Pro wrestling manager known as 'Paul Bearer' dies in Alabama


MOBILE, Alabama (Reuters) - The professional wrestling community on Wednesday mourned the death of William Moody, a real-life undertaker who gained fame as a wrestling manager with the ring name Paul Bearer.

Moody, 58, who managed the entertainment sport's champion The Undertaker and helped launch the careers of wrestlers Kane and Mankind, died Tuesday night at a hospital in his hometown of Mobile, Alabama, according to a hospital employee. The hospital did not release a cause of death.

"WWE is saddened to learn of the passing of William Moody, aka Paul Bearer," the wrestling organisation said on its website.

"Moody made his WWE debut in 1991 as the manager of The Undertaker and went on to become a memorable part of WWE over the course of the next 20 years," the site said.

For his spooky character, Moody wore pasty makeup, carried an urn and spoke in a high-pitched wail. He made his last television appearance for WWE in April 2012, the organisation said.

Angie Daniel-Poteet, co-owner of Coastal Funeral Home and Cremations in Moss Point, Mississippi, where Moody worked for about five years until 2010, described him as an upbeat person who always made time for fans and friends.

"He could still put us in our place with 'that look,'" Daniel-Poteet said on Wednesday, referring to Moody's signature facial expression, a wide-eyed scowl. "But it wasn't serious, and he never trash-talked fellow wrestlers like others in the wrestling community."

Moody earned the respect of both the national professional wrestling and local funeral home communities, said Phillip Gilmer, a close friend and owner of Gilmer's Funeral Home in Mobile.

Moody had been having problems in recent months with breathing and sleep apnea, Gilmer said.

"Bill Moody was a gentle giant, a great person with a heart as big as Texas," he said.

(Reporting by Kaija Wilkinson; Additional reporting and writing by Colleen Jenkins; Editing by Barbara Goldberg and Dan Grebler)

Gore sued over Current TV sale to Al-Jazeera


SAN FRANCISCO (AP) A television consultant claims that former Vice President Al Gore and others at Current TV stole his idea to sell the struggling network to Al-Jazeera.

Los Angeles resident John Terenzio is demanding more than $5 million in a lawsuit quietly filed in San Francisco Superior Court Tuesday.

Al-Jazerra announced Jan. 3 that it would pay $500 million for San Francisco-based Current TV.

Terenzio alleges he first brought the idea of the Qatar-owned Al-Jazeera's purchase of Current TV to board member Richard Blum in July, and he expected to be paid if his plan was used. The lawsuit claims Blum was open to the plan, which Terenzio laid out with a detailed PowerPoint presentation but feared Gore would find such a deal with the oil-rich government of Qatar "politically unappealing."

Neither Gore or Blum, nor their representatives, could be reached for comment late Wednesday.

Gore co-founded Current TV in 2005 with Joel Hyatt, with each receiving a 20 percent stakes in Current, a politically left leaning news and talk network. Comcast Corp. had less than a 10 percent stake. Another major investor in Current TV was supermarket magnate and entertainment industry investor Ron Burkle, according to information service Capital IQ.

Blum, a venture capitalist and husband of California Sen. Dianne Feinstein, is also an investor in Current TV.

Terenzio claims he presented to Blum "a step-by-step approach for making the sale of the liberal media outlet to Al-Jazeera palatable to U.S. lawmakers, pro-Israel factions, cable operators and, most importantly, the American public."

Terenzio claims he created the English version of China Central Television and reprogrammed it for American audiences. He said he planned to use the same strategies in rebranding Current TV into Al-Jazeera America.

"Blum greeted Terenzio's proposal with enthusiasm, indicating that he and other investors were eager to salvage their multi-million investment in the floundering cable network," Terenzio claims in his lawsuit.

Terenzio said he believes Gore did turn down the deal in July and was "adamant" in rejecting it.

Terenzio's attorney, Ellyn Garofalo, said an "insider" told her client of Gore's rejection but refused to identify that person in a brief email interview Wednesday night. Garofalo represented Dr. Sandeep Kapoor when a jury acquitted him of illegally funneling prescription drugs to Anna Nicole Smith.

Terenzio said Al-Jazeera's January announcement of the sale was the first he heard of it.

