Danny Puff

NEW YORK (AP) Who killed J.R.?

That's the mystery propelling "Dallas" through the rest of its second season as a TNT revival.

And that question hangs heavy in the upcoming episode (airing Monday at 9 p.m. EDT), which confirms the sad truth every viewer knew was coming: glorious scoundrel J.R. Ewing has died, after decades of living-on-the-edge infamy dating back at least to 1980, when he was gunned down in his office and left for dead, with "Who shot J.R.?" the question on every viewer's lips for months afterward.

J.R.'s fate was sealed this time by the intrusion of reality. In November, Larry Hagman died of cancer at 81. And when he died, he took J.R. with him.

So the new episode surely the first without Hagman's deliciously vile presence stands as a fitting tribute both to him and to J.R., complete with a wake and a funeral for the rascally oil baron. Even the oh-so-familiar theme music is rearranged from its quickstep tempo to a dirge. The message of this episode, titled "J.R.'s Masterpiece": J.R. is gone but not forgotten.

Last Monday's episode featured the last, brief appearances by a visibly frail Hagman. There were three isolated scenes with J.R., who for reasons unknown had gone missing from Dallas. But the action mostly swirled among the other characters as they squabbled over Ewing Energies, which has pitted cousins John Ross (played by Josh Henderson) and Christopher (Jesse Metcalfe) in a battle for its control.

In his final scene, near the end of the hour, J.R. was glimpsed at an undisclosed location on the phone with John Ross.

"Don't you worry, son, I've got a plan," J.R. told him. "It's gonna be my masterpiece. Because you shouldn't have to pay for my sins."

"What do you mean?" asked John Ross, struck by J.R.'s rare show of tenderness.

"Just remember, I'm proud of you," said J.R., as John Ross' eyes moistened. "You're my son, from tip to tail."

But at that moment, John Ross heard gunshots. He screamed into the phone, "Dad! Dad!"

Who shot J.R.?

"I need to know who killed my father, and why!" snaps John Ross in the new episode.

Sue Ellen, his mother and J.R.'s long-suffering ex-wife (played by Linda Gray), hoists a Dallas directory and reminds him, "Half the people in this phone book wanted to."

Yes, J.R. had legions of enemies with scores to settle. But who among them did the deed? And why did J.R.'s time run out, in all places, in a room at a Mexican flophouse?

His memorial takes place at the Dallas Petroleum Club, where high-powered mourners flock to bid him farewell.

Here are real-life local swells including Dallas Cowboys owner Jerry Jones and Dallas Mavericks owner Mark Cuban.

Here are "Dallas" characters from way back including former wild child Lucy (Charlene Tilton), J.R.'s niece; Ray Krebbs (Steve Kanaly), the illegitimate son of J.R.'s father; and Gary (Ted Shackelford), the "black sheep" brother who left Dallas for a long life on series spinoff "Knots Landing."

But the embittered John Ross isn't buying that any of the gathered have a kind thought for his father: "Half these people are here to make sure he's dead. The other half are here for the free drinks."

Then decorum is shattered by Cliff Barnes, the Ewings' archenemy (played by Ken Kercheval), who storms into the room and tells J.R.'s brother Bobby, "Since you lost your junkyard dog, there's nothing to keep me from taking your family down."

Is it any wonder a brawl erupts?

The next day, J.R. is mourned at a private graveside service.

Several of the principals speak, and, hearing them, it would be hard for any "Dallas" devotee not to grieve the loss of Larry Hagman, nor to wonder if some of the actors' sorrowful display comes from genuinely missing their fallen cast mate.

Among them is Sue Ellen, who tearfully reveals a letter she has just received from J.R. that begs her for a second chance: "When I get back to Dallas, will you have dinner with me?"

It also turns out J.R. left behind another letter, this one addressed to Bobby (Patrick Duffy).

But what that letter reveals, Bobby isn't saying not to his family nor, God forbid, the audience.

"I knew you'd have at least one more (trick) left up your sleeve, J.R.," Bobby murmurs later, alone, as he knocks back bourbons poured from J.R.'s own decanter. "And it's a good one."

The task for "Dallas" to outlive J.R. Ewing is huge. Rest in peace, Larry Hagman. But there better be no peace on this show in J.R.'s absence if it hopes to survive its magnificent villain.

