Archive for May 2013

Ringo Starr unveils unseen Beatles photos in e-book



(Reuters) - Former Beatle Ringo Starr is lifting the lid on a collection of previously unseen photographs of the Fab Four in their heyday from his personal collection, in a new photography book due out next month.

"Photograph," which will be released as an e-book on Apple's iBookstore on June 12, will coincide with a Grammy Museum exhibit on Starr, entitled "Ringo: Peace & Love," the book's publishers said on Wednesday.

A limited-edition hand-bound book signed by Starr will be available for purchase in December.

The book will include photographs from the musician's childhood in Liverpool, England, to his road to fame as part of the Fab Four, with Paul McCartney, John Lennon and George Harrison.

"These are shots that no one else could have," Starr, 72, said in a statement.

Highlights from the collection include behind-the-scenes candids of the Beatles in their daily lives and Starr's travel photography as the band toured the world.

Starr has also recorded videos featuring commentary to accompany the e-book.

(Reporting by Piya Sinha-Roy in Los Angeles; Editing by Lisa Shumaker)

Engineering students use dance to solve problems



EVANSTON, Ill. (AP) Engineering students at Northwestern University are getting a leg up on the competition. They're learning to swing dance in a for-credit class called Whole Body Thinking.

Joe Holtgreive (HOHLT'-greev), an assistant dean at the McCormick School of Engineering, started the class to help future engineers break outside their comfort zone.

Holtgreive says the course, led by Northwestern University Professor of Dance Billy Siegenfeld (SEE'-gen-feld), is teaching students known for left-brain thinking to use more of the right side of their brains.

The students include biomedical, mechanical and chemical engineering majors who say they're learning more than dance. They say the class is teaching them to think on their feet and work collaboratively with dance partners skills they say will help make them better engineers.

See the video here: http://bit.ly/12O445R

Justin Bieber investigated for reckless driving



LOS ANGELES (AP) Los Angeles County Sheriff's detectives are investigating Justin Bieber for reckless driving after witnesses including former NFL star Keyshawn Johnson complained about the pop-star's alleged freeway speeds in their gated community in north Los Angeles County.

At about 8 p.m. Monday, Bieber allegedly drove his white Ferrari at freeway speeds in what is a 25 mph zone, Sheriff's spokesman Steve Whitmore said.

Johnson was outside with his 3-year-old daughter who was preparing to get into a small electric car when Bieber zoomed by. Johnson was upset and got into his Prius, following Bieber to his nearby home. As the garage door was closing, Johnson put out his arm and stopped it, telling Bieber he wanted to talk about his reckless driving.

Whitmore said Bieber scurried into his home without speaking.

The Los Angeles County Sheriff's Department received two calls and responded to the location. When they tried to talk to Bieber, however, they were also turned away.

"His security detail said he declined to talk to us based on the advice of counsel," Whitmore said.

Deputies interviewed two witnesses, including Johnson, and wrote up their report. They handed that off to detectives who are continuing to investigate the incident.

"Their eyewitness testimony to our deputies was definitive not only the speed, not only the vehicle, but Mr. Bieber was sitting and driving in the driver's side seat," Whitmore said.

Deputies plan to send a reckless driving report to the Los Angeles County District Attorney's Office to consider filing misdemeanor charges in the next week or two.

Bieber's publicist did not immediately return a call for comment. Johnson declined to comment via ESPN, where he now works as a TV commentator.

Prosecutors are also looking at whether to charge Bieber for battery in a separate incident involving a neighbor, who complained the pop-star attacked and threatened him.

"We take this very seriously and if this actually did occur, which it appears that it did, it is unacceptable behavior from anybody, anywhere, anytime," Whitmore said.

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First Look: New Xbox elegant, but much unknown



REDMOND, Wash. (AP) Will gamers want One?

After four years of development, Microsoft unveiled the Xbox One entertainment console and touted it as an all-in-one solution for playing games, watching TV and doing everything in between. Microsoft wants the Xbox One to be central to your living room, so it packed the new Xbox with such features as the ability to change TV channels through voice commands.

Although the device won't go on sale until later this year, at a price that hasn't been disclosed yet, Microsoft invited attendees of Tuesday's announcement event to take a closer look at the system.

Based on limited time with the device, the Xbox One feels like an improvement over its predecessor. But it fails to include features some fans have demanded, including the ability to play games bought for the existing Xbox 360 system.

Of course, many particulars about the Xbox One could change between now and when it's released. The specific date hasn't been revealed. More details are expected in three weeks at the Electronic Entertainment Expo, the gaming industry's annual convention in Los Angeles.

For now, the system looks to be a thoughtful piece of technology, but there's still a lot that isn't known.

DESIGN: With contrasting matte and gloss finishes, the Xbox One is the slickest video game console so far, although we don't yet know what Sony's upcoming PlayStation 4 will look like. (Nintendo's Wii U is already out, although sales have fallen short of the company's forecasts.) The Xbox's outer shell, which Microsoft calls "liquid black," features vented flourishes and all the inputs and outputs one might need, including multiple USB ports and HDMI pass-through.

KINECT: The new version of the Xbox's camera-based Kinect system comes with better motion and voice detection, including the ability to recognize faces, tell if you're smiling or talking and gauge your heart rate. It appears as sexy as the Xbox console and has been overhauled under the hood. It's three times more sensitive and has a larger, 60-degree field of view. In a demo, the doodad's high-definition camera easily displayed crystal-clear 1080p video and could detect up to seven people, though it lagged as more folks stood in front of it. The basic motion detection appears vastly improved, but the voice detection feature wasn't made available to try out, adding to the list of unknowns.

PERFORMANCE: The system seems to work harmoniously together. For example, by combining the Kinect's face detection ability with the machine's wireless controllers, it recognized almost magically when users swapped controllers.

CONTROLLER: The new controller's layout is mostly unchanged, but the bulky battery bump is gone from the back. The smoother Xbox One controller boasts a new directional pad and vibrating trigger buttons. The triggers pulsated in tandem with such imagery as a character's heart beating and a car revving up during a demo with a prototype controller.

REQUIREMENTS: Luckily, the Xbox One won't require a constant connection to the Internet, but there's a possibility that some of the key features wouldn't work as well or at all. The Kinect system is required and will come with the machine, rather than sold separately as has been the case with the Xbox 360. The Xbox One also will feature privacy settings so it doesn't feel like the Kinect's camera is always watching you.

LIMITATIONS: Xbox 360 games won't work on the Xbox One because the underlying technology is different, according to Microsoft. Microsoft was vague about how the Xbox One will handle previously played games bought from other gamers, though it confirmed used games will work somehow. There had been talk that Microsoft might restrict used games on the new machine.

GAMES: What games? Despite the fact that such titles as "Call of Duty: Ghosts," ''FIFA 14" and "Forza Motorsport 5" were teased during Tuesday's flashy presentation, actual games weren't available to try out afterward. Microsoft said it plans to focus on Xbox One titles at the E3 conference, which starts June 11.

The Xbox One shows promise with a sleek shell and a new Kinect detector that seems to perform fine at least if you don't try to confuse it with too many people at once. But the lack of games is notable, as are lingering questions about what it can do without an Internet connection. There are too many questions about the Xbox One, even after experiencing not just hearing what Microsoft has planned. At this point, it's too early to say whether Microsoft or Sony is leading in the latest round of the console wars. They'll have to duke it out at E3.

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Ireland readies diplomatic corps to rebuff tax haven claims



By Padraic Halpin and Conor Humphries

DUBLIN (Reuters) - Ireland is preparing to officially reject accusations by U.S. Senators this week that it acts as a tax haven for large multinationals and launch a diplomatic offensive to repair the damage done to its reputation abroad.

Ireland has been forced to defend its low corporate tax rate after the Senate said last week that iPhone and iPad maker Apple paid little or no tax on tens of billions of dollars in profits channeled through Irish subsidiaries and that it had effectively negotiated a special corporate tax rate of less than 2 percent.

Irish ministers and officials have lined up to insist that their tax system is transparent and that other countries were responsible if Apple paid tax at such low rates. Finance Minister Michael Noonan said Ireland would not be the "whipping boy" for the Senate subcommittee.

The government will likely put its response on the record this week, two government sources said, and will tell the committee led by veteran tax sleuth Senator Carl Levin that Ireland is not a tax haven, nor did it cut Apple a special tax deal.

"Undoubtedly there's a risk of reputational damage if we don't defend our corner and set out the facts, so of course that's happening," Ireland's European Affairs Minister Lucinda Creighton told Reuters, referring to the response being drafted.

"I've no doubt there will be a strong response, and we will strongly defend Ireland as a safe, a legally sound and a good place to do business. What you see is what you get, and that is why so many global companies are headquartered in Ireland."

Creighton was speaking from Dublin airport ahead of a four-day trip to Washington and New York where she will meet business leaders and politicians and address the prestigious Columbia University.

While the trade mission was planned long before last week's revelations on Capitol Hill, Creighton said she and her fellow ministers would use every opportunity to put right the "misinformation" heard in the Senate last week.

Ireland has a network in place to quickly spread that message. After it took a financial bailout in late 2010, Dublin set up its Economic Messaging Unit to coordinate communications between all government agencies, departments and embassies.

Irish embassies from Beijing to Buenos Aires were issued rebuttal points last week, a normal practice for major stories, while Ireland's ambassador in Washington held a conference call with government departments and the state agency charged with attracting investment into Ireland to discuss the next steps.

DINNER JOKES IN BRUSSELS

Within weeks of coming to office in 2011, Prime Minister Enda Kenny summoned all the country's ambassadors to Dublin to brief them on how best to restore a reputation he said was in tatters.

