as ebooks, Britons are increasingly buying digital television recorders. These devices, which allow people to record and rewind live television, have replaced standard Freeview receiver boxes.

In another sign of the times, packs of disposable contact lenses are also entering the basket, replacing pairs of soft contact lenses.

(Reporting by Christina Fincher; Editing by John Stonestreet)

Boy admits prank 911 call on Ashton Kutcher's home


LOS ANGELES (AP) Prosecutors say a 12-year-old boy has admitted making a prank 911 call that drew police to Ashton Kutcher's home.

The Los Angeles District Attorney's Office says the boy admitted responsibility for making a false bomb threat and computer intrusion. He will be sentenced at a later date.

Prosecutors say the boy is also accused of making false 911 calls involving Justin Bieber's house and a bank. Those charges will likely be dismissed, but the district attorney's office says the allegations will be considered when the boy is sentenced.

The boy's identity has not been released.

His calls were among several targeting celebrities in the Los Angeles area in recent months in a practice known as "swatting." The pranks are intended to draw large police responses, including SWAT teams.

Boy, 12, admits to prank crime report at actor Ashton Kutcher's home


LOS ANGELES (Reuters) - A 12-year-old boy admitted in court on Monday that he falsely reported to police last year that criminals with guns and explosives had invaded the home of actor Ashton Kutcher and shot people, the Los Angeles County District Attorney said.

The boy, whose name was withheld because he is a minor, prompted police to dispatch emergency responders to the "Two and a Half Men" star's Hollywood home in October.

Such prank emergency calls are known as "swatting" because SWAT (Special Weapons and Tactics) officers are often sent to such purported crime scenes. The child was charged with making a false bomb threat and computer intrusion because he placed the call from a computer.

The boy has also been charged with a misdemeanor count of making a false emergency report when he allegedly placed a hoax call about gunshots being fired on the Los Angeles-area property of teen pop star Justin Bieber.

The boy, who will turn 13 in April, faces additional felony charges of making a false bomb threat and computer intrusion after allegedly saying there was a bomb at a Wells Fargo bank branch in Los Angeles.

Those charges are expected to be dismissed when the boy is sentenced, the district attorney said.

All of the prank calls were placed in October.

The boy's sentence is at the discretion of the court, which could decide on at-home probation or placement in a group home among other punishments, district attorney spokeswoman Sandi Gibbons.

He has been released to the custody of his parents and the case has been transferred to his home county, which the court declined to name publicly.

In California juvenile cases, defendants have the option to either admit or deny charges brought against them by petition.

(Reporting by Eric Kelsey; Editing by Piya Sinha-Roy and Cynthia Osterman)

Big names at SXSW, but what about big breaks?


AUSTIN, Texas (AP) In the frenzy of South by Southwest, even standouts like The Flaming Lips feel the need to stand out.

Now consider that problem while surveying the 2,200 mostly unknown bands packing Austin starting Tuesday for the marquee week of the trendy festival that blends the famous and nameless, headlined this year by Green Day, Dave Grohl, the Yeah Yeah Yeahs, Natalie Maines of The Dixie Chicks and Snoop Lion (perhaps still better known as Snoop Dogg).

Squeezing into the intimate showcases for those big acts will be all but impossible. The Flaming Lips will take all comers at a free outdoor concert, yet the psychedelic rockers known for theatrical live spectacles are still pulling out the stops for attention, performing their yet-unreleased album "The Terror" in its entirety for the first time.

Call it a lesson for all the lesser-knowns at SXSW: make your set memorable, or leave possibly forgotten.

"You have to do something beyond your normal show and normal existence," said The Flaming Lips multi-instrumentalist Steven Drozd, who believes SXSW can still make a band that shows up struggling to make a living. "If you're playing SXSW and playing in the right spot, this might be the time a manager of another band might see you and you get your shot. Otherwise, you may not get your shot at all."

That SXSW has skewed too commercial at the expense of up-and-comers is a gripe that sometimes feels as old as The Flaming Lips, whose dark new album set for release in April will be their 13th in their 30-year history. What ostensibly began in 1987 as an insider gathering for unsigned bands to catch the eye of a record executive or musical tastemaker has mushroomed into a weeklong party with a festival feel and A-list acts.

Other notables at the SXSW this year include Vampire Weekend, Kendrick Lamar, Iggy and the Stooges, the Black Lips, Tegan and Sara, Haim and Sonic Youth frontman Thurston Moore's new side project, Chelsea Light Moving. Then there are the stars who will inevitably drop in for unannounced shows, such as when 50 Cent and Eminem collaborated for a set that was also streamed on YouTube.

James Minor, the general manager of the music arm of SXSW, said the upside of SXSW for chart-topping artists is a fresh dose of relevance. But he describes the festival that runs through Saturday as a still-valuable showcase for emerging bands to get exposure and take crash courses on the business side of an evolving industry where it's getting harder for artists to make a buck.

"I feel people are turning around a little bit, as maybe in the past they see SXSW as party time," Minor said. "But I feel like there's a general sense that artists that are succeeding are more aware of the industry."

Among those out for awareness this week are The Rubens, an Austrialian rock band who has yet to release an album in the U.S., let alone play here before. Frontman Sam Margin is grateful his band has it better than most they're already signed to a major label in Warner Bros. but is expecting a competitive atmosphere that raises the stakes to standout.