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Online:

http://www.tntdrama.com

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Frazier Moore is a national television columnist for The Associated Press. He can be reached at fmoore(at)ap.org and at http://www.twitter.com/tvfrazier

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JUNEAU, Alaska (AP) A ball. A boat. A little girl's sandal. Filmmakers are working to find and tell the stories behind some of the items that have washed up on North American shores following the deadly 2011 tsunami in Japan.

"Lost and Found" aims to reunite items discovered by beachcombers and others who feel compelled to return them to their rightful owners, co-director John Choi said.

A trailer for the film, which is still being produced, features two men affected by the items they've found. John Anderson found a volleyball on a beach in Washington state and Marcus Eriksen, head of an expedition that sailed from Japan to Hawaii to look for tsunami debris last year, found part of a boat. Neither of the items has been linked to their original owners yet.

"It was just like, Whoa, oh man! There's one of them balls with all the writing on it," Anderson says in the clip. "I'm more interested in the story behind it. You know, I would sure like to know what happened to these people. It would be nice to know that they survived or this was at home while they were away just this got washed away."

Eriksen said when his team first saw the boat, there was initial excitement, "because we had been watching the ocean for a few weeks, just wondering what's out there. But when we approached this, it quickly went from fascination and excitement to, like, the sobering reality that this was someone's property, and we were very quickly filled with compassion about, you know, who lost this boat."

"They didn't lose it," he said in the clip. "It was taken from them by natural disaster, so I feel compelled to find that individual."

Monday marks the two-year anniversary of the disaster, which devastated a long stretch of Japan's northeastern coast and killed thousands of people. The Japanese government estimated that 1.5 million tons of debris was floating in the ocean in the immediate aftermath of the tsunami, but it's not clear how much is still floating.

Tsunami debris is tough to monitor and distinguish from the everyday debris much of it from Asia that has long been a problem along the West Coast. The National Oceanic and Atmospheric Administration said just 21 items of the more than 1,500 reports of possible tsunami debris including balls, a motorcycle and boats have been firmly traced back to the tsunami. However, the agency lists scores of other items along the West Coast and across the Pacific Ocean as potentially linked.

Choi first got the idea for the documentary about 1 years ago, after hearing a news report discussing a tsunami debris field. He started thinking about what might wash ashore, and how cool it would be if there was an effort to return found items.

He connected with co-director Nicolina Lanni. At the time, he said, nothing had washed ashore. The effort took off after they met Seattle-based oceanographer Curtis Ebbesmeyer, who shared his thoughts on what might happen and encouraged them in their effort.

The Canada-based filmmakers have been filming, on and off, for about a year. They established a network of contributors, and at times have been involved in trying to track down information on items found, like the little pink-and-purple sandal. A woman they met at a recent beachcomber fair found the shoe in Hawaii. A picture of it was posted on the film's Facebook page, asking for help translating the handwriting on it.

So far, he said, the team is looking at six stories, three of which involve items already traced to their owners.

"Our film is about 3 countries, 2 continents, separated by the great vastness of the Pacific Ocean coming together to share in the memories, mourn the losses and find great joy in the reuniting of something once thought to be lost forever but has now been found," a description of the project, on the Facebook page, says.

Additional filming is planned for North America this spring and Japan this summer. The filmmakers have been raising money, to help with costs.

Choi hopes to have the documentary released by the third anniversary of the disaster.

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Online: http://www.lostandfoundthefilm.ca/the-film-2

To watch the trailer: http://www.hotdocs.ca/docignite/project/lost_found

http://www.facebook.com/lostandfoundthefilm

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MIAMI (Reuters) - New York media mogul Robert F.X. Sillerman is the new entertainment king of Miami Beach after taking over almost all of the famous South Florida island-city's glitzy, over-the-top nightclubs in a push to consolidate the fast-growing electronic dance music (EDM) industry.

Two Miami companies, The Opium Group and Miami Marketing Group, which own eight nightclubs, including LIV inside the historic, art deco Fontainebleau Hotel, were recently purchased by Sillerman, according to a spokesman.

The deals, in which terms were not disclosed, are the latest move by Sillerman to corner the EDM market, after saying in June last year that he was willing to spend more than $1 billion buying up EDM promoters and event organizers.