Linklater, Green films join Tribeca lineup


NEW YORK (AP) Filmmakers from Richard Linklater to David Gordon Green to Whoopi Goldberg are bringing films to this year's Tribeca Film Festival.

The New York festival announced the second half of its 89-film slate Wednesday, all in various out-of-competition sections. Some of the films, like Linklater's "Before Midnight" and Green's "Prince Avalanche," will be continuing on the festival circuit after premiering at the Sundance Film Festival. Others, like Goldberg's documentary "I Got Somethin' to Tell You" on the comedian Moms Mabley, will be showing for the first time.

Other entries at Tribeca include films from Neil LaBute (the domestic drama "Some Velvet Morning," starring Stanley Tucci), Mira Nair (the best-seller adaptation "The Reluctant Fundamentalist," with Kate Hudson) and Neil Jordan (the vampire tale "Byzantium," with Saoirse Ronan).

Documentary subjects range from hydraulic fracturing, or fracking ("Gasland Part II," a sequel to Josh Fox's Oscar-nominated film), Richard Pryor ("Richard Pryor: Omit the Logic"), Bernie Madoff's longtime secretary ("In God We Trust"), Somali pirate hunters ("The Project") and Elaine Stritch ("Elaine Stritch: Shoot Me").

Tribeca will also attract a number of stars, with films featuring Zac Efron (the father-son drama "At Any Price"); Paul Rudd and Paul Giamatti (the holiday comedy "Almost Christmas"); John Cusack and Emma Roberts (the sex shop comedy "Adult World"); Melissa Leo (the addiction drama "Bottled Up"); and Julianne Moore (the schoolroom comedy "The English Teacher").

The 12th-annual Tribeca Film Festival runs April 17 through April 28. The festival earlier announced its opening night film as the documentary "Mistaken for Strangers" about the National. The Brooklyn rock band will perform at the premiere, as well.

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Online:

http://www.tribecafilm.com/festival/

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Follow AP Entertainment Writer Jake Coyle on Twitter at: http://twitter.com/jake_coyle

Little PSY goes solo after 'Gangnam Style' cameo


SEOUL, South Korea (AP) The impish boy who showed off his dance moves alongside PSY in "Gangnam Style" is hoping to go viral, too.

The 7-year-old nicknamed "Little PSY" is releasing an electro pop song next week through iTunes. The boy whose real name is Hwang Min-woo says he wants to gain global fame like his "big brother," PSY.

Sporting a black suit and a sleek haircut, Min-woo performed at a news conference in South Korea on Wednesday. He is the latest recruit in the increasingly global K-pop industry.

Min-woo is a second-grader and his mother comes from Vietnam.

Meanwhile, the big PSY has released a "Gangnam Style" remix and is continuing his worldwide tour. The video released on YouTube in July has a record 1.39 billion views.

A Minute With: the director of a documentary about Journey singer


LOS ANGELES (Reuters) - When veteran rock band Journey chose unknown Filipino singer Arnel Pineda to become their new frontman it inspired a filmmaker to capture his rise from obscurity in the streets of Manila to performing on arena stages.

"Don't Stop Believin': Everyman's Journey," directed by Filipino-American filmmaker Ramona Diaz, picks up Pineda's story soon after he was chosen to join Journey in 2007 after the group saw him on YouTube.

Diaz's documentary film opens in theaters on Friday. She spoke to Reuters about Pineda's story and working with the band.

Q: Were you worried about dealing with all the different personalities of a famous band?

A: My very first film was about the former first lady of the Philippines, Imelda Marcos. She was very powerful and she was difficult. I hung out with her for two months. She ended up suing me because she didn't like the film. After that experience, I thought, I can handle anything now. I can handle rock bands!

Q: What surprised you most about Journey?

A: It was a surprise to me that for such a veteran rock band, they were not used to having cameras ... backstage or in their dressing rooms. I thought rock bands were used to it because of MTV, where backstage and tour buses are open to cameras. But at the height of Journey's fame, MTV was just forming as well. They didn't understand the reality of what full access meant. But at the end of the day, we got it.

Q: Do you consider this a music documentary or more of a documentary about Filipino heritage?