The fresh assault will be similar, one diplomatic source said, adding that the key focus would be liaising with a strong network of contacts in the U.S. Administration and on Capitol Hill, where the leaders of Ireland and the United States traditionally meet for lunch to mark St. Patrick's Day.

While Dublin was able to call on ex-President Bill Clinton to tell U.S. companies last year that they would be "nuts" not to invest in Ireland, the task could be trickier this time with the criticism emanating from its normally friendly ally.

"That was a blindside for Ireland Inc. because we always thought we were on the same page as Anglo-American capitalism. We thought it would stick up for us," said Hugo Brady, senior research fellow at the Centre for European Reform in Brussels.

"The PR side of it is really bad for Ireland because Ireland and tax haven are going together in mainstream conversation in Brussels. It hasn't done our image much good when people start making dinner jokes about Apple being an Irish company."

While Ireland will concentrate its energy in the United States to keep attracting jobs from the likes of Apple, Google and Pfizer, it will also need to keep an eye out for any backlash in Europe where its low corporate tax rate of 12.5 percent has drawn criticism in the past.

One influential member of the European Parliament said that while Dublin should be given time to adjust, it should adopt a standardized European Union tax system and ultimately a minimum rate of corporation tax.

"Ireland should take its hands out of other countries' pockets. Ireland's tax system is designed to tax income other people have earned," Sven Giegold told Reuters, underscoring how emotive the issue will be in elections in his native Germany.

"If you want to heat up a room in an election meeting in Germany, you have to talk about tax avoidance. It has become one of the most emotional topics. People are outraged."

(Additional reporting by John O'Donnell in Brussels; Editing by Will Waterman)

Abandoned Chinese baby rescued from toilet pipe



BEIJING (Reuters) - Firefighters in eastern China have rescued an abandoned newborn baby boy lodged in a sewage pipe directly beneath a toilet commode, state television reported, in a case which has sparked anger on social media sites.

There are frequent reports in Chinese media of babies being abandoned, often shortly after birth, a problem attributed variously to young mothers unaware they were pregnant, the birth of an unwanted girl in a society which puts greater value on boys or China's strict family planning rules.

In the latest case the infant was found in the sewage pipe in a residential building in Jinhua in the wealthy coastal province of Zhejiang on Saturday afternoon after residents reported the sound of a baby crying, state television said late on Monday.

Firefighters had to remove the pipe and take it to a nearby hospital, where doctors carefully cut around it to rescue the baby boy inside, the report said.

The child is in a stable condition and the police are looking for his parents, state television added.

The case has been widely discussed on China's Twitter-like service Sina Weibo due to the graphic nature of the footage, with calls for the parents to be severely punished.

"The parents who did this have hearts even filthier than that sewage pipe," wrote one user.

(Reporting by Ben Blanchard and Sally Huang; Editing by Michael Perry)

Ohio man, 87, skydives to aid sick great-grandson



WAYNESVILLE, Ohio (AP) An 87-year-old World War II veteran has parachuted from a plane in an Ohio to support his ailing great-grandson.

Clarence Turner of Fairfield made the jump Saturday with an instructor. He says he wanted to generate attention for the plight of 10-month-old Julian Couch, who suffers from a lung disease that could require a transplant.

WLWT of Cincinnati reports that (http://bit.ly/14RYHF1) Julian is hospitalized in Columbus. A fundraiser is planned for June 2.

Turner also made a jump at age 85 to fulfill a goal to experience freefalling and landing as he did in the Army. He served from 1944-47, and his last jump was in Japan.

Turner says he also hopes to someday make a parachute jump at an older age than former President George H.W. Bush, who's 88.

Steve Carell helps 'The Office' close its doors in moving finale



By Piya Sinha-Roy

LOS ANGELES (Reuters) - The doors of Dunder Mifflin's Scranton branch closed for the last time on Thursday as NBC's "The Office" wrapped up after a nine-season run with a nostalgic finale featuring a long-awaited wedding and the return of the show's biggest star, Steve Carell.

Emmy-winning mockumentary "The Office," adapted from Ricky Gervais' British series of the same name, saw a documentary crew filming the daily lives of employees at the Dunder Mifflin paper company, led for several years by hapless boss Michael Scott, played by Carell.

On Thursday's 75-minute finale, set six months after the fictional documentary was released, the colleagues all reunite for the marriage of Machiavellian office manager Dwight Schrute (Rainn Wilson), and accountant Angela Martin (Angela Kingsley).

Carell entered the episode as a surprise guest at the wedding, uttering one of Michael Scott's best-known phrases - "That's what she said."

Later as he considered the romances that had formed at the workplace, Carell's character told the camera, "It's like all my children grew up and they married each other."

Over nine seasons, audiences have been treated to numerous office fights, friendships and romances on the NBC sitcom. One of the most compelling storylines was the growing romance of Jim and Pam, played by John Krasinski and Jenna Fischer, as audiences watched them transition from friendship to marriage and parenthood.

For fans of the show, the season finale saw most of the long-standing cast members get their happy ending.

Stanley finally retires, Erin finds her birth parents, Andy capitalizes on becoming an unwilling viral video star, Kelly and Ryan run off into the sunset (albeit abandoning a baby in the process) and Jim and Pam decide to move to Austin, Texas.

The final scenes featured a montage of key moments, including Jim and Pam's romance and the numerous friendships that developed over the years.

"I wish there was a way to know you were in the good old days before you've actually left them," Andy Bernard, played by Ed Helms, said wistfully.

The cast also reflected on the documentary that captured nine years of their lives at the company, which Jim described as "this stupid, wonderful, boring, amazing job."

"Imagine going back and watching a tape of your life. You can see yourself change ... watch yourself fall in love, become a husband, a father. You guys gave that to me," Jim said to the cameras.

LAUNCHING STARS, FALLING AUDIENCES

"The Office," which first aired in 2005, began with a relatively unknown cast, led by Carell, whose breakout film "The 40-Year-Old Virgin" came out the same year.

The show made stars of many of its cast members, leading to high-profile movie roles, and its producers said last year that the outside success of "The Office" actors played a role in the decision to wind it down.

Carell left the show in season seven to focus on his rising film career, which has included roles in "Crazy, Stupid, Love" and "The Incredible Burt Wonderstone."

Helms also made the move to the big screen with roles in "The Hangover" franchise, and Krasinski starred in the recent film "The Promised Land" with Matt Damon.

Mindy Kaling, who plays office mean girl Kelly Kapoor, landed her own Fox sitcom "The Mindy Project," while Craig Robinson, who plays warehouse manager Darryl, scored film roles in "Pineapple Express" and upcoming "This Is the End."

After Carell's exit in 2011, audiences began to turn away from "The Office" and viewership fell to about 4 million last year per episode from a high of about 8 million in 2008.

The show's culmination comes on the heels of another NBC comedy, "30 Rock," bowing out after seven seasons in February.

Prior to the finale, an hourlong retrospective of the show featured cast members and producers talking about the impact of "The Office" on their careers and why fans were drawn to it.

"This is a perfect time for the show to come to a close," Wilson said. "There's a finality to it and a sadness to it."

Wilson had sought to create a spin-off show led by his character Dwight, but it was not picked up for broadcast.

The unlikely star of the show has been the city of Scranton, Pennsylvania, which prior to the show was known for coal mining but not anymore.

As the series drew to a close, tens of thousands of people gathered in Scranton earlier this month to give a rousing send-off to the sitcom that changed the image of the city forever.

"Thank you, Scranton," Carell told the crowd. "This all is because of you."

NBC is a unit of Comcast Corp.

(Reporting By Piya Sinha-Roy; Editing by Bill Trott)

South Africa: Soweto resident shows off her snakes



JOHANNESBURG (AP) Tourists have long flocked to the home-turned-museum of former President Nelson Mandela on Vilakazi Street, a lively strip of restaurants, curio sellers and street performers in the South African township of Soweto. Now the area has a growing attraction: big snakes, and lots of them.

Resident Lindiwe Mngomezulu allows curiosity-seekers to get a close-up look at the non-venomous snakes she keeps in her home, and she drapes them over tourists' shoulders for a small fee. She and her 19-year-old daughter, Nolwandle Duma, started raising snakes three years ago after going to see a snake show and coming away impressed.

Mngomezulu, 55, has two albino pythons, a Burmese python, a boa constrictor, an anaconda and a corn snake. It costs about $30 a week to feed them. She and Duma also own a bearded dragon lizard and two spiders.

They show off their snakes in their Vilakazi Street home, where tourists and local schoolchildren have become regulars. Mngomezulu said many have since overcome their fear of reptiles, which she described as harmless if handled with care. She urged people not to think of snakes as a menace.

"People are killing snakes every day," Mngomezulu said. "That's not right."

Her smallest snake, the corn snake, measures 1.2 meters (3.9 feet). The Burmese python is 3 meters (9.8 feet) long and, at 30 kilograms (66 pounds), is her heaviest snake.

Mngomezulu said her goal is to expand her snake show beyond Soweto. She is awaiting a permit that would allow her to take her snakes to non-residential areas and hopes money raised can help her to buy more snakes and get formal training from a recognized association. She is registered with the West Rand Herpetological Association, a local club for reptile lovers.

Andre Lourens, the association's chairman, said Mngomezulu's show has been instrumental in dispelling the false notion that all snakes are dangerous.

"They are no more dangerous than any dogs running down the streets, if you take into consideration the amount of dog bites here in South Africa or number of people hit by lightning," Lourens said.

Duma is saving money for university, where she plans to study zoology or psychology. She said she hopes her experience interacting with the reptiles and educating people about them could lead to a long-term career working with animals.

'Fast' races past 'Hangover' at weekend box office



LOS ANGELES (AP) It's a blowout at the box office.