EDM is rapidly growing in popularity in the U.S. and abroad, popularized by nightclub DJs featuring acts by Lady Gaga, Katy Perry and Pitbull.

Sillerman's stake in the Miami club scene gives him a presence in a major EDM market and home of the Ultra Music Festival, one of the biggest in the world, with eight stages and more than 230,000 attendees last year.

This year's Ultra event in Miami promises to be even bigger, and has expanded to two consecutive 3-day weekends later this month. Sillerman has no ties to the event.

Sillerman's quest echoes his business strategy from the late 1990s when his company, SFX Entertainment, consolidated a large number of concert promoters, producers and venues and was bought by Clear Channel in 2000 for $4.4 billion.

In January, Sillerman's revived SFX Entertainment purchased the North American division of Holland-based ID&T Entertainment, the world's largest dance music concert promoter. ID&T runs a three-day festival in Belgium called Tomorrowland and Sensation White, an EDM concert series held across Europe that made its U.S. debut at the Barclays Center in Brooklyn last October.

Tomorrowland producers plan to hold their first festival outside of Belgium, called Tomorrow World, somewhere in North America in late September.

SFX has also acquired several other EDM assets in recent weeks, including New Orleans-based EDM promoter Donnie Disco Presents and Life in Color, which puts on day-glow-paint-soaked EDM concerts across the U.S. Last week, SFX took over the Denver-based music site Beatport, a major download store for EDM with a catalog of more than one million tracks, the New York Times reported.

"He's the entrepreneurial type, looking for different avenues to bring in his management aggregation strategy," said Mark Fratrik, vice president and chief economist for media consultancy BIA/Kelsey. "I imagine he could do the same thing [now]... it seems like this is another combining of the events with the music."

SFX, LIVE NATION EXPAND EDM REACH

Sillerman first began buying radio stations in the late 1970s and sold a block of 10 stations to Westinghouse Broadcasting for $400 million in 1989. He later launched SFX Broadcasting which went public in 1993 and grew even larger when the Telecommunications Act of 1996 lifted the cap on the number of stations a company could own in a single market. In 1997, the company was sold for $2.1 billion to Capstar Broadcasting Corp, a company formed by the Hicks brothers.

Sillerman then started a new public company called Marquee Group Inc, which bought up agencies that represented professional sports and music stars, and SFX Entertainment through which he acquired concert venues and promoters.

SFX Entertainment was sold to Clear Channel in 2000 for $4.4 billion and was widely recognized as the precursor to the now massive concert promoter and producer Live Nation.

Sillerman went on to form CKX Inc, which bought 85 percent of Elvis Presley Enterprises, including the rock-and-roll legend's Graceland mansion, and 100 percent of Simon Fuller's 19 Entertainment, producer of American Idol.

"He's been extremely successful in consolidating fragmented industries which have untapped growth potential that generally have excellent marketing opportunities attached to them," said Mike Principe, a former SFX attorney who is now CEO of The Legacy Agency. "He goes in, acquires en masse, and enjoys a leading position."

Sillerman isn't the only one trying to bring the booming slice of the music industry under one flag. In May 2012, Live Nation purchased Cream Holdings Limited, which produces EDM events in the U.K. and Australia.

Cream Founder and CEO James Barton became head of Live Nation Electronic Music tasked with expanding the company's reach in EDM around the world. Both SFX and Live Nation have been reportedly courting Los Angeles-based Insomniac.

The company's signature event, Electric Daisy Carnival, drew more than 230,000 revelers to the Las Vegas Motor Speedway in the summer of 2012 and has spawned satellite festivals in cities around the U.S.

(Editing by David Adams, Bernard Orr)

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NEW YORK (AP) They partied like it was 1999 the audience and the musicians at a Prince tribute concert at Carnegie Hall.

More than 20 performers including Elvis Costello, The Roots and the Waterboys paid tribute to the pop icon in a two-hour-plus concert Thursday night. They all joined together onstage to close the show with "1999."

Singer D'Angelo took the lead while putting his arm around Bettye LaVette, Chris Rock and Costello clapped hands side-by-side, and comedians-actresses-singers Maya Rudolph and Sandra Bernhard danced in a silly manner all while the crowd cheered on.

