Judge admonishes lawyer, won't delay Lohan case


LOS ANGELES (AP) A judge refused Friday to delay Lindsay Lohan's trial on reckless driving and other charges and admonished her attorney, saying the lawyer needs help on the case.

Superior Court Judge James R. Dabney advised New York lawyer Mark Heller that his pleadings weren't appropriate under California law.

Heller was told to get assistance from another attorney or Lohan would be required to attend hearings to gauge his ability to represent her.

The actress wasn't obligated to attend Friday's hearing. Heller said after the hearing that while his motions didn't conform to California law, he was simply trying to protect Lohan's rights and would continue to do so.

Dabney also said there was no good reason to delay the March 18 trial, noting that he was skeptical that more time would allow Lohan to demonstrate she had changed after years of run-ins with the law.

"I don't know how the next two weeks is suddenly going to change the history of this case, these cases," Dabney said.

Lohan has pleaded not guilty to misdemeanor charges of reckless driving, lying to police and obstructing officers after her sports car crashed in June as she and a passenger headed to a movie shoot.

Lohan was on probation in a theft case at the time.

Heller had sought a delay as he works with prosecutors to reach a plea deal that could allow Lohan to pursue inspirational speaking or other community service.

The attorney rejected the notion that the actress needs rehab, noting that she has been sentenced to treatment several times before and she still ends up in trouble. "This is not what she needs rehab," Heller said.

He said Lohan is engaged on one-on-one psychotherapy.

"Lindsay doesn't have a problem with alcohol and drugs," he said. "Lindsay's issues are different," he said, declining to elaborate further.

Lohan could face a return to jail if she is convicted, or if a judge determines she violated the terms of her sentence in the 2011 necklace theft case.

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Anthony McCartney can be reached at http://twitter.com/mccartneyAP

Susan Boyle to make screen acting debut


LONDON (AP) Susan Boyle is making her big-screen acting debut in a Christmas-themed British period drama.

The Scottish singer appears in "The Christmas Candle," a story of angels and wishes set in an English village in the 1890s.

Boyle's role has not been disclosed. In a statement, Boyle said she was enjoying filming and "everyone on set is a delight to work with."

The movie also stars British actors Lesley Manville, John Hannah and Susan Barks, who recently played Eponine in "Les Miserables." It is due for release later this year.

A shy church volunteer from a small Scottish village, Boyle became a global sensation in 2009 after she performed "I Dreamed a Dream" on the television program "Britain's Got Talent."

She has since sold millions of records around the world.

U.S. FAA looking into safety of sky-high Harlem Shake dance


NEW YORK (Reuters) - A sky-high video of the Internet dance craze Harlem Shake that went viral on YouTube has captured the attention of U.S. aviation officials who said on Friday they are looking into the event over safety concerns.

In the video called, "Harlem Shake Frontier Flight 157," members of the ultimate Frisbee team from Colorado College and other passengers are shown frenetically dancing in the aisle and in front of seats last month on the packed Frontier Airlines flight from Colorado Springs to San Diego, California.

"If we find any evidence of a violation of Federal Aviation Regulations, then we would pursue it," FAA spokesman Allen Kenitzer said in an email.

The song-and-dance craze typically begins with one dancer who is quickly joined by others, some of whom are in costume.

Frontier Airlines defended its decision to allow the college students to dance on board the flight thousands of feet over the Grand Canyon in Arizona.

"We have a policy not to comment on things that are under investigation by the FAA, but I can tell you that all safety measures were followed and the seatbelt sign was off," Frontier Airlines spokeswoman Kate O'Malley said in an email.

Frontier crew members had taped their own version of the dance a few weeks earlier, though on firmer ground inside an air terminal.

The college students said they had come up with the idea a few days before the flight. They had asked the flight staff for permission before beginning the dance and were shown how to use the public address system.

"When we got to the airport we were kind of ready and had brought costumes and stuff," Matt Zelin, a sophomore at the college, told the college newspaper, The Catalyst.

"Obviously I hope that this whole situation is solved with the FAA ...," Zelin added. "I don't see there being any reason why this should cause any trouble. We asked the staff and they said it was safe."

The video, which had been viewed more than 732,000 times by early Friday afternoon, can be seen at http://www.youtube.com/watch?v=xG6p0z_W2Bo&feature=youtu.be

(Reporting by Noreen O'Donnell; Editing by Patricia Reaney and Eric Walsh)

Dennis Rodman calls North Korean leader "an awesome kid"


BEIJING (Reuters) - Former NBA basketball star Dennis Rodman emerged from four days in North Korea on Friday, calling the leader of the reclusive country "an awesome kid".