"Fast & Furious 6" is revving past "The Hangover Part III" in the No. 1 position at the Memorial Day weekend box office.

Universal Pictures' sixth installment of its muscle car franchise featuring Vin Diesel and Paul Walker debuted with $98.5 million domestically from Friday to Sunday, according to studio estimates Sunday.

Meanwhile, the final edition of the raunchy Warner Bros. comedy trilogy starring Zach Galifianakis, Bradley Cooper and Ed Helms opened with $42.1 million in the No. 2 spot.

Universal estimates that by the end of the four-day holiday weekend Monday, "Fast & Furious 6" will have pulled in $122.2 million domestically and $275.5 million worldwide. That would give it the second-biggest opening of the year behind "Iron Man 3."

Paramount Pictures' sci-fi sequel "Star Trek: Into Darkness" earned $38 million at No. 3 in its second weekend at the box office, while the Fox animated film "Epic" opened at No. 4 with $34.2 million.

Overall domestic receipts for the four-day Memorial Day weekend are expected to come in ahead of 2011's record-breaking $276 million.

Paul Dergarabedian, an analyst for box-office tracker Hollywood.com, estimated that four-day revenues this time will total $323 million, about 15 percent above Memorial Day weekend in 2011, when "The Hangover Part II" delivered a $103.4 million debut.

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Elizabeth Taylor's first wedding dress up for auction



LONDON (Reuters) - The wedding dress worn by film star Elizabeth Taylor for her first marriage to hotel heir Conrad Hilton in 1950 will go up for sale next month, auction house Christie's said on Friday.

The simple, but elegant garment created by Hollywood costume designer Helen Rose for the then 18-year-old Taylor is an oyster shell-colored, floor-length satin gown with a fine silk gauze off-the-shoulder illusion neckline.

The dress, which was a gift from MGM film studios, has a top estimate of 50,000 pounds ($75,300). Rose also designed Grace Kelly's wedding dress for her marriage to the Prince of Monaco.

By the time Taylor married Hilton she was already a veteran actress and was just a year away from her Oscar-nominated performance in Metro-Goldwyn-Mayer's "A Place in the Sun".

The A-list of old Hollywood - Greer Garson, Gene Kelly, Ginger Rogers, Fred Astaire, Esther Williams, and Van Johnson - were among the many stars who came to congratulate the bride.

The star of "Cleopatra" surpassed Michael Jackson as the highest-earning deceased celebrity in a survey released by Forbes in October 2012, with her estate pulling in $210 million, much of it from a 2011 auction of jewels, costumes and art work.

The auction of Taylor's jewels took in $116 million, more than double the record for a single collection, and set new marks for pearls, colorless diamonds and Indian jewels.

Taylor, who died in 2011 at the age of 79, was married eight times, twice to actor Richard Burton, and had a career spanning seven decades.

She first gained fame in 1944's "National Velvet" at age 12, and was nominated for five Oscars, winning best actress for "Butterfield 8" (1960) and "Who's Afraid of Virginia Woolf?" (1966), which also starred Burton.

(Reporting by Paul Casciato; Editing by Michael Roddy)

A controversial victory lap for Lewis at Cannes



CANNES, France (AP) Jerry Lewis, so beloved in France, isn't quite overcome with emotion now that he's back at the Cannes Film Festival.

The festival, he says, is "for snobs," and when he meets a reporter from his native land, he exhales, "It's so nice to hear an American." To him, Cannes isn't an epicenter of rabid Lewis fandom, it's simply "business," he says, chomping on gum.

And at 87, Lewis is back in business. Nearly two decades since his last film, he's at Cannes with "Max Rose," a modest independent film in which he stars as an elderly man reconciling himself to life without his late wife.

"I'm very happy to relax and stay home with my family, and if something comes up, I'll consider it," Lewis, in an interview, said of his return to movies. "That's the nice part about 87. You just tell people: Oh, you're very tired."

At Cannes, Lewis has been anything but tired, both burnishing and tarnishing his legacy as a brilliant comedic performer. His Cannes tribute the festival paid "homage" to him in an out-of-competition screening of "Max Rose," as well as with a screening of his 1961 classic "The Ladies Man" has been overshadowed by his views about female comedians.

In a press conference, Lewis told reporters that his earlier-stated feelings haven't changed in recent years: Comedy isn't for women, he claims. A day after his comments roiled women across the Internet, Lewis wasn't apologetic, saying he sees females as mothers, not stand-ups.

"It's the truth. I can't help it," Lewis says, shrugging. "Women, it's just wrong. I don't care that the audience laughs at it and likes it. I don't happen to like it. I have too much respect for the gender. And I think that they are wrong in doing it. I can't expect them to stop working, but just don't work anywhere where I have to look at it."

It's a clearly out-of-date attitude that has turned many away from Lewis. In Cannes, "Max Rose" didn't help his reputation. The film, by first-time filmmaker Daniel Noah, drew terrible reviews at the festival. Variety said only "the most irrationally charitable of Lewis' fans" will appreciate it.

But such opinions mean little to Lewis. He made the film with Noah purely because he liked the script the best he's ever read, he says. It's the rare film to tell a story about the struggles of growing older, featuring a downbeat performance from Lewis far from the elastic farce his fans are accustomed to seeing.

Asked why he hadn't made a film since 1995's "Funny Bones," Lewis responds: "You see the movies they're putting out? What am I going to do, discuss that?"

Noah, who wrote the script based on his grandfather, sought out Lewis with little expectation of landing him. Months after sending the screenplay, Lewis called him and committed over the phone. Lewis told him he hadn't planned to make another film, but decided, "I gotta give them one more Jerry picture."

"I was braced for a difficult experience," says Noah. "I saw nothing but horror stories about how he was controlling and irascible and unpredictable and moody. . But I cannot explain to you the chasm between the man that othjcoers seem to know and the man that I know. I have not had a single moment of tension with him, of difficulty. He has been like a grandfather to me."

Noah says Lewis who helmed more than a dozen films in his career, including 1963's "The Nutty Professor" left the directing completely to him. He gave his famous star little direction, save for the occasional reminder to be more minimal, more "sad clown," says Noah.

"He's a wonderful kid," says Lewis. "When you're 87, almost everybody's a kid."

Lewis has continued to perform concerts "a wonderful way to make a fortune," he says. Retirement is not on the table. "I'm happiest when I'm on the stage," says Lewis, who was honored with the Academy Awards' humanitarian award in 2009 after years of telethon hosting for the Muscular Dystrophy Association.

"Wherever the audience is is where you want to go," he says. "And if you're a ham, like me, you go wherever the action is. You see a lens and a crew and say, 'Yeah!'"

At the press conference in Cannes, Lewis proved that he still has his pugnacious wit and eagerness for laughs.

Asked about Dean Martin, Lewis' famed comedy partner in the '50s, he responded: "He died, you know. When I arrived here and he wasn't here I knew something was wrong." (Martin, with whom Lewis parted acrimoniously, died in 1995.)

"I've worked hard to sustain a reputation of: If you buy a ticket, you know you're going to get entertained," says Lewis. "That's what I was taught."

Lewis may be many things talented, funny, honest, out-of-touch, sexist but perhaps above all else, he's an entertainer. "Max Rose" marks his 82nd year performing.

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Austrian overcomes fear of heights to aim for slackline record



FRANKFURT, May 25 - An Austrian man tip-toed along a line strung 185 meters (607 feet) off the ground in Frankfurt on Saturday, attempting to set a new world record for "highlining" despite his fear of heights.

Reinhard Kleindl, 32, used only his arms to balance as he walked twice along a 30-metre-long polyester rope anchored to the two wings of Frankfurt's U-shaped skyscraper Tower 185 above hundreds of cheering supporters.

Kleindl said he was trying to set a new record for walking the highest urban highline, but no one was immediately available from the World Slackline Federation to confirm if this was a new record.

According to Kleindl, the previous record was set by a group of French adrenaline junkies on a line about 120 meters above the ground, between the Les Mercuriales twin towers in Paris, two years ago.

Unlike tightropes, slacklines are not held rigidly taut, making it harder to balance.

After completing his walks, Kleindl whooped with joy and admitted he was a bit afraid of heights.

"The effect of the height was worse than I had expected. The straight lines of the building just seem to drop down into infinity," said the long-haired and bearded Austrian.

Kleindl, who studied particle physics before becoming a professional slackliner, was due to repeat his walk three times during a two-day skyscraper-themed festival that started on Saturday.

(Reporting by Maria Sheahan; editing by Belinda Goldsmith)

Actress Amanda Bynes denies bong-throwing charges



By Chris Francescani

NEW YORK (Reuters) - American actress Amanda Bynes appeared in court on Friday and denied charges of possessing marijuana and tossing a bong out of the window of her 36th-floor Manhattan apartment.

The former Nickelodeon child star, who appeared in court dressed in gray sweatpants, a long-sleeved black shirt and a disheveled platinum blonde wig, was released on her own recognizance after spending a night in jail after her arrest on Thursday.

She was charged with unlawful possession of marijuana, reckless endangerment and attempted tampering with physical evidence, according to court documents. All the alleged offenses are classified as misdemeanors rather than felonies.

Her attorney at the hearing denied the charges and accused police of entering the actress' apartment illegally.

"Clearly a search was made for the bong and nothing was recovered," attorney Andrew Friedman told the court. "My client completely denies ever having thrown anything out the window. She was followed illegally into her apartment for no reason."

The actress, 27, who has had several brushes with the law in the past year and is on probation for driving on a suspended license in California, was ordered to return to court on July 9.

Bynes said, "Thank you, sir," to the judge before leaving court and entering a taxi cab, flanked by paparazzi.