A: I think it transcends all that. It really is a Cinderella story with a very modern twist because of YouTube. This story could not have happened 10 or 15 years ago, not in this way with the help of social media. But at the heart of it, it's a Cinderella story. For non-Journey fans, Arnel's personal history is very compelling.

Q: How so?

A: He was a street kid in Manila. Success happened to him later in his life. I think he was 40 the year he joined the band. He had already lived the rock 'n' roll life, even without the money - the drugs, the women. He saw this as an opportunity for him to really get his life together.

Q: It seems like you really bonded with Pineda. Did it help that you were Filipino?

A: I think so, mostly because of the language. I can speak Tagalog. That first summer when he toured with Journey, he had no entourage. It was just him in his dressing room. We (a crew of five) became his sounding board because no one else was traveling with him. The second year he had a roadie, his wife was traveling with him, and it would have been a completely different dynamic.

Q: In the film Pineda switches between speaking English and Tagalog. Sometimes the same sentence is a mixture of both.

A: We call that 'Taglish.' Taglish is very common in the Philippines. I actually encouraged him to speak Filipino in the documentary. There were certain things I don't think I would have gotten from him emotionally or with such strength and passion if he had to stick to English.

Q: The budget for this documentary was under $2 million. Was it easy to raise the money because of the band's name?

A: I've done three other features and I thought it would be very easy to fundraise for this because (the subject matter) is very accessible, but no. No one believed in us. We were never able to raise the money. So it was on our dime, on our credit cards, small investments from family. The title song, "Don't Stop Believin'" that's us - the crew, me and my producer.

Q: Didn't the band want to kick in some funds?

A: There are certain boundaries you don't cross. This is an independently produced film. If Journey had funded it, there would have been strings attached to it. Money isn't free. The final cut wouldn't have been ours. It would have been deemed a vanity project, which it isn't.

Q: The rock 'n' roll lifestyle is very male-centric. Did being a woman help or hinder you on this film?

A: I think sometimes it was to my advantage. I'm small - 5'1" - so I'm less threatening to people. They allow me more things.(Laughs) So I was allowed in dressing rooms and tour buses. They just say yes!"

(Editing by Piya Sinha-Roy and Patricia Reaney)

(This story was corrected to give full name of filmmaker in the second paragraph and gender in the third paragraph)

"Snowquester" was "Noquester" in Washington


WASHINGTON (Reuters) - "Snowquester" was a no-show in the U.S. capital, which on Wednesday confirmed its status as the center of winter weather wimpdom.

Unlike the Washington snows of yesteryear - "Snowmageddon" and "Snowpocalypse" in 2010 and 2011 - Wednesday's storm failed to bring the heavy snows and high winds forecast. Before its arrival, wags dubbed this storm "Snowquester" after the budget-cutting sequester that went into effect last week.

As the storm damply spun itself out, the National Weather Service's storm warnings were downgraded to watches, then advisories, and ultimately were canceled. With temperatures just above freezing, a soupy slush covered many roadways by evening rush hour, a sparse affair with little traffic.

While most federal offices were closed to the public, with many government workers authorized to telecommute, those who made it to work offered a bit of snark.

"I realize we are under horrendous snow conditions. I think it's up to half an inch now," Senator Patrick Leahy told a Senate Judiciary Committee hearing. In his home state of Vermont, he said, there was once a weather forecast calling for "a dusting of snow, no more than five or six inches."

Senator John McCain, one of several Republicans joining President Barack Obama for dinner on Wednesday, joked, "I have a dog sled ready to go to be able to get there because of these terrible weather conditions that we're under."

CANCELLING A SNOWBALL FIGHT

It has almost become a tradition to dump on Washington's neurotic response to winter weather. Obama himself did it barely a week after his first inauguration in January 2009, when his daughters' school was canceled due to icy conditions.

"As my children pointed out, in Chicago school is never canceled," the new president said, adding that he would have to instill "some flinty Chicago toughness" into Washingtonians: "When it comes to the weather, folks in Washington don't seem to be able to handle things."

The decision to declare a snow day for the federal government is made by the Office of Personnel Management in consultation with the National Weather Service and the Federal Emergency Management Administration. For this storm, the alert went out at 3:29 a.m., before a flake had fallen in most areas.

A young tradition in the U.S. capital is a snowball fight in the DuPont Circle neighborhood, a few blocks from the White House. There wasn't enough snow to make that possible this time, and organizers were not amused.