Rodman, known for his tattoos, body piercings and flamboyance, was in North Korea to film a sports documentary, and watched a basketball game alongside the country's leader, Kim Jong-un.

Kim "is like his grandfather and his father, who are great leaders, he is an awesome kid, very honest and loves his wife so much", Rodman told the Chinese government news agency Xinhua before leaving the North Korean capital, Pyongyang, on Friday.

Kim, 30, is the grandson of Kim Il-sung, who founded North Korea, and the son of Kim Jong-il. Both ruled the country with an iron fist.

Kim has maintained his father's drive to secure nuclear arms for his impoverished country, with North Korea last month conducting its third nuclear test, drawing the condemnation of world powers and the United Nations.

At Thursday's basketball game, Rodman and Kim laughed and conversed in English, and later had an "amicable" dinner, Xinhua quoted the former Chicago Bulls player as saying. Kim attended secondary school in Switzerland, but his language abilities remain a mystery.

North Korea routinely denounces U.S. "hostility" and no peace treaty was signed after a truce ended the 1950-53 Korean War. But Xinhua said Kim told Rodman over dinner that he hoped further sports exchanges would promote "mutual understanding between peoples of the two countries".

Asked how his visit might help, Rodman told the agency: "About the relationship, no one man can do anything. His country and his people love him. I love him, he is an awesome guy."

Before meeting Kim, Rodman appeared to have mixed up the two Koreas, suggesting he might meet South Korean rapper Psy during his trip to the North.

Rodman came to North Korea to shoot footage for a show to air on the U.S. television network HBO, a producer travelling with the group said.

Arriving at Beijing airport, Rodman brushed past reporters without speaking.

(Reporting by Terril Yue Jones; Editing by Ron Popeski)

Donald Trump returns to the 'Apprentice' boardroom


NEW YORK (AP) There is something Donald Trump says he doesn't know.

Trump has welcomed a reporter to his 26th-floor corner office in Trump Tower to talk about "All-Star Celebrity Apprentice." And here in person, this one-of-a-kind TV star, billionaire businessman, ubiquitous brand mogul and media maestro strikes a softer pose than he has typically practiced in his decades on public display.

Relaxed behind a broad desk whose mirror sheen is mostly hidden by stacks of paper that suggest work is actually done there, Trump is pleasant, even chummy, with a my-time-is-your-time easiness greeting his guest.

He even contradicts his status as a legendary know-it-all with this surprising admission: There's a corner of the universe he doesn't understand.

The ratings woes of NBC, which airs his show, are on Trump's mind at the moment, and as he hastens to voice confidence in the network's powers-that-be ("They will absolutely get it right"), he marvels at the mysteries of the entertainment world.

"If I buy a great piece of real estate and do the right building, I'm really gonna have a success," he says. "It may be MORE successful or LESS successful, but you can sort of predict how it's gonna do. But show business is like trial and error! It's amazing!"

He loves to recall the iffy prospects for "The Apprentice" when it debuted in January 2004. With show biz, he declares, "You NEVER know what's gonna happen."

Except, of course, when you do.

"I do have an instinct," he confides. "Oftentimes, I'll see shows go on and I'll say, 'That show will never make it,' and I'm always right. And I understand talent. Does anybody ask me? No. But if they did, I would be doing them a big service. I know what people want."

So maybe he does know it all. In any case, lots of people wanted "The Apprentice." In its first season, it averaged nearly 21 million viewers each week.

And it gave Trump a signature TV platform that clinched his image as corporate royalty. He presided in a mood-lit stagecraft boardroom where celebrity subjects addressed him as "Mr. Trump" and shrank at that dismissive flick of his wrist and dreaded catchphrase, "You're fired."

The two-hour premiere of "All-Star Celebrity Apprentice" (Sunday at 9 p.m. EST) starts by rallying its 14 veteran contenders in the even more evocative setting of the 2,000-year-old Egyptian Temple of Dendur at the Metropolitan Museum of Art.

There, grandly, Trump receives such returning players as Gary Busey, Stephen Baldwin, LaToya Jackson and reality mean queen Omarosa.

Soon, teammates are chosen by team leaders Bret Michaels and Trace Adkins. Their first assignment: concoct a winning recipe for meatballs, then sell more of them than the rival team.

This is the 13th edition of the "Apprentice" franchise, which has now slipped to less than one-third its original viewership, according to Nielsen Co. figures. But even an audience matching last season's 6.26 million viewers would be pleasant news for NBC, which has recently fallen to fifth place in prime time, behind even Spanish-language Univision.