Many of the performers got into character as they sang signature Prince tunes. Soul singer Bilal was wild on "Sister," singing in various tones like a mad man and thrilling the crowd. Bernhard, in her leather pants, shimmery shirt and shiny shoes, impressed on "Little Red Corvette" as she skipped around onstage and belted high notes. And singer-songwriter Kat Edmonson captured the audience with "The Beautiful Ones," standing still and singing with only a pianist onstage.

It was one of the only times The Roots weren't backing up other performers throughout the concert, which raised $100,000 for music education programs.

Ahmir "Questlove" Thompson jammed on the drums and even took photos of a pregnant Rudolph when she danced with one hand on her belly and the other stroking her hair. Rudolph, who sings Prince covers under the moniker PRINCEss with Gretchen Lieberum, screeched on "Darling Nikki" and didn't slow down while performing choreography in heels.

Few words were said to the audience, though Rock thanked the crowd "for coming" toward the end of the show.

He impersonated Prince, too, when reciting the lyrics to "If I Was Your Girlfriend" with sass. Comedian-actor Fred Armisen took on many roles: He recited lyrics from "Let's Go Crazy," played the drums while the Blind Boys of Alabama sang "The Cross" and offered light vocals during "It's Going to Be a Beautiful Night" alongside D'Angelo.

Most of the musicians wore black onstage, though LaVette rocked a purple blazer while singing "Kiss." Other performers included Eric Leeds, Nina Persson and Talib Kweli. Husband-and-wife Citizen Cope and Alice Smith sang a duet version of "Pop Life" and Booker T. Jones was joined by singer Diane Birch and members of the Young Audiences New York Youth Choir for "Raspberry Beret."

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Online:

http://www.carnegieprince.com/

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Follow Mesfin Fekadu on Twitter at http://twitter.com/MusicMesfin

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SAN FRANCISCO (Reuters) - Filmmaker George Lucas, the creator of "Star Wars," has submitted a bid to build a "storytelling museum" in San Francisco to share his vast collection of contemporary paintings, illustrations and digital art.

Lucas has offered to construct the Lucas Cultural Arts Museum on federal land, run it and stock it with hundreds of millions of dollars worth of art by the likes of Norman Rockwell and Maxfield Parrish.

"What he finds most fascinating in these artists is their ability to capture an emotion and tell an entire story in one image," Lucas spokesman David Perry told Reuters.

Lucas' proposal was one of 16 bids to create a cultural institution in a former commissary at the San Francisco Presidio, a 1,500-acre national park within the city created after the U.S. Army left the post in 1994.

Other proposals received last week by the Presidio Trust include a New Deal museum, a color museum, a global observatory, a center for the study of cities, an environmental center, a sustainability institute, an innovation center and a center for the history of the Golden Gate Bridge.

"We all know that George Lucas is a creative genius, and we're very pleased that he's one of the contenders," said Craig Middleton, executive director of the Presidio Trust.

He said the trust would examine the proposals and solicit public comment until April, when it would whittle down the competition and hold public hearings on the top bidders.

Lucas, 68, built the Letterman Digital Arts Center as the Presidio's first permanent business. The arts center is the combined home of Industrial Light & Magic, LucasArts and Lucasfilm's marketing, online, and licensing units.

Lucas sold Lucasfilm Ltd., his film-making venture founded in 1971, to The Walt Disney Co. for $4.05 billion in 2012.

Perry estimated the value of the proposed gift at $1 billion, including the artwork and more than $300 million to construct the museum at the Presidio.

STORYTELLING

The semi-retired Lucas described his proposed museum as "a dedication to cultural fantasy" in an interview with CBS This Morning.

"Part of the museum is designed to educate younger people into the idea of storytelling, into the idea of being able to paint your fantasies, which is what Star Wars' was," he said.

" Star Wars' was there to inspire young people to imagine things, to imagine going anywhere in the universe and doing anything you want to do and using your imagination to entertain yourself."

The museum would include five galleries, ranging in size from 4,500 to 8,500 square feet, a 200-seat theater and a 75-seat lecture hall. It would feature breathtaking views of the Bay, Alcatraz and the Golden Gate Bridge.

Lucas bought his first work of art, a page from one of Walt Disney's Uncle Scrooge comic books, for $25 when he was a University of Southern California film student. Since then, he has amassed a collection of 150 years of what he calls "fantastical" art.

In a letter accompanying his proposal, Lucas described a childhood trip from his home in Modesto to the de Young Museum in San Francisco as life changing.