New York police were called to Bynes' 47th Street midtown high-rise building after an employee there reported that someone was smoking marijuana in the building's lobby.

Police said they were then directed to Bynes' apartment, where the actress invited them in.

Officers said they detected a strong smell of marijuana in the apartment and observed the bong - a tube-shaped water pipe commonly used for smoking marijuana - in the apartment.

Bynes then grabbed the bong and threw it out the window and the actress was taken into custody, police said.

Bynes, who had her own TV comedy sketch show on Nickelodeon at the age of 13, has gained a strong Internet following for her recent bizarre behavior and statements on her Twitter social media account.

The actress has not appeared in a film since 2010's "Easy A" and has appeared in court over a slew of driving violations in the past year, including drunk driving, and hit and run.

(Additional reporting by Eric Kelsey in Los Angeles; Editing by David Brunnstrom)

Unhappy with how your fave series is faring? Amazon gives you a say



SAN FRANCISCO (Reuters) - Amazon is once again shaking up traditional publishing models. This time, it's giving fans a chance to add their own personal touches to their favorite fiction - and get paid in the process.

This week, Amazon.com Inc announced "Kindle Worlds," which offers aspiring writers an opportunity to pen their own takes on franchises in books, TV, movies, even games and comics. The world's largest Internet retailer plans to license content, then accept submissions online that may then be sold through its Kindle ebook store.

Things will kick off with Amazon licensing three teen TV series - "Gossip Girl", "Pretty Little Liars" and "The Vampire Diaries" - from Warner Bros Television Group's Alloy Entertainment, Amazon said on its website. More content deals will be announced in coming weeks.

Amazon has in the past decade emerged as the most disruptive force in publishing. It popularized digital books with its Kindle store and e-reader, contributing to the demise of traditional bookstores such as Borders.

In its effort to legitimize fan fiction, the company is establishing a model under which it acts as publisher and pays fan-writers between 20 and 35 percent of sales, depending on length.

"There's probably not an author/fangirl alive who hasn't fantasized about being able to write about her favorite show," budding novelist Trish Milburn enthused on Amazon's website. "The fact that you can earn royalties doing so makes it even better."

(Reporting by Edwin Chan; Editing by Phil Berlowitz)

Prosecutor in Berlusconi sex trial receives mail with bullets



MILAN (Reuters) - The prosecutor in former prime minister Silvio Berlusconi's sex trial has received a series of anonymous letters of threats, including one with two bullets, Milan's chief prosecutor said on Thursday.

The letters against Ilda Boccassini have become more frequent since she requested a six-year jail sentence and a lifetime ban on holding public office for Berlusconi, Edmondo Bruti Liberati said.

"In the last few weeks there has been a crescendo of anonymous letters containing serious threats against Boccassini, including one yesterday containing two bullets," Bruti Liberati said in a statement.

On May 13, Boccassini requested the jail sentence and public office ban for Berlusconi, who is charged with paying for sex with a Moroccan night-club dancer when she was a minor and abusing his office to have her released from police custody.

In a six-hour-long closing argument, Boccassini said the so-called "bunga bunga" parties at villa of the 76-year old billionaire media tycoon involved a "system of organized prostitution." Berlusconi has denied the charges.

The verdict is expected on June 24.

(Reporting By Manuela D'Alessandro, Writing by Silvia Aloisi, Editing by Angus MacSwan)

Japanese octogenarian becomes oldest to reach Everest summit



By Gopal Sharma

KATHMANDU (Reuters) - An 80-year-old Japanese mountain climber who has had four heart surgeries reached the top of Mount Everest on Thursday becoming the oldest person to conquer the world's highest mountain.

Yuichiro Miura, who took the standard southeast ridge route pioneered by Sir Edmund Hillary and Tenzing Norgay 60 years ago, reached the top of the 8,848 meter (29,028 feet) mountain at about 9:00 a.m. (0315 GMT). He was accompanied by three other Japanese, including his son, and six Nepali sherpas.

"This is the greatest feeling in the world," he told family members and supporters gathered in Tokyo, speaking from the summit by satellite phone.

"I never thought I'd get to the summit of Everest at the age of 80. It was the best feeling to get here, but now I'm completely exhausted."

Miura, who first climbed Everest in 2003 and repeated the feat five years later, takes the oldest climber record from Nepal's Min Bahadur Sherchan, who reached the summit at the age of 76 in 2008.

"The record is not so important to me," Miura told Reuters in April, before setting off for Everest. "It is important to get to the top."

Miura spent the night at 8,500 meters (27,887 ft) at the Balcony in the so-called death zone before launching his final ascent, rather than the 8,000 meter South Col which is used as a resting place by most climbers before the summit climb, said Gyanendra Shrestha, a Nepal Tourism Ministry official.

His ascent had been watched closely in Japan, with daily broadcasts of phone calls and photographs from the climb - including one night when he and his fellow climbers drank green Japanese tea and ate hand-rolled sushi in their tent high on the mountain.

A noted adventurer, Miura skied down Everest from the South Col in 1970, a feat that became the subject of a documentary. He has since skied down the highest mountains on each of the seven continents, following the tradition of his late father Keizo, who skied down Europe's Mont Blanc at the age of 99.

He trained for the Everest climb by hiking in Tokyo with weighted packs and working out on a treadmill in a special low-oxygen room in his home.

Nearly 4,000 climbers have reached the Everest summit since the pioneering May 1953 climb, while 240 have lost their lives on its slopes.

Miura is not the first record-setter on Everest this climbing season.

Raha Moharrak became the first Saudi Arabian woman to conquer the peak, while Sudarshan Gautam, a 30-year-old Nepali-born Canadian who lost both arms in an accident, became the first double amputee to summit.

Miura's record may only be his to savor briefly. Nepal's Min Bahadur Sherchan, now 81, plans to start climbing the peak this weekend.

(Reporting by Gopal Sharma and Elaine Lies, editing by Elaine Lies and Michael Perry)

Brown hounded for calling Manila 'gates of hell'



MANILA, Philippines (AP) Dan Brown's description of Manila as "the gates of hell" in the American novelist's latest book has not gone down well with officials in the Philippine capital.

The book "Inferno," which is being sold in the Philippines, describes a visitor to the city who is taken aback by poverty, crime and prostitution.

The chairman of metropolitan Manila, Francis Tolentino, wrote an open letter to Brown on Thursday, saying that while "Inferno" is fiction, "we are greatly disappointed by your inaccurate portrayal of our beloved metropolis."

Tolentino objected to the "gates of hell" description, and to Manila being defined by what he calls terrible descriptions of poverty and pollution.

He said that the novel fails to acknowledge Filipinos' good character and compassion.

"Truly, our place is an entry to heaven," Tolentino said. "We hope that this letter enlightens you and may it guide you the next time you cite Manila in any of your works."

Brown's publisher, Doubleday, declined comment when contacted by The Associated Press.

"Inferno" is already a best-seller a little over a week since its debut. The story drawn partly from Dante's epic again features Harvard symbologist Robert Langdon, the protagonist for Brown's blockbuster "The Da Vinci Code" and its follow-up "The Lost Symbol."

In the book, Langdon's companion depicts Manila as a city of "six-hour traffic jams, suffocating pollution, horrifying sex trade."

"I've run through the gates of hell," she said.

It's not the first time that authorities have been angered by an unflattering description of the sprawling city of some 12 million people, where urban shanties and the homeless exist side by side with glitzy shopping malls and walled residential compounds.

In 1999, then-President Joseph Estrada banned Hollywood actress Claire Danes, who shot the movie "Brokedown Palace" in Manila, from entering the country after she said in an interview that the city was smelly, weird and full of rats.

Estrada was elected mayor of Manila in last week's elections on a promise to reverse the city's decay.

Apple enjoyed Irish tax holiday from the start



By Poornima Gupta and Padraic Halpin

SAN FRANCISCO/DUBLIN (Reuters) - Apple has operated almost tax-free in Ireland since 1980, welcomed by a government keen to bring jobs to what was then one of Europe's poorest countries, former company executives and Irish officials have said.

Chief Executive Tim Cook faced criticism from a Senate subcommittee in Washington on Tuesday over the iPad and iPhone maker's tax practices, which had been shrouded from full view behind secretive tax-exempt Irish-based corporate entities.

Apple, one of Ireland's top multinational employers, denied avoiding billions of dollars in U.S. taxes and said its arrangements helped fund research jobs in the United States.

The committee revealed that Apple's Irish companies, some of which are not tax resident in any jurisdiction, allowed the group to pay no tax on much of its overseas earnings in recent years.

Senator Carl Levin, chairman of the subcommittee, said Apple had sought "the Holy Grail of tax avoidance".

A former company executive and Irish officials told Reuters the almost tax-free status dates all the way back to Apple's arrival in County Cork 32 years ago.

Apple must have seemed attractive to Ireland and to Cork. Amid a generally moribund Irish economy, Cork had been hard hit by the closure of its shipyards and a Ford car plant, and in 1986 nearly one in four were out of work in the city.

In the early days, Apple's staff sat down to meals together. Now the company employs 4,000 in Ireland.

"There were tax concessions for us to go there," said Del Yocam, who was Vice President of manufacturing at Apple in the early 1980s. "It was a big concession."

In fact, the deal was about as good as a company can get.

"We had a tax holiday for the first 10 years in Ireland. We paid no taxes to the Irish government," one former finance executive, who asked not to be named, said.

Apple wasn't an exception, although it was among the last to enjoy such favorable treatment. From 1956 to 1980, Ireland attracted foreign companies by offering a zero rate of tax, according to the Irish government's website. Eligible companies arriving in 1980 were given holidays until 1990.