"I could probably do another show when I don't enjoy 'The Apprentice' anymore," says the 66-year-old Trump, mulling his TV future. "I have been asked by virtually every network on television to do a show for them. But there's something to sticking with what you have: This is a good formula. It works."

Years before "The Apprentice," Trump had hit on a winning formula for himself: Supercharge his business success with relentless self-promotion, putting a human face his! on the capitalist system, and embedding his persona in a feedback loop of performance and fame.

Since then, he has ruled as America's larger-than-life tycoon and its patron saint of material success. Which raises the question: Does he play a souped-up version of himself for his audience as Donald Trump, a character bigger and broader than its real-life inspiration?

He laughs, flashing something like a you-got-me smile.

"Perhaps," he replies. "Not consciously. But perhaps I do. Perhaps I do."

It began as early as 1987, when his first book, "Trump: The Art of the Deal," became a huge best-seller.

And even without a regular showcase, he was no stranger to TV. For instance, in the span of just 10 days in May 1997, Trump not only was seen on his "Miss Universe Pageant" telecast on CBS, but also made sitcom cameo appearances as himself on NBC's "Suddenly Susan" and ABC's "Drew Carey Show."

Meanwhile, as a frequent talk-show guest then (as now), he publicized his projects and pushed his brand.

"I'll be on that show for 20 or 30 or 60 minutes, and it costs me nothing," he notes. "When you have an opportunity for promotion, take it! It's free."

No one has ever accused Trump of hiding his light under a bushel. But his promotional drive (or naked craving for attention) has taken him to extremes that conventional wisdom warns against: saying and doing things that might hurt your bottom line.

Item: Trump's noisy, even race-baiting challenge to President Barack Obama to prove his American citizenship. This crusade has earned Trump the title from one editorialist as "birther blowhard."

For an industrialist and entertainer, where's the profit in voicing political views that could tick off a segment of your market or your audience?

"It's a great question, and a hard question to answer, because you happen to be right," Trump begins. "The fact is, some people love me, and some people the-opposite-of-love me, because of what I do and because of what I say. But I'm a very truthful person. By speaking out, it's probably not a good thing for me personally, but I feel I have an obligation to do it."

But isn't he being divisive with some of his pronouncements?

"I think 'divisive' would be a fair word in some cases, not in all cases," he replies. "But I think 'truthful' is another word."

The publicity he got from his political activism reached a fever pitch during his months-long, media-blitzed flirtation with running for president that seemed conveniently to dovetail with the Spring 2011 season of his TV show.

That May, he announced he would not run. For some, it was the final scene of nothing more than political theatrics.

"They weren't," Trump says quietly. "I was very seriously considering running. It was a race that the Republicans should have won. I made a mistake in not running, because I think I would have won."

He says he has no designs on this year's race for mayor of New York. But his politicizing continues apace. In his Twitter feed, with 2 million followers, he continues to bash China and rant about Washington. He phones in to Fox News Channel's "Fox & Friends" each Monday morning to vent his spleen.

"I believe in speaking my mind," he says, "and I don't mind controversy, as you probably noticed. I think sometimes controversy is a good thing, not a bad thing."

Last summer saw the opening in Aberdeen, Scotland, of Trump International Golf Links after a bitter, yearslong fight waged by environmentalists and local residents against government leaders and, of course, Trump.

A man for whom it seems no publicity is bad publicity, Trump insists the controversy helped the project.

"If there wasn't controversy surrounding it, I don't think anybody would even know it exists," he says, laying out the alternative: "I could take an ad: 'Golf course opening.'"

Trump even seems to profit from the harsh attention focused on his hair.

"I get killed on my hair!" he says, with no trace of remorse. But he wants everyone to know, "It's not a wig!" Nor is it an elaborately engineered coif to hide a hairline in retreat, as many Trump-watchers imagine.

To prove it, Trump does a remarkable thing: He lifts the flaxen locks that flop above his forehead to reveal, plain as day, a normal hairline.

"I wash my hair, I comb it, I set it and I spray it," he says. "That's it. I could comb it back and I'd look OK. But I've combed it this way for my whole life. It's become almost a trademark. And I think NBC would be very unhappy if I combed it back, 'cause you know what? maybe I wouldn't get as high a rating."

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Online:

www.nbc.com

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Frazier Moore is a national television columnist for The Associated Press. He can be reached at fmoore(at)ap.org and at http://www.twitter.com/tvfrazier

TV series '90210' to end in May after 5-year run


LOS ANGELES (AP) The countdown is under way for the end of the TV series "90210."

The CW network announced Thursday that the show will wrap in May after five seasons. That means it will have half the run of its inspiration, "Beverly Hills, 90210," which aired on Fox from 1990 to 2000.