"Well, that's all folks," the Washington DC Snowball Fight Association posted at mid-afternoon, after the predicted five to eight inches of snow failed to materialize. "Sadly, the Noquester promised much & delivered nada. So DCSFA is returning to hibernation mode until next winter."

School children in suburban Maryland just outside Washington had slightly better luck with snowballs, though not with sledding.

"It's good packing," said 10-year-old Jason Kaplan after a snowball fight. But sleds and inner tubes didn't work on slushy local hillsides.

"The sledding was just not working. It (the slush) stuck to the bottom of the sled," said Andy Blower, 11.

"There was a lot of mud," said Kaplan.

The Capital Weather Gang blog, billed on the Washington Post website as "the inside scoop on weather in the D.C. area and beyond," got some heavy online criticism. "#Snowquester perfect name: Advertised as epic disaster. Verifies as annoying disruptive flop no one can agree on. @capitalweather," Bethany_Usher posted on Twitter.

(Reporting by Deborah Zabarenko, additional reporting by Lawrence Hurley, Rachelle Younglai, Timothy Ryan and Diane Bartz; Editing by Karey Van Hall and Phil Berlowitz)

Jean Paul Gaultier exhibition headed to London


LONDON (AP) Nautical sailor tops and Madonna's conical bra are coming to London next year in an exhibition of the work of fashion designer Jean Paul Gaultier.

"The Fashion World Of Jean Paul Gaultier" will open at the Barbican Centre in April 2014.

It features more than 140 outfits by the cutting-edge French couturier, including the bra-and-corset costume from Madonna's 1990 Blonde Ambition tour and outfits for singers Kylie Minogue and Bjork. There are also pieces from Gaultier's couture collections, which often feature sailor stripes.

The show comes from the Montreal Museum of Fine Arts and is currently running at Rotterdam's Kunsthal gallery.

Gaultier said Wednesday that London held a special place in his heart, because "the English were the first ones to come to my shows and appreciate my fashion."

Bolshoi dancer confesses to attack on ballet chief


MOSCOW (AP) A Russian ballet star who has danced the roles of violent and powerful historical figures at the Bolshoi Theater has confessed to organizing the acid attack on the theater's ballet chief, Moscow police said Wednesday.

A masked man threw a jar of sulfuric acid in the face of artistic director Sergei Filin as he returned home late on Jan. 17, severely burning his eyes. The 42-year-old former dancer is undergoing treatment in Germany.

Bolshoi soloist Pavel Dmitrichenko, 29, confessed to masterminding the attack, and two other men confessed to being the perpetrator and the driver of the getaway car, police said in a statement. All three were to appear in court on Thursday, when prosecutors were to move for criminal charges to be filed against them.

"I organized that attack but not to the extent that it occurred," a bleary-eyed Dmitrichenko said in footage released by Russian police.

Moscow police said in a statement that investigators believe that Dmitrichenko harbored "personal enmity" against Filin.

The attack threw light on a culture of deep intrigue and infighting at the famed Moscow theater. Within hours of the attack, Bolshoi managers were speculating that the attack could have been in retaliation for Filin's selection of certain dancers over others for prized roles.

Dmitrichenko, who joined the Bolshoi in 2002, has not suffered for starring roles. Most recently, he danced the title role in "Ivan the Terrible," a ballet based on the life of the ruthless 16th-century czar who killed his son in a rage. He also has danced Spartacus in the ballet of the same name. Dmitrichenko's page on the social networking site VKontakte includes a photograph of him as the leader of the slave uprising dancing with a dagger in each hand.

Dmitrichenko's girlfriend, who also is a Bolshoi soloist, is reported to have had a troubled relationship with Filin and felt she was unfairly denied major parts, an angle to the case that has been played up by Russian state television.

Filin's lawyer and wife, however, both cautioned that the ballerina is unlikely to have been the only cause of the conflict.

"Sergei thinks the motives of the crime are somewhat different," Filin's wife, Maria Prorvich, was quoted as saying in an interview to the newspaper Komsomolskaya Pravda. "The girl is only a pretext, but certainly not the main cause of the crime."