"Any multinational attracted into Ireland that was focusing on the export market paid zero percent corporation tax," said Barry O'Leary, CEO of IDA Ireland, which is charged with attracting investment into Ireland.

Apple said it pays all the tax due in every country where it operates. It declined to comment on the tax treatment it received in the 1980s.

As part of Ireland's accession to the European Economic Community, precursor to the European Union, in 1973, it was forced to stop offering tax holidays to exporters.

From 1981, companies arriving in Ireland had to pay tax, albeit at a low 10 percent rate, providing they qualified for manufacturing status.

ECONOMIC COUP

Apple's investment was a major coup for Ireland. At the time, the country was struggling with high and rising unemployment, double-digit inflation and a brain drain of the young and educated through emigration.

"We were the first technology company to establish a manufacturing operation in Ireland," recalled John Sculley, Apple's CEO from 1983 to 1993. He said government subsidies had also played a role in deciding to set up a base in Ireland.

Ireland also offered low wage rates - a big attraction when it came to hiring hundreds of people for the relatively low-skilled work of assembling electronic equipment.

Apple told the subcommittee it could not answer questions about why it chose Ireland as a base since it had lost the paperwork from the period.

The operation in Cork built the company's Apple II computer and would later build disc drives, Mac' computers and others. These would be sold in Europe, the Middle East, Africa and Asia.

But having a tax holiday in Ireland would not, in itself, have allowed Apple to operate tax free in these markets.

Equipment assembly is not the kind of activity that economists or tax authorities usually credit with generating a large share of a technology company's profits.

More value has been associated with generating the intellectual property behind the technology - which Apple did in the United States - and with the selling of goods, which was to be done on the ground in France, Britain and India.

But none of these countries offered the tax advantages Ireland did. The key to minimizing Apple's tax bill was maximizing the amount of profit that could be ascribed to Apple's Irish operations.

THE ARCHITECT

This task fell to Mike Rashkin, Apple's first tax director, two executives from the period said. One called him "the father of it all".

Rashkin arrived at Apple in 1980, from computer pioneer Digital Equipment Corp (DEC) in Massachusetts, where he had learnt about tax-efficient corporate structuring in tech companies.

Apple had already decided to establish its base in Ireland when Rashkin moved to Silicon Valley, but he used his experience at DEC to set up a tax structure that took advantage of Apple's base in the country, the executives said. Rashkin declined to comment.

The Senate subcommittee's report reveals how the arrangement was structured. In 1980, Apple entered into a deal with its Irish operation, whereby the latter would share the cost of funding Apple's research and development. In return, the Irish unit would be able to enjoy rights to Apple's intellectual property for goods sold outside the Americas.

Apple secured the blessing of the U.S. tax authority, the Internal Revenue Service, for the deal, one executive said. The IRS gave Apple an advance pricing agreement, or APA, an agreement which establishes how the IRS will treat a transaction between affiliates for tax purposes, before it is entered into.

Many countries' tax authorities offer APAs, and companies say they are necessary to facilitate international trade and investment. Tax campaigners say tax authorities have been too ready to accept the pricing proposed by companies which apply for APAs.

The New York Times reported last year that Apple's low taxes were at least in part due to the confidential technology transfer arrangement.

The terms of the deal and subsequent cost-sharing deals were favorable for Apple's Irish unit. In effect, the Irish unit paid much less to its U.S. parent for the use of Apple intellectual property than it made from selling that property on to affiliates.

"Apple's cost sharing agreement (CSA) with its offshore affiliates in Ireland is primarily a conduit for shifting billions of dollars in income from the United States to a low tax jurisdiction," the subcommittee's report said.

Meanwhile, Apple also constructed a system whereby the affiliates which were actually selling the finished equipment would earn minimal profits.

The techniques Apple used over the years included selling goods to affiliates at prices which generated little profit at the retail level, or by paying sales affiliates commissions which are just about enough to cover their operating costs.

Rashkin's work and Ireland's accommodating approach had the desired result for Apple.

"We're very, very pleased," Apple's then-President A.C. Mike' Markulla said in 1981. "The Irish have really lived up to their promises."

Indeed, the accounts for Apple's main Irish unit, then known as Apple Computer Inc. Ltd, for 1989, the earliest year for which detailed accounts were filed, show exactly how effective the arrangement was.

The subsidiary paid $500,000 in income tax on profits of $317 million, a rate of 0.2 percent.

END OF THE HOLIDAY

In 1990, Apple's tax holiday came to an end, and in that year, the Irish operation's tax rate hit 4 percent, accounts from the period show.

At the same time, Apple's Irish manufacturing activities came under question as the company looked to cut costs by outsourcing. In 1992, the company announced plans to cut hundreds of jobs after deciding to shift some work to Singapore, which at this time was attracting increasing investment by offering tax holidays.

"They nearly left Ireland altogether," O'Leary said.

By this stage, the European Community had banned tax holidays of the kind given to Apple, so the company and Dublin negotiated an arrangement which had a similar outcome but fell within European rules.

The precise details of the arrangement were not disclosed, but Phillip Bullock, Apple's head of tax operations, indicated that it was linked to minimizing taxable profit.

"Since the early 1990s, the Government of Ireland has calculated Apple's taxable income in such a way as to produce an effective rate in the low single digits," he told the subcommittee.

The deal didn't stop Apple from shifting manufacturing work to Asia, but in the years that followed new jobs were created in Cork, in sales and administrative support for the European operation, the accounts of the Irish units show. Some manufacturing remains in Ireland, the subcommittee said.

An Irish government spokesman declined to even confirm it held discussions with Apple regarding tax, citing rules on taxpayer confidentiality.

From 1996 Ireland phased in a 12.5 percent tax on all corporate trading income, although foreign companies often pay effective rates lower than this by shifting money into tax havens such as Bermuda.

Apple's Cook told the Senate panel on Tuesday that Apple does not hold money on a Caribbean island or divert profits from sales to U.S. customers to other jurisdictions to avoid U.S. taxes.

(Writing by Tom Bergin; Additional reporting by Conor Humphries in Dublin, Jonathan Weber and Peter Henderson in San Francisco, and Tom Bergin in London; Editing by Giles Elgood)

The new consoles from Microsoft, Nintendo and Sony



NEW YORK (AP) Microsoft is the last of the three big video game console makers to unveil its latest gaming system. The unveiling comes nearly eight years after the Xbox 360 went on sale. It follows last fall's debut of Nintendo's Wii U and a preview in February of the upcoming PlayStation 4 from Sony.

Each machine has a set of features designed to draw gamers away from rival consoles. There's one thing all three have in common, though: They are about more than gaming and include entertainment services such as television, movies and music.

Here's a closer look at the three systems. More details are expected at the E3 video game conference in Los Angeles next month.

Wii U (Nintendo)

The Japanese gaming company launched the Wii U, the follow-up to its popular Wii, in November, making it the only new console out for last year's holiday season. The console features a tablet-like controller with a touch screen, called the GamePad, which can be used to control games on the TV set or to play games separately, as you would on a regular tablet computer. It also allows someone with a GamePad to have a different experience with a game than someone playing it at the same time with a regular Wii controller.

The GamePad also serves as a fancy remote controller to navigate a TV-watching feature called TVii. The service groups your favorite shows and sports teams together, whether it's on live TV or an Internet video service such as Hulu Plus. And it offers water-cooler moments you can chat about on social media.

Unlike the Wii, the Wii U features high-definition graphics. In doing so, Nintendo's system catches up to the years-old Xbox 360 from Microsoft and the PlayStation 3 from Sony.

Sales of the Wii U have been disappointing, with 3.5 million sold as of March 31, the end of Nintendo's fiscal year. Nintendo Co. had originally expected to sell 5.5 million units and later lowered the forecast to 4 million, but it still fell short.

Price: Starts at $300 but some retailers have offered it at lower prices.

PlayStation 4 (Sony)

Sony shared some details about the PlayStation 4 in February, but it didn't show what the console would look like. The company said the PS4 would essentially be a "supercharged PC," much like the Xbox. That's a big departure from the old and idiosyncratic PlayStation design and should make it easier for developers to create games.

But the adoption of PC chips also means that the new console won't be able to play games created for any of the three previous PlayStations. Players will have to stream older games over the Internet.

Other new features revolve around social networking and remote access. With one button, you can broadcast video of your game play so friends elsewhere can watch. You can also run a game on the PS4 to stream over the Internet to Sony's mobile gaming device, the PlayStation Vita, which debuted last year.

The PlayStation online network will have access to Sony's video and music services, as well as Netflix, Hulu and Amazon as long as you have subscriptions to those services. You'll also be able to access Facebook.

The PS4 will have a Blu-ray disc drive for movies, just like the PS3. The console will go on sale this holiday season, though Sony Corp. has not disclosed an exact date.

Price: Not yet announced.

Xbox One (Microsoft)

Microsoft's new console seeks to deliver the Holy Grail of home entertainment an all-in-one device that lets you watch television, play movies, listen to music and browse the Internet as well as play video games.

The Xbox One lets you use voice commands to switch between watching TV and playing "Call of Duty," or ask "What's on HBO?" to view a TV channel guide. Simply connect your cable or satellite set-top box to the game machine with an HDMI cable.

A new version of Microsoft's camera-based Kinect controller offers better motion and voice detection than the one currently available. Unlike the Xbox 360, the Xbox One will require Kinect, which will come with the package.

Microsoft also reached a multiyear deal with the National Football League to develop new interactive viewing experiences, such as the ability to watch games, chat with other fans, view statistics, access highlights in real time and gather fantasy information about players and teams all on a single screen.