Like the original, the CW series followed the lives of Beverly Hills teenagers from high school and beyond. Its cast includes Shenae Grimes, Tristan Wilds and AnnaLynne McCord.

The CW says seven episodes are left to air, with the finale set for 9 p.m. Monday, May 13.

Network President Mark Pedowitz says CW is proud of the "West Beverly High alumni."

Man and woman, preferably married, wanted for expedition to Mars


CAPE CANAVERAL, Florida, - A nonprofit foundation wants to recruit a man and a woman - possibly a married couple - for a bare-bones, 501-day journey to Mars and back that would start in less than five years, project organizers said on Wednesday.

The mission, expected to cost upwards of $1 billion, would be privately financed by donations and sponsorships.

Project founder Dennis Tito, a multimillionaire who in 2001 paid $20 million for a trip to the International Space Station, said he will pay start-up costs for two years to begin development of life-support systems and other critical technologies.

Currently, there are no U.S. human spaceships in operation, but several are under development and expected to be flying by 2017.

That leaves little time to take advantage of a rare planetary alignment that would allow a craft to loop around Mars, coming as close as about 150 miles to the planet's surface, before returning to Earth.

The launch window for the mission opens on January 5, 2018. The next opportunity is not until 2031.

"If we don't make 2018, we're going to have some competition in 2031," Tito told Reuters.

"By that time, there will be many others that will be reaching for this low-hanging fruit, and it really is low-hanging fruit," said Tito, who set up the nonprofit Inspiration Mars Foundation to organize the mission.

Project chief technical officer Taber MacCallum said U.S. industry is up for the challenge.

"That's the kind of bold thing we used to be able to do," said MacCallum, who also oversees privately owned Paragon Space Development Corp.

"We've shirked away from risk. I think just seriously contemplating this mission recalibrates what we believe is a risk worth taking for America," he said.

TIGHT QUARTERS

The spacecraft will be bare-bones, with about 600 cubic feet (17 cubic meters) of living space available for a two-person crew. Mission planners would like to fly a man and a woman, preferably a married couple who would be compatible during a long period of isolation.

The capsule would be outfitted with a life-support system similar to the one NASA uses on the space station, which recycles air, water, urine and perspiration.

"This is going to be a very austere mission. You don't necessarily have to follow all of NASA's guidelines for air quality and water quality. This is going to be a Lewis and Clark trip to Mars," MacCallum said, referring to the explorers who set out across the uncharted American Northwest in 1803.

If launch occurs on January 5, 2018, the capsule would reach Mars 228 days later, loop around its far side and slingshot back toward Earth.

The return trip takes 273 days and ends with an unprecedented 31,764-mph (51,119-kph) slam into Earth's atmosphere.

Once the spaceship is on its way, there is no turning back.

"If something goes wrong, they're not coming back," MacCallum said.

The crew would spend much of their time maintaining their habitat, conducting science experiments and keeping in touch with people on Earth.

Tito said he expects the cost to be similar to a robotic mission to Mars. NASA's ongoing Curiosity rover mission cost $2.5 billion. A follow-on mission scheduled to launch in 2020 is expected to run $1.5 billion.

"You're really flying this mission without a propulsion system on the spacecraft. It's in the most simple form," Tito said.

NASA is working on its own heavy-lift rocket and Orion space capsule that could carry crews of four to an asteroid and eventually to Mars.

"We can just barely, every 15 years, fly by Mars with the systems we have right now," MacCallum said. "We're trying to be a stepping-stone."

(Editing by Jane Sutton and Xavier Briand)

Chok! Chok! Chok! ad shakes up mobile marketing


BARCELONA (Reuters) - A strange phenomenon hit Hong Kong in late 2011.

As the clock hit 10 pm each night a Coca Cola ad aired on television, prompting thousands of viewers to grab their phones and start shaking them frantically to virtually "catch" the falling bottle caps on the screen and win instant prizes.

Dubbed Chok! Chok! Chok! - meaning rapid motion in local slang - the interactive campaign by McCann Worldgroup became a hit, and sent viewers at home, in cinemas and in front of giant outdoor screens into a frenzy. (http://link.reuters.com/wux36t)

Nine million people saw the ad - 380,000 downloaded the Chok! Chok! Chok! app in the first month - and its success indicates that marketers may be finally figuring out how to direct ads at consumers via mobile phones.

"The consumer is there so we as marketers start to salivate," said Mike Parker, chief digital officer for McCann, in an interview at the Mobile World Congress. "But people are so underwhelmed by banner ads on tiny screens. We are all still searching for the best way forward."