She said Filin had suspected Dmitrichenko's involvement in the attack, but is certain that the circle goes beyond the three men arrested on Tuesday.

Filin's lawyer agreed. "We believe that investigators still have a lot of work to do to establish all of the facts," Tatyana Stukalova said in an interview on Rossiya state television.

Investigators became suspicious of Dmitrichenko when they found out that he had recently been in a close contact with an unemployed man with a prison record. The suspects were making inquiries about Filin's schedule and whereabouts, and bought SIM cards for mobile phones registered under fake names, police said.

Police determined that the acid that the alleged attacker, 35-year-old Yuri Zarutsky, splashed on Filin's face had been purchased at an auto shop. Police said Zarutsky is believed to have heated it to evaporate the water to make the acid stronger. On the night of the attack Dmitrichenko tipped off Zarutsky when Filin left the theater, police said.

Bolshoi spokeswoman Katerina Novikova told The Associated Press that Filin had been informed about Dmitrichenko's detention, but said the theater would not comment until after the trial.

The Bolshoi's general director, Anatoly Iksanov, has accused veteran principal dancer Nikolai Tsiskaridze of inspiring the attack. Tsiskaridze, a long-time critic of the theater's management, has denied the allegation.

Dmitrichenko's girlfriend, Anzhelina Vorontsova, was coached by Tsiskaridze.

When contacted Wednesday by the AP, Tsiskaridze texted back: "I have nothing to say..."

Izvestia, a Kremlin-friendly daily, on Wednesday quoted ballet teacher Marina Kondratyeva as saying that Vorontsova had not been given leading parts lately but for a good reason: "How could Filin 'elbow her out'? Tsiskaridze is mentoring and coaching her but she was just plain fat."

Filin was instrumental in bringing Vorontsova to Moscow to study and had hoped she would stay to dance for him at the Stanislavsky and Nemirovich-Danchenko Theater, Moscow's second ballet company, where he was artistic director before taking up the Bolshoi post in March 2011. Instead she joined the Bolshoi.

Russian newspapers quoted unidentified ballet dancers as saying that Dmitrichenko had a fiery temper.

In a rare public outburst, Dmitrichenko posted an angry comment in November responding to a newspaper review that said his "artistic scope is limited not to mention his physical potential."

On the website of the Kommersant daily, Dmitrichenko accused the ballet critic of bias, calling the writer "a failed performer." Kommersant later took down his comment. One of the screenshots of the detailed remarks read: "I'm happy, I'm accomplished, I work with the genius of a teacher, I work with a genius, Grigorovich himself!!! What about you??"

Yuri Grigorovich led the dance company for three decades, resigning in 1995, after losing a protracted dispute with theater management, but he remains on the Bolshoi staff. Dancers and teachers still loyal to Grigorovich have resisted efforts by a series of successive artistic directors to bring a more modern repertoire to the theater, still celebrated mainly for the classical ballets that grace its stage. Filin, who danced for the Bolshoi from 1989 until 2007, was seen as capable of bridging that gap.

Both of Dmitrichenko's main starring roles were in ballets choreographed by Grigorovich. He was next due to appear at the Bolshoi on March 16, in "Sleeping Beauty, dancing the part of Bluebird.

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AP writers Lynn Berry, Varya Kudryavtseva, Sasha Merkushev and Yelena Yegorova contributed to this report.

Inside Kate Moss' hotel room at Louis Vuitton


PARIS (AP) The classic Hollywood scene of a mysterious and glamorous woman leaving an anonymous hotel room inspired Louis Vuitton's ready-to-wear show, moving the house in a more sensual, feminine direction.

A carpeted hotel corridor with a series of numbered doors was recreated inside the Louvre for the fall-winter 2013-14 show, to the sound of nostalgic piano.

Suddenly the doors opened, out of which slinked models in '50s wigs wearing satin dresses resembling slips. A bathrobe made from a man's coat followed a crepe dress made with motifs of an undergarment.

"It was about intimacy, the mystery of what's going on behind the door," said creative director Marc Jacobs. "It's Hollywood mixed with rive gauche."

The Hollywood-factor was certainly there in the roll call of top actresses lining the front row including Jessica Chastain, Madmen's January Jones and Naomi Watts, who's in Paris promoting her new film "The Grandmothers."