That doesn't mean any gimmicks for The Rubens they're just hoping their performances finds buzz in a week that's so packed with bands that even Margin confesses to trouble navigating it.

"It's been really hard to find anything. I've been Googling it and there is so much going on," Margin said.

Of course, the big acts don't show up simply to upstage the rest of the lineup. Green Day frontman Billie Joe Armstrong, whose substance abuse problems last year forced the band to postpone the start of a 2013 arena tour, debuts the documentary "Broadway Idiot" that jumps from concerts to the punk band's Broadway musical.

Wayne Coyne of The Flaming Lips is similarly premiering his own film called "A Year in the Life of Wayne's Phone" that promises to be every bit as curiously weird as it sounds. Maines, who has been seldom heard from since the Dixie Chicks began a hiatus in 2008, returns to the stage in her native Texas to promote her solo debut "Mother" due out in May.

Drozd said he first performed at SXSW in 1989 with another upstart band before joining The Flaming Lips. He hopes the potential remains the same for others a quarter-century later.

"We thought we might get out next big break," Drozd said. "We played to five or six people. Nothing came of it, but it felt like anything could help."

___

Follow Paul J. Weber on Twitter: www.twitter.com/pauljweber

Olivia Newton-John: sweetheart, sex idol, rock chick, radio star


By Mike Collett-White

LONDON (Reuters) - With a range spanning the cardigan-clad sweetheart in the hit musical "Grease" and the leotarded gym instructor in the raunchy single "Physical", no one could accuse Olivia Newton-John of playing it safe in 40 years of singing country, pop and rock.

The Australian, who was born in England and is touring there for the first time in 35 years, admits to being terrified at some of the choices she made in a career boasting four Grammy awards and a lead role in the biggest musical movie hit in U.S. history.

"I like a challenge," Newton-John, 64, told Reuters in an interview before starting a six-concert tour that ends on March 17 in Manchester.

"I was always afraid of these changes but I did them anyway, kind of 'face your fears' ... because I felt you also had to challenge yourself a little bit. But I was terrified."

The 1981 release of "Physical", a song from the album of the same name, was banned by some radio stations in the United States banned for raunchy lyrics such as "There's nothing left to talk about/Unless it's horizontally."

"I remember calling (manager) Roger Davies right after I'd finished it ... and going 'Oh, I'm not sure we should put this out, it's a little too risqu '. He said: 'It's too late, love, it's gone to radio'."

Adding to the controversy was the video, in which Newton-John played a gym instructor in a tight leotard surrounded by oiled body-builders portrayed as gay in a twist ending.

FROM NICE TO NAUGHTY

"I look back now and it's hilarious, because that was so naughty in its time," she recalled. "That was another challenge that worked, thank goodness. It was either going to be a big success or nothing. There was no in-between with that song.

"It was banned in Utah and I did my television special for the Physical Tour in Utah. I remember I was probably so terrified I got sick right before the shoot."

In fact, "Physical" proved to be the pinnacle of Newton-John's solo career, topping the U.S. pop charts and becoming one of the best-selling singles of the decade.

By then, Newton-John had already left her comfort zone more than once. She recalled pursuing a career as a performer despite resistance from her parents, who wanted her to finish school.

She comes from an academic background - her grandfather was Max Born, a German-British Nobel Prize-winning quantum physicist.

"My grandfather apparently used to play music with Einstein, they used to play chamber music together, so it (the musical gene) goes back," Newton-John said.

She left Australia for Britain in the 60s to make it as a pop star. By the early 70s, she had featured in the charts and on television before representing the United Kingdom at the 1974 Eurovision Song Contest, finishing fourth behind winners ABBA.

Then came a move to the United States, where Newton-John broke into the country music scene despite being considered an outsider. Her hit "Let Me Be There" won her a country vocal Grammy.

SANDY IN SPANDEX

The next gamble came with "Grease", the hit 1978 film adaptation of the Broadway musical that would turn her into a household name.

"Grease itself was a bold enough move - playing the second character in Grease, and for that to be so successful, I mean, who knew?"

Her character's transformation from clean-cut "Sandy 1" to spandex-clad "Sandy 2", out to snare John Travolta's Danny, was one that she took into real life, ditching the safety of soft pop and country for an edgier image and sound.

The name of her next album? "Totally Hot".

"The raunchy kind of image that Sandy 2 had, it gave an opportunity to change my direction a little bit and do something a little more fun," she said.

"I did country, and then it was pop, and then 'Grease' kind of went into rock and so I got to change a little bit. Everyone does it now, but then it probably wasn't so common."

Newton-John, now based on the west coast of the United States along with her family including daughter Chloe, said she would continue to record new music but may cut back on touring.

"I have so many ... other things I'm passionate about and involved in and I love singing and I love recording, but touring takes a toll and you're away from home a lot," she explained.

Newton-John, who survived breast cancer in 1992, has set up a cancer centre in Australia and has campaigned on issues including deforestation, dolphin culling and fracking.

Why does she take on so many issues outside music?

"I think it's really for my mum," she said. "My mum was always writing letters to the council about problems, and so I think I owe that to her."

(Reporting by Mike Collett-White; Editing by Kevin Liffey)