Mobile advertising is set to grow by more than 50 percent a year over the period to hit $40 billion in 2016, according to Informa research, but the figures are still tiny compared to television ads. Global ad spend in 2012 was $500 billion.

Though advertisers are keen to harness the mobile boom, no one has perfected the art of using mobile devices to target adverts to consumers.

There remains a vast discrepancy between the amount of time consumers spend on their mobile devices and the advertising dollars companies spend there. In the U.S., mobile ads only accounted for 1 percent of marketing spend in 2011, according to the Internet Advertising Bureau, even though people spent some 10 percent of their media time looking at their phones.

Mobile has long proved almost impenetrable for a host of reasons, including the small screen, poor presentation of mobile websites and consumers' resistance to the invasion of a space seen as more private than a computer.

Even Google, which dominates online search, is still grappling with how to make money from ads on smartphones, while Facebook is trying to weave marketing messages into people's newsfeeds without offending them.

WINNING FORMULA

With many brands still wary of annoying consumers with lots of tiny ads or repetitive text messages, some like Coca Cola hit upon the idea of rewarding mobile owners with coupons, prizes or free content as a way to make a connection.

Helping them make that link is Brian Wong, chief executive of San Francisco-based kiip, a mobile app rewards network that connects brands and companies with consumers. He says his startup has found a winning formula - and that people have contacted him to say thank you for the adverts.

"The rewards are a pleasant surprise for the user. It's like a gift that comes out of the blue," Wong said.

In one campaign run via kiip by Pepsi, a person logging their morning 5 kilometer jog on a fitness app like MapMyRun sees a grey band pop up on the top of their smartphone screen. If they click on it, a window appears: "What a workout! Refresh yourself with a bottle of Propel Zero" and they are emailed a coupon for the fitness drink to redeem at a local store.

Targeting such "moments of achievement", such as when a gamer passes a level or a cyclist beats his personal best, allows marketers to target people at opportune moments in ways that are relevant to them, Wong says.

Kiip only gets paid if the customer redeems the reward and as a result brands are willing to pay more for a system based on results. Although Wong won't say how much kiip charges, it is likely more than the average price for mobile ads, which in turn are cheaper than ads on PCs. A perception that banner ads on small screens are not very effective and the glut of available space has kept prices capped at around $1 per thousand views.

LOCATION TARGETING

For mobile ads to become more effective - and lucrative - marketers have to get more creative at tapping mobile's advantages, such as the direct link to a person all day and the location data.

The industry is also working on coming up with better metrics to measure effectiveness of mobile ads, which could one day boost their value.

One way to improve the effectiveness of mobile marketing is to link up a person's web browsing history on computers with their smartphone. Mark Strecker, the chief operating officer of mobile advertising technology company Amobee, said companies were in the early stages of such work.

For example, when a shopper walks into a retailer like the Gap, their phone would know they had earlier looked at jeans on the store's website from their home computer and send them details about availability of their size.

The additional information about users also means agencies now make fewer mistakes.

"If we see, from the location, that someone has gone to a car showroom then we could send them car ads," said Dani Cushion, executive at mobile ad platform Millennial Media.

"But if we see they go to the showroom every day, then they probably just work there."

(Reporting by Kate Holton; Editing by Sophie Walker)

Tribeca to open with documentary on the National


NEW YORK (AP) The Tribeca Film Festival will open with a documentary about the National, along with a performance by the Brooklyn band.

The festival announced Thursday that "Mistaken for Strangers," which documents the National on tour, will premiere April 17. The film is directed by Tom Berninger, brother to lead to singer Matt Berninger.

Tribeca's Chief Creative Officer Geoff Gilmore called the film "a highly personal and lighthearted story about brotherly love."

The band will perform following the film's premiere. In 2011, Tribeca also paired a movie and concert with Elton John performing after Cameron Crowe's music documentary "The Union."

The Tribeca Film Festival runs April 17 through April 28. It will next week announce the feature film slate for its 12th annual festival.

U.S. singer Anastacia diagnosed with breast cancer again


LONDON (Reuters) - U.S. singer Anastacia has been diagnosed with breast cancer having successfully battled the disease in 2003, she said in a statement posted on her Facebook page.

The 44-year-old, who had major success outside the United States with hits like the 2000 dance favorite "I'm Outta Love", has been forced to cancel plans to tour Europe starting in London on April 6.

"I feel so awful to be letting down all my amazing fans who were looking forward to 'It's A Man's World Tour'," she said in a statement. "It just breaks my heart to disappoint them," she said.

She added that she will continue writing and recording her new album and hopes to schedule a new tour as soon as possible.

(Reporting by Mike Collett-White, editing by Paul Casciato)