Although Nintendo's Wii was the most popular of the three at first, the Xbox 360 has outsold its rivals in recent years largely because of its robust online service, Xbox Live, which allows people to play games with others online for as much as $60 a year with annual plans. Activision Blizzard Inc.'s "Call of Duty," has been a driving force behind Xbox Live, and Microsoft said players will be able to download new content for upcoming titles in the series on the Xbox One before any other system.

The new console will also add the ability to play Blu-ray discs, matching what Sony has in its older PlayStation 3. What it won't play are games for the Xbox 360.

Microsoft said the system will launch this year, but it did not give a date during Tuesday's unveiling.

Price: Not yet announced.

Singer and Piaf songwriter Georges Moustaki dies at 79



PARIS (Reuters) - French singer and songwriter Georges Moustaki, beloved in France for his songs celebrating liberty and collaborations with Edith Piaf, died on Thursday after a long illness. He was 79.

The Greek-born singer grew up in Alexandria, Egypt, and arrived in Paris in 1951, where he began to play guitar at nightclubs and met some of the period's best-known singers.

He was introduced to Edith Piaf in the late 1950s and started to write songs for the Parisian star, the most famous of which was "Milord" about a lower-class girl who falls in love with an upper-class British traveler.

Developing a reputation as a singer in his own right in the mid-1960s, the hirsute and heavily bearded Moustaki achieved fame with songs including the immigrant ballad "Le Meteque" and "Ma Liberte", a hymn to the 1960s free-living spirit.

Moustaki, a life-long advocate of left-wing causes, ended his singing career in 2009, later telling newspaper La Croix that he was suffering from an irreversible bronchial illness that made it impossible to carry on.

French Culture Minister Aurelie Filippetti hailed an "artist with convictions who conveyed humanist values... and a great poet", and Twitter was flooded with tributes to a singer who many said had defined their childhoods.

(Reporting By Marine Pennetier and Elizabeth Pineau; Writing Nicholas Vinocur, editing by Paul Casciato)

Talk of lies, pride as Trump case goes to jury



CHICAGO (AP) The lawyer for an 87-year-old woman who accuses Donald Trump of cheating her in a skyscraper condo deal told jurors in Chicago on Wednesday that he was personally repulsed because he felt the "Apprentice" star conned his client and lied about it on the witness stand.

Plaintiff attorney Shelly Kulwin's comments came during a sarcasm-filled closing argument at the federal civil trial that pits Jacqueline Goldberg against the billionaire real estate mogul-turned TV showman.

His voice rising, Kulwin portrayed the case as a battle between Trump, who he described as a wheeler-dealer, and a woman with wholesome values learned growing up during the Depression.

Trump, of New York, wasn't in court for the closings. But Kulwin projected a photograph of the beaming developer on a large courtroom screen.

"The thought of my grandma being in the same room with that guy. Yuck!" Kulwin said. The judge told jurors to disregard the comment.

Later, the attorney said Trump was motivated to cheat his client by a love for money.

"It's like his family, those dollars," Kulwin said.

Jurors withdrew to begin deliberations later Wednesday but went home after 90 minutes without reaching a verdict. They were to resume Thursday morning.

City pride intervened during closings when Kulwin appeared to make an unfavorable reference to executives in New York.

"Judge, he's mocking New York," Trump attorney Stephen Novack said, standing to object.

"I can't mock New York?" Kulwin shot back. "I thought it was every Chicagoan's right to do that."

Addressing jurors next, Novack accused Kulwin of resorting to personal attacks on Trump out of desperation and a lack of evidence.

Goldberg alleges Trump persuaded her to buy two condos at around $1 million apiece in Chicago's glitzy Trump International Hotel & Tower by promising she would share in building profits. But, Goldberg says, Trump reneged after she committed to the investment.

"It's called a bait and switch," Kulwin told jurors. "Here's the bait. Here's the switch."

But Trump's attorney described Goldberg as a detail-oriented investor who knew the contract that she signed stipulated Trump could cancel the profit-sharing offer as he saw fit.

"She knows the drill," Novack said. "Nobody put a gun to her head (to sign)."

He later added: "Mrs. Goldberg went into this deal with her eyes wide open."

Since the contract gave Trump rights to change the profit-sharing offer, Novack said the onus was on Goldberg's attorneys to prove Trump secretly plotted to defraud her before she even signed up to buy.

"What do they call it? A bait and switch," he said. "Switch is not enough. ... There is no evidence whatsoever of a secret plan."

In two days of sometimes combative testimony last week, Trump denied cheating Goldberg. And he told reporters outside court that he was the victim, not her. He declared, "She's trying to rip me off."

On Wednesday, though, Kulwin said Trump took the stand "to lie, evade and spout infomercials."

He also mocked Trump for telling jurors he never took notes of business meetings and therefore couldn't say when certain decisions were made and by whom.

"People who don't want to be found out don't write things down. They're not stupid," Kulwin said. "And Donald Trump may be a lot of things, but he's not stupid."

Kulwin told jurors Goldberg was seeking a total of $6 million in damages.

"Send a message not just to Mr. Trump ... but to others like him," he said pounding his hand on a podium. "You can say to them, 'These people who do these things have crossed the line.'"

In his final remarks, Trump's attorney told jurors their obligation was to the evidence, not to their sense of sympathy or to any urge to send a message.

"This isn't the chance for you to decide that Wall Street is bad ... and (now) we're going to show these fat cats," Novack said. "Look at the facts."

___

Follow Michael Tarm at http://www.twitter.com/mtarm

A Minute With: Zachary Quinto on 'Star Trek,' Spock and coming out



By Zorianna Kit

LOS ANGELES (Reuters) - Actor Zachary Quinto has transitioned swiftly from a television villain into an unlikely action film star in J.J Abrams' rebooted "Star Trek" franchise, playing the series' most recognizable half-Vulcan, Spock.

The 35-year-old actor, who gained fame as super-villain Sylar in sci-fi television series "Heroes," will reprise his role as the pointy-eared first officer of the starship Enterprise in "Star Trek Into Darkness," which will be released in theaters on Friday.

The actor spoke to Reuters about the challenges of playing Spock and why he chose to go public about being gay.

Q: "Star Trek Into Darkness" has more action, set pieces and destinations than the 2009 reboot. Is that right?

A: You're right. It's a larger scale version of the "Star Trek" story. The first one was about re-conceiving people's perceptions of "Star Trek," and trying to infuse it with new energy. The self-contained and more intimate nature of that film made sense. Now, people are more familiar with us as these characters so this movie builds on that and expands on it.

Q: What is Spock struggling with in this film?

A: I think he's learning how to be accountable and responsible to the people he loves and cares about. He is learning to embody and live the qualities of what it means to be a friend and what it means to be responsible to other people emotionally, because that's not the place from which he leads. He needs to learn how to integrate that part of himself and honor the feelings he has for the people he loves.

Q: What do you learn from Spock on a personal level?

A: I have an inherent understanding to his nature, which is one of duality - the head versus the heart. That is certainly something I can relate to. As someone who has been considered pretty intellectual and wordy, I also have a deep well of emotional life. I understand what it means to be in constant relationship to both of those aspects of myself.

Q: Which of Spock's qualities do you aspire for yourself?

A: The equanimity with which he deals with every situation in front of him, and the thoughtfulness and care he gives to measure his reactions. Sometimes I can be a little extreme in my reaction to something. I respect his reservedness and pensive consideration, which is an aspect of me but outweighed by my instinctual or impulsive reactions to things sometimes.

Q: In this film you're jumping into volcanoes and off of barges. You're fighting, running, chasing. Did you ever think of yourself as an action star?

A: I can't say I ever planned on that. But I will say I really thrived in that environment. I enjoyed those specific challenges and the relentlessness of it. I don't necessarily know I want every movie to be that way, but I wouldn't mind revisiting that again at some point down the line.

Q: How close are you with the cast?

A: We are very, very good friends in real life. When the first movie happened, it was a life changing experience for all of us. We were going through it at the same time and relied on each other for support and for the excitement of that time. That energy is starting to kick back up again. We look forward to spending time together on these extended periods where we're traveling around the world.

Q: You used your "Star Trek" clout to form a production company, Before the Door Pictures, whose first film, 2011's "Margin Call," was nominated for a best screenplay Oscar. Did that change things for you?

A: I think "Margin Call" did similar things for my production company that "Star Trek" did for me as an actor. The way that film was received really did authenticate my company and allowed us more access and more connections than we might have had otherwise.

Q: In between the two "Star Trek" films, you made some headlines when you said you were gay. Was coming out a big deal?

A: It was obviously a very big deal. It wasn't about formality or stopping rumors because I don't really pay attention to rumors in the first place. It was a very specific move that I made because there was a rash of teen suicides at the time (the victims were gay).

Q: How did that relate to you?

A: I felt it incumbent upon me to do something about that if it was in my power, which is was. So for me that was a very specific and emotional time. I felt very grateful for the response that it generated and the work on behalf of the LGBT community it has allowed me to do subsequently.

Q: Some actors feel that by coming out it could impact the roles they get to play. Did you feel it hindered your career?

A: Not one bit.

(Editing by Piya Sinha-Roy, Patricia Reaney and Vicki Allen)

Singer George Michael gets medical treatment after car crash



LONDON (Reuters) - British singer George Michael has received medical treatment after a car crash on Thursday, his publicist said.

The 49-year-old former Wham! frontman was being treated for "minor cuts and bruises" after the accident, Michael's spokeswoman said.

"George Michael was a passenger in a vehicle involved in a traffic accident yesterday evening, no third party was involved," a spokeswoman said on Friday. "He is being treated for superficial cuts and bruises but is fine."

British media reported that the accident occurred just outside London on a motorway during rush hour.

The "Careless Whisper" singer has suffered a string of accidents and health scares recently.