"I was drawn in by Norman Rockwell's ability to tell a complete story in a single image," he wrote. "It was then that I began to learn the art of visual storytelling."

Perry said Lucas has spent the last two years working on the museum proposal. "This is a gift," Perry said. "We're just hoping the people to whom we offer the gift say, thank you' and unwrap it."

(Editing by Cynthia Johnston; Editing by Todd Eastham)

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LOS ANGELES (AP) Joy Behar will be enjoying "The View" for only five more months.

The 70-year-old comedian is leaving the ABC daytime talk show at the end of the current season in August. The network said in a statement Thursday that it wishes Behar "all the best in this next chapter, and are thrilled that we have her for the remainder of the season."

Behar has co-hosted the show for 16 seasons. She was among the first co-hosts with co-creator Barbara Walters when the series debuted in 2006. The current panel includes Whoopi Goldberg, Elisabeth Hasselbeck and Sherri Shepherd.

In addition to "The View," Behar hosted "The Joy Behar Show" on HLN from 2009 to 2011 and currently hosts "Joy Behar: Say Anything!" on Current TV, which debuted last year.

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LOS ANGELES (AP) Kelly Osbourne was hospitalized Thursday after fainting on the set of the E! network's "Fashion Police."

A spokeswoman for Osbourne told the cable network that the 28-year-old TV personality was awake, alert and in stable condition. She will be staying at the hospital overnight for observation as a precautionary measure. No additional details were provided.

Osbourne is the daughter of rocker Ozzy Osbourne and "The Talk" co-host Sharon Osbourne. She was profiled with her family on the MTV reality series "The Osbournes" and has appeared as a contestant on "Dancing with the Stars." She's currently a panelist on "Fashion Police" with Joan Rivers, Giuliana Rancic and George Kotsiopoulos.

"She's fine," Rivers said in a video posted Thursday afternoon on the celebrity news site TMZ.com. "We just saw her."

Spokeswomen for Sharon Osbourne and Melissa Rivers, Joan's daughter and executive producer of "Fashion Police," declined to comment.

Kelly Osbourne's brother, Jack, revealed he was diagnosed with multiple sclerosis last year.

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Online:

http://www.eonline.com/shows/fashion_police

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SAN FRANCISCO (Reuters) - A 24-year-old intern killed by an African lion at a California wildlife sanctuary died almost instantly after the big cat broke her neck, a coroner said on Thursday, amid media reports that the animal may have escaped from its pen to attack her.

The Cat Haven, a private sanctuary east of Fresno, remained closed on Thursday, a day after Dianna Hanson was killed by a 350-lb (160-kg) male Barbary lion named Cous Cous that attacked her inside an enclosure. Hanson was from the Seattle area.

"The young lady did not suffer because she died almost instantly from a fractured neck," Fresno County Coroner Dr. David Hadden told Reuters.

An autopsy conducted on Thursday showed bite and claw marks on Hanson from "the lion playing with the body like a cat would play with a mouse," Hadden said.

Hadden told several news organizations, including CNN and the Fresno Bee newspaper, that the lion may have used its paw to pry open a gate separating its pen from the larger enclosure to attack Hanson while she was cleaning it. But that could not be immediately confirmed by Reuters.

Hanson's death was the latest in a handful of high-profile incidents involving big cats in captivity in the United States in recent years, and comes less than six months after a man leapt into a tiger's den at the Bronx Zoo, sustaining multiple injuries.

Hanson's Facebook page showed pictures of her standing or sitting next to big cats, apparently in enclosures, and she had worked on a wild feline reserve in Africa. Her father has told a television station she liked to get close to big cats.

"I've always had a premonition this would happen," Paul Hanson told Seattle television station KING 5. "She really loved getting up close and personal with the animals."

The California Division of Occupational Safety and Health sent two inspectors with questions such as whether the sanctuary allowed the woman to enter the enclosure, agency spokesman Peter Melton said.

"We'll find out exactly what she was doing and what her job duties were and whether she was following the procedures as they were supposed to be done," Melton said.

Cat Haven is a 100-acre (16-hectare) sanctuary in Dunlap, California, run by the group Project Survival. It was founded "to exhibit a variety of wild cats and engage public support for their conservation in the wild via specific projects," according to the park's website.