The numerous long fur coats some of the most luxurious seen this season also provided a glam-factor. Mink coats dyed in two tones and murky-colored astrakhan were stand outs as well as crocodile bags lined with sheared mink, lashings of marabou feathers and hand-curled goose feathers.

"All sorts of creatures were lying around in embroidered form," joked Jacobs, who may indeed be responsible for emptying a local zoo.

Menswear touches like a button-less tailored jacket or the pajama print reined in the more overtly feminine lingerie looks, ensuring a nice overall balance.

But the show was also about Kate Moss.

The 39-year-old, possibly the most famous model in the world, strutted the catwalk sporting a sheer organza slip, with dense floral embroideries, to rapturous applause.

Jacobs, who conducted interviews backstage in red pajamas, said the show grew from his relationship with Moss.

"I've spent many, many, many nights over many, many years in hotel rooms with Kate, and we've always had a very nice time," Jacobs said. "And I'm sure many wondered what we were doing. I'm sure we showed off a lot (here) what we were doing."

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Thomas Adamson can be followed at http://Twitter.com/ThomasAdamsonAP

NFL, CMA among those at Okla. weather conference


NORMAN, Okla. (AP) Event organizers have learned the hard way that the usual half-hour warning of severe weather might be enough for people in their homes, but it's not enough to clear people from big venues where concerts and football games are held.

Seven people died and more than 40 were injured at the Indiana State Fair in 2011 when a sudden 60 mph gust knocked a stage onto a crowd waiting to see the band Sugarland perform. In 2009, high wind toppled a canopy at a Dallas Cowboys practice facility, leaving one person paralyzed and 11 others less seriously hurt.

"Like 9-11, it takes a really bad thing to get our attention," said Harold Hansen, the life, safety and security director for the International Association of Venue Managers. "The rules changed."

The incidents prompted venue managers to move their annual storm-preparedness meeting to the National Weather Center in Norman, Okla. the heart of Tornado Alley and the forecast centers that watch it.

"Now some of the heavy hitters are getting involved," said David VandenHeuvel, a senior vice president with Weather Decision Technologies, which has provided forecasts to about 150 events in the past 1 years.

The conference had about a dozen participants when it started five years ago. This year, more than 40 emergency managers and event operators came, including the NFL and the Country Music Association.

Through lectures about weather watches, lightning, crowd dynamics and shelter readiness, the experts repeatedly stressed the need to have a plan before the weather turns bad.

"They're waiting for a warning to be issued," said Kevin Kloesel, associate dean of the University of Oklahoma's College of Atmospheric and Geographic Sciences. "The message over the two days here is: if you wait until that point, you are not going to have the time. If you wait for the warning, it's too late."

The list of close calls is chilling. A 2010 tornado shredded the roof of a Montana sports arena packed with thousands of people the day before. A lightning bolt struck 500 feet from the Texas Rangers pitcher's mound during a game in July 2012. Pennsylvania's Pocono Raceway was struck by lightning the next month, three minutes after a race was canceled.

Jim Digby, who managed world tours for the rock band Linkin Park, attended last year's conference and has since formed the Event Safety Alliance. That group has suggested adopting procedures based on specific weather conditions, such as wind speed.

Digby told The Associated Press he is working on expanding its guidelines to Australia, with international music tours in mind.

"Last year, when I first announced this initiative, I thought I was throwing a hand grenade in the room," he said with a laugh. "The entire industry once they figured out what we were trying to do, they have embraced the project."

Event organizers and managers said they're taking Digby's advice to heart.

"We're going to go back and adapt the trigger plan," said Vilma Salinas, the Country Music Association's senior manager of projects. The CMA Music Festival at Nashville, Tenn., which draws 200,000 fans, has emergency plans in place, but could benefit from more precision on when people need to move, she said.

"The biggest thing is who gets to make the call," she said. "Country music fans are die-hard fans. We need to be as clear as possible."

As tornado expert Chuck Doswell told the conference, severe weather is relatively rare but inevitable.

"Imagine the Indianapolis 500 ... with those hundreds and hundreds of RVs with nowhere to go," Doswell said. If a tornado such as one that killed 158 in Missouri two years struck an event that did not have a severe weather plan in place, "it would make Joplin look like a Saturday afternoon picnic."