Last year he canceled his tour of Australia due to "major anxiety" brought on by a 2011 battle with severe pneumonia in Vienna, where he was treated in intensive care for a month for a life-threatening illness.

Michael has sold an estimated 100 million records over his career, but has hit headlines in recent years for his personal life more often than for his music.

In 1998 he was arrested in California for "engaging in a lewd act" in a public toilet and also had a number of run-ins with British police for possession of narcotics. He served a term in jail for driving under the influence of cannabis.

(Reporting by Paul Casciato; editing by Mike Collett-White)

A stretched Samsung chases rival Apple's suppliers



By Miyoung Kim

SEOUL (Reuters) - Overtaking Apple Inc as the world's leading maker of smartphones has stretched Samsung Electronics Co's in-house supply lines, and the South Korean firm is now courting some of its rival's main parts suppliers.

After costly courtroom battles over technology patents, the two gadget giants are now going head-to-head over securing the best supply of parts as they jostle to rule the $253 billion smartphone market. The two took 100 percent of the industry's profit in January-March, Canaccord Genuity data show.

Trampling on Apple's supply patch could make life tough for the U.S. firm as it prepares for its next product line-up including a cheaper iPhone for emerging markets such as China. Having Samsung muscle in on its suppliers could drive up costs and lead to component bottlenecks, disrupting product launches.

Samsung's huge in-house supply chain - providing parts from displays and powerful processors to memory chips and batteries - has been a core strength in its war for smartphone supremacy. As it now looks to widen its lead with products spanning both the high and cheap-and-cheerful ends of the market, Samsung's supplies have become stretched, prompting it to hunt elsewhere to ensure it isn't caught short.

"The next round of the post-patent battle for them will be over component supplies," said Lee Sun-tae, an analyst at NH Investment & Securities. "Who wins access to the best performing components in class in large quantity - that's the key ... and explains why Samsung is shopping for components more than ever."

SHARP AND SOUR?

Samsung has made overtures to traditional Apple partners such as Japanese display maker Sharp Corp and South Korean chipmaker SK Hynix. Samsung, which buys most of its mobile screens from its Samsung Display unit, last year placed orders with Sharp for high-resolution LCD screens for its popular Galaxy range of products, though it later canceled the order, said two people familiar with the matter, asking not to be named as the negotiations were confidential.

Sharp, in which Samsung bought a 3 percent stake earlier this year for $110 million, said this week it was seeking to boost sales to the Korean firm, potentially souring the Japanese company's ties with Cupertino, California-based Apple.

Samsung is also using more chips made by Qualcomm, another major Apple supplier, in its flagship Galaxy S, which went on sale late last month.

Some other suppliers who provide parts to both Apple and Samsung include Toshiba Corp in NAND memory chips, Sony Corp, in image sensors, and Corning Inc for its Gorilla Glass used in iPhones, iPads and Galaxy products, industry data show.

STMicroelectronics and Bosch, the only mass producers of pressure sensors used in navigation features, supply those parts for the Galaxy range, and could be tapped by Apple for future products, according to research firm iSuppli.

TINY OVERLAP, BIG IMPACT

For sure, Samsung still buys the majority of its components in-house, and the overlap with Apple on external suppliers is, so far, limited. BNP Paribas estimates that more than 80 percent of component profits generated by Galaxy S4 sales go to Samsung itself and its units.

But even a tiny overlap can be damaging as smartphones are constantly upgraded to more powerful computing and media devices - allowing users to take pictures, shoot video, play music, game online, watch TV and navigate - raising the need for more and smarter components.

"Any disruption in even small parts that you wouldn't think are really core, say headphones, can affect product launches," said Lee at NH Investment & Securities.

For example, Taiwan's HTC Corp, which has slipped out of the top-10 smartphone makers, reported a record-low quarterly profit last month after delaying the full launch of its flagship model due to a shortage of cameras.

"Having a single supplier carries a lot of risk. Bearing that in mind, Samsung may even consider using LCD along with OLED in its signature Galaxy S range to reduce its total reliance on Samsung Display," said Song Jong-ho, an analyst at KDB Daewoo Securities.

Samsung Display doesn't produce LCDs for smartphones so as it boosts sales at the lower end of market it needs to outsource LCDs. The Korean firm uses the more expensive OLED display only on its high-end models.

NOT SO DIFFERENT

Outsourcing more components could mean Samsung will lose some of its hardware differentiation - a big selling point for the Galaxy range - and be seen as just selling generic phones, say some analysts.

The Exynos 5 Octa processor, which Samsung touted as having 8 brains designed to maximize energy efficiency while multi-tasking, is not used in the S4 models sold in the United States. Instead, Qualcomm's Snapdragon chips will power the phone in that crucial market, with Exynos chips used in select markets such as South Korea and some European countries.

"Given that Qualcomm chips are also found in rival products, and the much-heralded launch of smartphones with flexible display appears to be delayed, I'm worried Samsung is losing its hardware differentiator," said BNP Paribas analyst Peter Yu.

Samsung says both Qualcomm and its own chips have passed its rigorous quality standards and both will provide satisfactory user experience. "We'll continue to resort to multi vendors to ensure smooth supply," Kim Hyunjoon, vice president of Samsung's mobile business, told analysts on a recent earnings call.

Samsung's Exynos processors accounted for around 30 percent of the S3, but that is likely to fall to around 10 percent in the S4, analysts said.

"Qualcomm's latest chips are getting good reviews from carriers, which I think forced Samsung to switch in favor of Qualcomm from Exynos in the S4," said KDB Daewoo's Song. "There's even a possibility Apple may drop its own processor and go for Qualcomm chips in some future devices."

FLEXI-TIME?

Losing some of its hardware appeal and taking longer than expected to come up with innovative products such as flexible or wearable devices are additional challenges for Samsung, which is getting only mixed reviews for its efforts to improve software capability to integrate better with hardware.

In a recent review of the S4, Walt Mossberg, a gadget expert for the Wall Street Journal, said Samsung's software was "often gimmicky, duplicative of standard Android apps, or, in some cases, only intermittently functional.

Despite the lukewarm reviews, consumers keep snapping up the S4, according to carriers. For the first time in at least three years, Samsung last year spent more on marketing than on research and development, seeking to pick up market share in the absence of new, competing models from Apple. And Samsung's operating profit is seen topping Apple's this quarter for the first time in years, J.P. Morgan analysts predict.

"There's not much left in terms of what you can do to really differentiate your product as everybody's thinking something similar - flexible or wearable," said NH Investment & Securities' Lee.

In late 2011, Samsung told analysts it planned to introduce flexible displays on handsets "some time in 2012, hopefully the earlier part than later", but a year later it said the technology was still "under development." It again demonstrated prototypes of flexible phones earlier this year, but executives now say they can't disclose the timing of flexible smartphones.

Rivals are also moving fast. LG Electronics Inc, the third-biggest smartphone maker in January-March on strong sales of its high-end Optimus G model, said last month it planned to introduce an unbreakable smartphone by the year-end.

(Additional reporting by Mari Saito and Reiji Murai in TOKYO; Graphic by Catherine Trevethan; Editing by Ian Geoghegan)

Apple CEO makes no apology for company's tax strategy



By Patrick Temple-West and Kevin Drawbaugh

WASHINGTON (Reuters) - Apple Inc Chief Executive Tim Cook made no apology on Tuesday for the iPad maker saving billions of dollars in U.S. taxes through Irish subsidiaries and told lawmakers that his company backs corporate tax reform, even though it may end up paying more.

The Senate Permanent Subcommittee on Investigations has found that Apple in 2012 alone avoided paying $9 billion in U.S. taxes, using a strategy involving three offshore units with no discernible tax home, or "residence."

Cook, in his first congressional testimony since becoming Apple CEO in 2011, said his company is a major taxpayer, handing over nearly $6 billion in cash to the U.S. government in 2012.

"We expect to pay even more this year," Cook said. "We pay all the taxes we owe."

But Senator Carl Levin, chairman of the subcommittee and a veteran tax sleuth, said Apple had sought "the Holy Grail of tax avoidance," creating one Irish unit that paid no income taxes to any national tax authority for the past five years.

Levin said Apple used Ireland as a base for a web of offshore holding companies and negotiated a deal with the Irish government for a tax rate of less than 2 percent. The top U.S. corporate tax rate is 35 percent, one of the world's highest.

Cook said Apple did not depend on tax gimmicks. "We don't move intellectual property offshore and use it to sell our products back to the United States to avoid taxes. We don't stash money on some Caribbean island," he said.

In Ireland, where low corporate taxes have been an economic development tool for many years, the government said it had not made a special tax deal with Apple. If Apple's tax rate was too low, it was the fault of other countries, deputy prime minister Eamon Gilmore told national broadcaster RTE on Tuesday.

White House spokesman Jay Carney said on Tuesday that President Barack Obama "thinks it is inexplicable that our tax code would actually be written in a way that rewards companies for taking jobs and profits offshore."

HP, MICROSOFT PRECEDED APPLE

Subcommittee staffers said on Monday that Apple was not breaking any laws and had cooperated fully with the inquiry.

Levin's panel has previously examined what it called tax avoidance by other U.S. technology giants, including Hewlett-Packard Co and Microsoft Corp. The senator said Apple has used similar tax avoidance strategies.

Senator John McCain praised Apple as a success story, but he said the company's tax strategy reflected a "flawed" tax system.

"For years, Apple has opted to forego fully contributing to the U.S. Treasury and to American society by shifting profits and circumventing U.S. taxes," McCain said.

Cook said Apple agreed with those in Congress who want to reform corporate taxes and called for changes that include lower corporate income tax rates and a reasonable tax on foreign earnings.

"Apple recognizes these and other improvements in the U.S. corporate tax system may increase the company's taxes," he said in prepared testimony.