'IT'S DEVASTATING'

Dale Anderson, founder of the facility, told reporters outside the gates of his facility that he could not comment on the circumstances of Hanson's death or the safety protocols at Cat Haven. "Our whole staff is just ... it's devastating," he said as he broke down in tears.

Hanson, who graduated in 2011 from Western Washington University with a degree in biology, had spent six months in Kenya last year working on a wild feline reserve.

In 2011 and 2012, Hanson also volunteered in Seattle for the Snow Leopard Trust, which seeks ways to protect the endangered species, the organization said.

The 4-year-old Barbary lion that killed Hanson was of a species that is extinct in the wild, said Janice Mackey, a spokeswoman for the California Department of Fish and Wildlife, which oversaw the permit that allows the sanctuary to operate.

The lion had been handled by humans since it was weeks old, and was one of two Barbary lions at the facility. Several years ago, when it was a cub, Cous Cous also made an appearance on the talk show "Ellen," Mackey said.

The lion was shot and killed by sheriff's deputies as they tried to reach Hanson, authorities said. On Thursday, a necropsy was performed on the lion to determine if it suffered from any health problems that could have led to the attack, Mackey said.

Anderson, Cat Haven's founder, said the facility has been "incident free" since it opened in 1998, and California officials confirmed they had never responded to any emergency at the facility similar to Wednesday's death.

In 2010, a lion attacked a trainer at a glass-encased enclosure at the MGM Grand in Las Vegas. The trainer survived.

In another high-profile incident involving captive cats in 2011, the owner of a private menagerie released dozens of tigers, lions and other animals in Ohio, and then killed himself. The case led some animal welfare groups to call for a ban on private ownership of exotic animals.

The California Department of Fish and Game permits private animal sanctuaries only if their goal is scientific research or public education, Mackey said.

(Additional reporting by Stephen Keleher in Dunlap, California; Laura L. Myers in Seattle and Dan Whitcomb in Los Angeles; Writing by Alex Dobuzinskis; Editing by Cynthia Johnston, David Gregorio and Lisa Shumaker)

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LOS ANGELES (Reuters) - Actress Demi Moore is seeking alimony from estranged husband Ashton Kutcher, according to divorce documents filed in a Los Angeles court on Thursday.

Kutcher, the star of CBS television comedy "Two and a Half Men," filed for divorce from the "G.I. Jane" actress in December 2012 after more than a year of separation.

Requesting financial support from Kutcher, 35, is an unusual move for Moore, 50, who was one of the top female earners in Hollywood during the 1990s. Her court filing did not specify an amount sought.

Kutcher and Moore both cited irreconcilable differences in their divorce papers filed in Los Angeles Superior Court. In Kutcher's filing, the actor said he would not seek spousal support but would not deny support to Moore.

Forbes magazine has estimated Kutcher earned $24 million from May 2011 to May 2012, making him the highest-paid TV actor.

Representatives for Moore and Kutcher did not immediately respond to requests for comment.

Moore began dating Kutcher a few years after her split from actor-husband Bruce Willis, when Kutcher was a young star on the TV sitcom "That '70s Show."

Their relationship became tabloid fodder due to their 16-year age gap, and the couple married in September 2005 in Los Angeles.

Moore and Kutcher separated in November 2011 following six years of marriage, after a San Diego woman said she had a brief affair with Kutcher.

Kutcher is currently dating his former "That '70s Show" cast-mate Mila Kunis.

(Reporting by Eric Kelsey; Editing by Piya Sinha-Roy and Cynthia Osterman)

(This story was refiled to fix typo in the first paragraph)

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SEOUL, South Korea (AP) Leonardo DiCapro says filming violent scenes like in "Django Unchained" doesn't deter him from wanting his movies to be great art.

The bloody revenge film about slavery before the U.S. Civil War has fueled some of the debate about whether Hollywood shows too much on-screen violence. DiCaprio portrays a ruthless plantation owner encountered by a freed slave and bounty hunter (Jamie Foxx and Christoph Waltz).

DiCaprio told reporters in South Korea on Thursday, "My philosophy has kind of always been the same: Pain is temporary, film is forever."

If he gives his films all the focus he can and the elements come together correctly, "you come out with a great piece of art."

The actor said it was his first visit to South Korea. "Django Unchained" opens there March 21.

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