Many U.S. multinationals take advantage of a tax law that allows profits earned abroad to be tax-free as long as they are not brought into the United States, or "repatriated." Total U.S. corporate profits parked offshore rose 15 percent to $1.9 trillion last year, according to research firm Audit Analytics.

Taking advantage of this law and others, the offshore earnings of U.S. companies have risen 70 percent in the past five years, Audit Analytics said two weeks ago.

"The baldness of the Apple strategy surprises me more than anything else," said University of Southern California Law Professor Edward Kleinbard. "European member states are going to be very angry with Apple and very angry with Ireland."

OFFSHORE MANEUVERS

Offshore profits are typically taxed by the countries in which they are earned, but companies work hard to move offshore profits into countries with lower tax rates, like Ireland.

One way this is done is through "transfer pricing," or the management of moving goods and services across international borders from one corporate unit to another. Sometimes companies move valuable intellectual property to a low-tax country, then bring profits derived from its use into that country through royalty payments and other structures.

Levin's panel said Apple used a cost-sharing agreement "to transfer valuable intellectual property assets offshore and shift the resulting profits to a tax haven jurisdiction."

Assessing taxes on these arrangements is one of the biggest challenges facing U.S. tax collectors, said Mark Mazur, assistant secretary for tax policy at the Treasury Department, who testified after Cook.

The panel also said Apple took advantage of loopholes in tax law and regulations known as "check the box" and "look through" that let some offshore units be disregarded for tax purposes, sheltering substantial profits from taxation.

Levin has unsuccessfully called for closing the "check the box" and "look through" provisions of the tax code.

The Levin inquiry comes at a turbulent time in tax circles, with the U.S. Internal Revenue Service under investigation because of the way agents handled conservative political groups' applications for tax-exempt status.

It is not clear, however, whether that controversy and Levin's allegations will lead to an overhaul of the U.S. tax code. Tax law writers in Congress had been inching forward on such a project before the IRS scandal erupted earlier this month. Levin's inquiry has been under way for months.

Shares of Apple closed down 0.7 percent at $439.66 on Tuesday.

(Additional reporting by Roberta Rampton in Washington, Tom Bergin in London, Conor Humphries in Cork, Padraic Halpin in Dublin; Writing by Kevin Drawbaugh; Editing by Lisa Von Ahn and Tim Dobbyn)

Justin Bieber, Taylor Swift big winners at Billboard Awards



(Reuters) - Pop stars Justin Bieber and Taylor Swift won the big prizes on Sunday at the Billboard Music Awards, which also honored legendary performers Madonna and Prince.

Bieber, who was named top male artist, also performed at the show at the MGM Grand Garden Arena in Las Vegas. He also took home Billboard's first Milestone Award, chosen by fans, for musical innovation and ingenuity.

"I'm 19 years old. I think I'm doing a pretty good job, Bieber said. "It should really be about the music. This is not a gimmick. I'm an artist and I should be taken seriously. And all this other bull should not be spoken of."

The teen heartthrob did not elaborate, but in recent months he has been involved in several high-profile incidents ranging from driving offenses to reports of hard partying and drugs being found on his tour bus in Sweden.

Swift won the top award of the night, artist of the year. She thanked her fans by telling them: "You are the longest and best relationship I've ever had."

Pop diva Madonna was named top touring artist for her "MDNA Tour," 2012's highest-grossing concert series.

Madonna strode onstage to accept the accolade from will.i.am, wearing black fishnet stockings, garters and a padlock choker.

The MDNA tour grossed more than $305 million from 88 sold-out shows and attracted an audience of 2.2 million people. Madonna acknowledged her fans, saying: "A showgirl needs her fans. Thank you for supporting me for three decades."

She also thanked her four children for being "incredibly supportive."

The Billboard Music Awards, hosted by "30 Rock" star Tracy Morgan, opened with Bruno Mars performing "Treasure."

Early awards went to Macklemore and Ryan Lewis, who won top rap song for "Thrift Shop," and Nicki Minaj, who took home the top rap artist honor.

Carly Rae Jepsen's "Call Me Maybe" was named top digital song, while Swift took home the top Billboard 200 album award for "Red."

French producer and DJ David Guetta was named top electric dance music artist.

Among musical highlights, Bieber performed "Take You," which was chosen by his fans via Twitter, before pairing up with will.i.am for "#ThatPOWER."

Other musical pairings included Jennifer Lopez and Pitbull singing "#LiveItUp," Minaj and Lil Wayne who performed "High School," and Christina Aguilera and Pitbull singing "Feel This Moment."

Selena Gomez, Chris Brown, Icona Pop, South Korea rap sensation Psy and Swift, who was nominated for 11 Billboard awards and received eight, performed as well.

In an apparently unscripted moment, Miguel, performing "Adorn," leapt from the stage and landed feet-first atop two young women. No mention was made on the broadcast as to whether they were injured.

The show ended with the Icon Award for Prince, in recognition of his unique career and accomplishments in the music industry. Prince performed a medley to close the show, but did not deliver an acceptance speech.

(Reporting by Chris Michaud; Editing by David Brunnstrom and Stacey Joyce)

Toback, Baldwin eye Cannes movie-making underbelly



CANNES, France (AP) A phrase you will hear often at Cannes is: "Let me run the numbers."

The commercial underbelly of the Cannes Film Festival is a nonstop frenzy of deal-making in luxury hotels along the Croisette promenade and aboard yachts moored offshore. Films are pitched with various ingredients a director, a script, a few stars as agents and talent pursue international investors and domestic distributors to bankroll their movies.

For director James Toback, any claims about the running of "the numbers" of treating moviemaking as an analytical science is blatant "pseudo research."

"This is where you really need, desperately, a sense of your own value," Toback said in a recent interview. "A sense of your own value as a person and an artist."

A year ago, Toback swam through Cannes' sprawling marketplace with cameras and Alec Baldwin in tow, documenting the painful, sometimes humiliating process of trying to get a movie funded at Cannes. He and Baldwin returned to the Cote d'Azur festival Tuesday to premiere the product of that shooting, "Seduced and Abandoned."

Even for Toback, a veteran director whose career has ranged from his 1974 debut "The Gambler" to the 2008 Mike Tyson documentary "Tyson," and Baldwin both of whom know well the ways of Hollywood witnessing today's financing process was a sobering experience.

"It's worse than I thought," says Toback. "It's tougher than I thought. The reasons not to do (a movie) are more blatant. And also the flip-of-the-coin idiocy with which decisions are made. There is a pretense of coherent value. There's a kind of Ponzi scheme at work, where people like to believe that they're acting from some sort of covert intelligence."

Baldwin, who has contemplating reentering the film business full-time following his run on the successful NBC TV comedy series "30 Rock," also finds the current film business daunting.

"The movie business is tough, and it's tougher now than ever," he said sitting on a terrace off the Palais, the center of the festival. "Sometimes I wonder if I'll ever make another movie again."

The Cannes market has grown to be the world's largest for the buying and selling movie projects. For decades, it's been standard practice to begin bankrolling a film by first selling international distribution rights. In recent years, Hollywood studios have focused increasingly on major blockbusters with enormous marketing budgets, leaving less room for mid-budget dramas.

"Seduced and Abandoned," which HBO picked up ahead of its Cannes premiere, begins with a quote attributed to the late director Orson Welles: that 95 percent of his life is spent trying to raise money for movies, and 5 percent is actually making them.

"It's no way to live," said Toback.

To capture the reality of the process, Toback and Baldwin ("the Ed McMahon to his Johnny Carson," says Baldwin) last year went around Cannes pitching a film, to be directed by Toback and to star Baldwin and Neve Campbell.

They proposed a version of Bernardo Bertolucci's notorious "Last Tango in Paris," to be titled "Last Tango in Tikrit" that would feature the same "exploratory sex" of the 1972 Marlon Brando original. (Although many later assumed the project was charade for the documentary, Toback insists he still hopes to make it.)

They set out hoping to make the film for $15 million to $20 million, but most people they interviewed tell them it's more likely a $3-5 million project. ("I'm too old for that," says Toback.)

It would be better, too, if they could get a bigger-name actress, they were told. One financier suggested that Baldwin go back to submarine films like "The Hunt for Red October." Another called him a "TV actor."

"The film has to be two things," says Baldwin. "It has to be Jimmy and I humbling ourselves trying to sell a movie here and it is humbling. And then some sort of homage to Cannes."

It also pays homage to movies in general. Interviewed about their irrational love of film are Francis Ford Coppola (who says cinema is "given by the gods"), Roman Polanski, Martin Scorsese, Ryan Gosling, Bertolucci and Cannes director Thierry Fremaux. They're all there to make a case for what Toback calls "the mysterious, intuitive process" of moviemaking.

"Seduced and Abandoned" takes on an elegiac tone of nostalgia complete with a booming score by the late Russian composer Dmitri Shostakovich for the older, more daring days of the movie business.

Shot in a blitz at Cannes, Toback had to figure out much of the film once he got home. They did additional shooting to tie things together after being rejected from the Sundance Film Festival earlier this year.

But Toback says he can't imagine having a better time making a film. Baldwin says it was "exhilarating."

"I would just assume go make more documentaries like this with Jimmy," says Baldwin, who also recently signed on as producer of "Elaine Stritch: Shoot Me," a documentary about his "30 Rock" co-star. "Let's take some iconic tableau in society the Super Bowl, a murder trial . the Country Music Awards. We'll think of something that's just a world unto itself and go and make a documentary."

"We'll see," he adds with a grin. "He and I have some ideas."

___

Follow AP Entertainment Writer Jake Coyle on Twitter at: http://twitter.com/jake_coyle